A violin method for children aged four and older with a Spanish text supplement. Par SASSMANNSHAUS EGON. Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the end of the first book, many English children?s songs using all fingers have been played and note values from whole to eighthnotes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole. The original German violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany . For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father?s successful method for English-speaking children./ Méthode / Violon

Fiddle Tunes hongrois présente une collection de plus de 140 pièces pour violon solo tiré de la riche tradition de musique folklorique hongroise. Avec des airs couvrant une gamme de styles de Verbunkos, à Csárdás, à Magyar Nota, expérimenté populaire violoniste Chris Haigh fournit des notes sur toutes les pièces, en expliquant les aspects techniques du style de jeu. Le volume est accompagné d'un CD avec un enregistrement de tous les morceaux réalisés par Chris. Traductions en allemand et en français de tous les textes sont disponibles en téléchargements libres de pdf à partir du site Schott Music. Convient pour les joueurs de niveaux 3-8.Une partie de la série World Music best-seller, qui comprend également la musique de violon de l'Angleterre, Irlande, Ecosse, Europe de l'Est, l'Amérique, l'Argentine, l'Inde, la Chine et la Corée. / Violon

Capricious Pieces for Beginner Violinists. Par FINE ELAINE. Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied./ Etude / Violon

Vivez la musique excitante de la tradition Marichi! Tout au long de mariachi interprète et pédagogue John Nieto rejoint Bob Phillips de fournir authentiques paramètres d'orchestre de familiers, des airs traditionnels pour orchestre à cordes seules, groupe de mariachis seul ou orchestre à cordes et bande de mariachi ensemble. Trompette livres et d'accompagnement sont disponibles pour fournir des pièces optionnelles pour trompette, guitare, Guitarron, vihuela, piano et harpe. Historique idées de fond et la disposition sont fournis dans le manuel de l'enseignant. / Violon

Par STACY PHILLIPS. Méticuleusement prélevés dans les enregistrements, les danses carrées et contra, concours de violon, jam sessions individuelles violoneux - cet ouvrage est destiné à fournir un aperçu de ce que violoneux américains jouant et ont été écouter dans la dernière partie du XXe siècle. Comme le format d'enregistrement vinyle disparaît du marché, beaucoup de musique de violon enregistrée ne sera plus disponible. Dans ce livre, Stacy Phillips partage des fruits de certains collecte en temps opportun pour tous les violoneux de jouir. Flexions, doigtés et accords de guitare sont fournis pour chaque ligne de la mélodie. / Niveau : Tous Niveaux / All Styles - Solos / Recueil / Violon

Saßmannshaus, Egon / Sassmannshaus, Kurt Early Start on the Violin, Volume 1 A violin method for children age four and olderwith a French text supplement La méthode d?initiation aux instruments à cordes d?Egon Saßmannshaus publiée par Bärenreiter est réputée depuis longtemps dans les pays germanophones et anglophones et permet une initiation précoce solide tout en étant ludique. Un cahier supplémentaire en français reprenant les deux premiers volumes de la méthode « Early Start on the Violin » est désormais disponible afin de rendre l?accès aux francophones plus facile. Ce cahier peut être commandé séparément ou avec un des deux premiers volumes de la méthode pour violon, sans supplément de prix. Il peut également être téléchargé ci-dessous. Le premier volume de Early Start on the Violin présente l'apprentissage la lecture des notes, leurs valeurs et les altérations de manière adaptée aux jeunes enfants. Différents coups d'archet ainsi que l'usage de la main gauche sont introduits en s'appuyant sur des chansons enfantines connues. L'utilisation de plusieurs structures de la main gauche est un des aspects les plus importants du second volume. Cette technique pose de manière convaincante les bases nécessaires à une virtuosité précoce. Edition no.: BA 9666 ISMN: 9790006542338 Volume / Series: Bärenreiter's Sassmannshaus Language(s) of text: French, English Product format: Performance score(s) Includes the following individual parts: Violin Binding: Stapled Pages / Format: 64/11 S. - 30,0 x 23,0 cm

Le six-volume 'Technique Violon systématique' couvre tous les aspects du violon et permet de fournir une base complète pour l'apprentissage, l'enseignement et la pratique de musiciens. Les volumes contiennent des suggestions importantes pour la préparation raisonnable et approprié de passages techniquement difficiles en chefs-d'oeuvre de la musique. La simple idée de mettre en place la technique du violon sur une combinaison de changement de situation feuille changez, changez les cordes, les doigts et changeant, est développée de façon systématique et fournit - semblable à une 'armoire à pharmacie pour Geiger' - un concentré d'exercices ciblés applicables. Dans le même temps leur donne une technique de violon complète et systématique aperçu indispensable de tous les composants de la technologie et de ses interrelations. Eh bien pensé et bien éprouvées exercices de la plume du Professeur Helmut Zehetmair (Mozarteum) et le professeur Benjamin Bergmann (Université Johannes Gutenberg de Mayence). / Violon

Violin Scales and Arpeggios Grade 7 contains all the scales and arpeggios required for ABRSM's Grade 7 Violin exam.Includes all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, helpful introduction including advice on preparing for the exam, all in a user-friendly format and clear page layout.NB: Revised scale and sight-reading requirements come into effect for all bowed strings instruments from 1 January 2012. Unlike with the new Violin set pieces, there is no overlap period for the new scale and sight-reading requirements. The current requirements end on 31 December 2011. The new requirements do, however, represent a longer-term change and extend beyond the four years of the Violin syllabus. / Violon / Partition

Designed for those in the intermediate stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade Four examination, however, even if you do not intend to take an examination, the handbook's appealing content of musical repertoire and educational material provides a structured and comprehensive method of studying the violin. This handbook contains all the required pieces and technical work for the grade and also includes sections on musical knowledge, sight reading and aural ability - in fact, absolutely everything you need for this grade! There are 9 pieces including works by Smetana and Richard Rodney Bennett. Piano accompaniments are included. / Exams / Etude / Violon

Qui a dit que vous ne pouvez pas faire de la musique pop avec des instruments à cordes? Le nouveau volume de notre populaire \'Pop pour violon de la série \'fournit du matériel nouveau suffisant pour les instrumentistes à cordes qui veulent jouer non seulement des pièces classiques, mais les chansons pop ainsi. Les arrangements sont spécialement conçus pour le violon, c\'est à dire qu\'ils sont faciles à jouer et le son très agréable. Le CD fourni contient tous les titres à la fois une complète et une version play-along. Ainsi, la pratique et le jeu est encore plus amusant. Toutes les pièces contiennent une partie de violon en second ainsi. La variété parfaite de pièces pour des leçons et pour jouer à la maison! / 1 Ou 2 Violon(s)

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for the way in which the music is organised (notated on four staves, one for each string) but also because of the way in which it was conceived musically. The concept of polyphony is brought to an extreme level, at least in conceptual and visual terms, in this composition. Its brief structure is reminiscent of a kind of four-part chorale written in score. It is characterised by its lyrical and elegant writing style, where the four voices move in polyphonic fashion, giving birth to an extremely refined harmonic texture. This critical edition is based on the manuscript kept in the Österreichische Nationalbibliothek of Vienna compared with the modern editions. / Niveau : Avancé / Répertoire / Violon

Discovering Creative Improvisation For String Players. Par WALLER JULIANNA. Learn how to improvise and explore your creativity with this method developed by acclaimed fiddler, violinist, and instructor Julianna Waller. This book is divided into four Skill Sections and presented in workbook format. Each exercise includes basic and advanced examples as well as easy progress tracking. The unique improvisatory activities entice the imagination through imagery, observation, external stimuli, art projects, and memories! This multifaceted methodology is appropriate for novice and professional string players of the fiddle, violin, viola, and cello and is adaptable to many musical styles. A high-quality play-along recording is provided to support your practice and entice your imagination! The recording includes all examples from sections two and three, piano and full band accompaniment tracks for the I - IV - V7 - I chord progression in ten keys, and excerpts from two bluegrass compositions by the author. / Niveau : Intermédiaire à Avancé / Bluegrass and Country - Improvisation / Recueil / Violon

24 Etudes-Caprices Op. 41 by Delphin Alard (1815-1888) are excellent study material. Alard, the violin teacher of Sasasate, composed these studies in the 24 keys. Due to their musical variety, melodic beauty and cantabile voice leading, they are much more than technical studies; they might be described as character pieces in the best sense. The studies meet the two demands principally made on this genre: to both cover specifically certain technical tasks and be appealing as a music piece so that the musician likes to play them. Contenu - C major: playing three and four-part chords - playing in high positions on the G string - A minor: string-crossing - shifting with the left arm - spiccato bowing - G major: alternating double-stopping (melodic line)-solo line - E minor: cantabile melodic line - ornamentation - D major: double-stopping - harmonics - ricochet bowing - B minor: consistent legato bowing - expressive melodic line alternating with accompanying figures-A major: double-stopping (mainly in sixths) - three-part chords - ricochet bowing - F minor: legato study - E major: double-stopping (mainly in thirds) - C minor: playing a melody on one string - tremolo - B major: waltzes- lively dance-like patterns - G minor: ornamenting notes - long legato bowing - Gb major: legato string-crossing - Eb minor: lightness and elegance of tone - staccato - Db major: dotted rhythms - Bb minor: alternating solo melodic line- double-stopping - Ab major: Caprice for bringing out tone quality when playing legato - F minor: restless tied notes - lyrical lines in the middle section - Eb major: continuous tremolo accompanying figures - C minor: ricochet bowing - legato string-crossing - Bb major: alternating solo line- double-stopping - G minor: double-stopping with syncopations - F major: double-stopping dotted notes in horn-fifths - D minor: Bolero in virtuoso style - double-stopping - staccato bowing - lyrical middle section