Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Bailamos; Cherry Pink And Apple Blossom White; Guantanamera; La Bamba; La Isla Bonita; Livin' La Vida Loca; Oye Mi Canto (Hear My Voice); Soul Limbo

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Swing' features idiomatic arrangements of swing classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Chattanooga-Choo Choo Ch'Boogie; I've Got A Gal In Kalamazoo; In The Mood; I Don't Mean A Thing (If It Ain't Got That Swing); Jersey Bounce; Pennsylvania 6-5000; A String Of Pearls

Présentation Jean-Marie Leclair est le plus éminent représentant de l?école française de violon du XVIIIe siècle. Cette nouvelle publication en partition des Editions du Centre de musique baroque de Versailles propose à tous les violonistes, mais aussi aux ensembles, spécialistes ou non de ce répertoire, de jouer ses concertos, véritables manifestes d?une virtuosité instrumentale au service du goût musical français. Jean-Marie Leclair naît à Lyon en 1697. A partir de 1722 il effectue plusieurs voyages dans le Piémont, où il sera en particulier l?élève de Somis qui lui transmet l?enseignement du fameux Corelli. Cette rencontre, déterminante pour le compositeur, lui fait embrasser une carrière de soliste. Sa virtuosité, toujours au service de la musique, bouleverse entièrement la pratique violonistique en France, créant une véritable école. De 1728, où démarre sa carrière au Concert Spirituel à Paris, jusqu?à son assassina en 1764, il n?aura de cesse d?écrire et de jouer, que ce soit pour son instrument ou dans des ?uvres ambitieuses. Ce concerto pour violon et orchestre op. VII n°5, probablement des années 1737, est en la mineur. En trois mouvements (Allegro, Largo, Allegro assai), il dure environ un quart d?heure. A la façon d?un concerto grosso, un ?Violino concertino? alterne la direction de l?orchestre et de larges passages solo. L?orchestre est constitué de deux parties de violons, une partie d?alto, une partie de basse et d?une basse continue. Généralités Période : baroque Genre : profane Contenu Introduction (langue) : français Musiques : Concerto pour violon et orchestre op.VII n°5