SKU: CF.CM9570
ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47Â was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:Â (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!
SKU: HL.35027254
UPC: 884088492908. 5.0x5.0x0.154 inches. Gospel Music by Lee Dengler Words and Music by Joseph M. Martin.
Uses: General, concert Scriptures: Isaiah 7:14; Matthew 1:8-25 A fantastic acclamation of praise filled with rhythmic drive and festive spirit. This call to celebrative worship can be a theme song for your choir as it affirms its ministry through the gift of music. The mixed-meter joy of the opening theme gives way to a more lyric middle section before returning to the commanding sweep of the opening theme. Score & Parts for Flt 1&2, Oboe, Clt 1&2, Bassoon, Horn 1&2, Tpt 1, Tpt 2&3, Tbone 1&2, Bass Tbone/Tuba, Timp, Perc 1&2, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass.
SKU: HL.1103658
ISBN 9781705176719. UPC: 196288101673. 6.75x10.5x0.029 inches. John 12:13, Matthew 21:8, Psalm 92:12.
With the character of a noble procession, this introit is an excellent mingling of artistry and functionality. Easily learned, and impressive in its impact, choir and handbells join together to create the perfect opener for your Palm Sunday services.
SKU: LO.10-1513S
UPC: 000308033823.
Based on joyful words from Psalm 138, this triumphant anthem of praise will surely be a highlight of any service. The ambitious and dynamic accompaniment under girds the solid choral writing.
SKU: CA.210300
ISBN 9790007244668.
The Choral Collection Psalms contains over 50 settings for mixed unaccompanied choir from six centuries. It is a true treasure-trove of compositions in various styles and levels of difficulty: with some unknown new discoveries and some classics of the choral literature, the selection will enrich both worship and concerts. The 150 psalms of the Old Testament express rejoicing, joy, confidence, but also lament, grief, anger, and even doubt. The psalms are present throughout Christianity and Judaism to this day, and are sung worldwide in countless settings. The Choral Collection Psalms displays the whole stylistic and linguistic variety ranging from contemplative, simple Anglican chant through Russian Orthodox homophony to virtuoso motets with jazzy echoes. The linguistic spectrum is equally broad: English, French, German (some with added singable English translation), Estonian, Icelandic and, of course, Latin psalm settings are represented, as well as works in Church Slavonic and Hebrew (both accompanied by transliterations and a singable German text). The foreword (German / English) offers many hints regarding the performance of the psalm settings, and a detailed index will help with choosing appropriate pieces for the liturgical occasion according to the Anglican, Protestant, or Catholic calendar. Over the last ten years editor Stefan Schuck has performed two psalm compositions every week in his NoonSong series in Berlin. From the resulting 800 works, he has selected the most interesting compositions arranged according to level of difficulty. The choral director's volume includes a CD with recordings of selected works, sung by sirventes and conducted by the editor, which will help with learning and rehearsing the repertoire. over 50 psalm settings from six centuries for worship and concert use stylistic variety and mixed levels of difficulty: from Anglican Chant to virtuoso motets for four-part mixed choir, some with organ/piano accompaniment transliterations and German singing texts help with practising cross-cultural repertoire liturgical classification of all settings for Catholic, Protestant, and Anglican lectionary includes many unknown jewels such as Boze, Boze moj (Cesar Cui), Jauschew be seser eljaun (David Rubin), and Schubert's setting of Psalm 23 in the first Hebrew version CD recording (sirventes berlin, cond. Stefan Schuck) with a selection of settings helps with getting to know the pieces economical choral edition (editionchor) available.
SKU: MB.WBM75M
ISBN 9781737795353. 8.75X11.75 inches.
This is a collection of 86 guitar solos in notation only from William Bayâ??s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
SKU: BP.BP2285
6.875 x 10.5 inches.
Dan Forrest's three settings of Hallelujah Psalms (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement Hallelu Yah, just as the three Psalms do. Optional percussion (inspired by the text of Psalm 150 and the scriptural account the psalmist Asaph playing the cymbals; 1-2 players) adds an additional layer of sparkling energy. May be performed as a set as individual movements, suitable for worship or concert settings.School, Church, Community AdultCollegiateScripture reference: Psalms.
SKU: BP.BP2286
SKU: BP.BP2287
SKU: GI.G-8927
UPC: 785147892700. English. Text Source: The Book of Common Prayer, 1928: 1. Psalm 9:1–2, 10, alt., 2. Psalm 121:1–2, 7–8, alt., 3. Psalm 104:1, 31, alt. Scripture: Psalm 9:1–2, 10, Psalm 121:1–2, 7–8, Psalm 104:1, 31.
With texts extracted from the psalmody of The Book of Common Prayer, this small trio offers a distinct mood for each song: majestic, calm, and joyful. They could be used individually during religious services or as an ideal concert grouping.
SKU: HL.279971
UPC: 888680761592. 5.0x5.0x0.173 inches. Psalm 45.
Another addition to a series of publications dedicated to the Psalms, this lofty anthem is replete with sensational melodic material and sweeping crescendos. Using music as a spiritual and poetic focus, the song delivers a portrait of the divine with regal results. The piano is substantial and captures the orchestration with colorful figurations and engaging patterns. A soaring final stanza passionately expresses the epic truth of God's love with joyful abandon. The anthem ends quietly with the thought, Christ is the theme that stirs my heart to sing. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, mallet perc, aux perc, timp, hp, pno, solo vn, vn 1-2, va, vc, db) available as a digital download.
SKU: AU.9780806698632
ISBN 9780806698632.
In this second volume of The Psalm Project, Richard Bruxvoort Colligan presents musical reflections and settings of selected psalms. Written for congregational use, each of these remarkable and rich songs will enliven your worship. These songs represent psalms of the Revised Common Lectionary for the seasons of Advent and Christmas.
SKU: HL.357636
UPC: 840126943658. 6.75x10.5x0.029 inches. I Corinthians 11:17-34, John 6:53, Psalm 34:8.
A sparkling piano pattern provides the underscore for this joyful song of grace, and pleasing themes adorn the text as the anthem unfolds to inspire a spirit of worship. The invitation to come to the table is an ideal moment to encourage unity, and this song of faith is an excellent choice for communion gatherings or any time!
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