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ACCORDION
BAGPIPE
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BANJO
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BASSOON
BLANK SHEET…
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CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
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DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
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HANDBELLS
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MUSICAL COU…
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OUD
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WHISTLE
XYLOPHONE
ZITHER
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ACCORDION
Cello, Orchestra
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Concerto (PORPORA NICOLA ANTONIO)
Cello, Orchestra
[Part]
Schott
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoi...
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Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoire / Violoncelle et Orchestre à Cordes
13.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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Concerto (PORPORA NICOLA ANTONIO)
Cello, Orchestra
[Part]
Schott
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoi...
(+)
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoire / Violoncelle et Orchestre à Cordes
13.90 EUR - Sold by LMI-partitions
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Concert (PORPORA NICOLA ANTONIO)
Cello, Orchestra
[Sheet music]
Schott
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoi...
(+)
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoire / Violoncelle et Orchestre à Cordes
55.50 EUR - Sold by LMI-partitions
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Concerto (PORPORA NICOLA ANTONIO)
Cello, Orchestra
[Part]
Schott
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoi...
(+)
Par PORPORA NICOLA ANTONIO. Durée: 18', Format: New Edition portrait/ Répertoire / Violoncelle et Orchestre à Cordes
11.10 EUR - Sold by LMI-partitions
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Nocturne, Op. 90 (Po + Parties Séparées) (BACRI NICOLAS)
Français
Cello, Orchestra
[Sheet music]
Chant du Monde
Par BACRI NICOLAS. / Répertoire / Violoncelle et Orchestre à Cordes
46.40 EUR - Sold by LMI-partitions
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Sonata (PENDERECKI KRZYSZTOF)
Cello, Orchestra
Eulenburg
Per Violoncello Ed Orchestra. Par PENDERECKI KRZYSZTOF. Détails de la formation...
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Per Violoncello Ed Orchestra. Par PENDERECKI KRZYSZTOF. Détails de la formation instrumentale: 0 · 0 · 0 · 4 (Kfg.) - 6 · 0 · 3 · 1 - S. (Tamt. · 2 Bngs. · Tr. · 3 Holzbl. · Peitsche · Clav. · Guiro) (4 Spieler) - Klav. - Str. (24 · 0 · 8 · 8 · 6) - Durée: 10' - Format: Parisien portrait/ Répertoire / Violoncelle et Orchestre
18.87 EUR - Sold by LMI-partitions
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Cheremissian Fantasy (KLAMI UUNO)
Cello, Orchestra
[Sheet music]
Fennica Gehrman
Par KLAMI UUNO. / Répertoire / Violoncelle et Orchestre
41.20 EUR - Sold by LMI-partitions
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Konzert Für Violoncello Und Orchester (1960) (BIALAS GUNTER)
Cello, Orchestra
[Sheet music]
Barenreiter
Par BIALAS GUNTER. / Répertoire / Violoncelle et Orchestre
35.40 EUR - Sold by LMI-partitions
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Letter To A Cellist (MERILAINEN USKO)
Cello, Orchestra
[Sheet music]
Fennica Gehrman
Par MERILAINEN USKO. / Répertoire / Violoncelle et Orchestre
45.80 EUR - Sold by LMI-partitions
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Anneau Du Tamarit
Cello, Orchestra
Jobert
Cet ouvrage est un hommage à Lorca dont le dernier recueil de poèmes (Divan du...
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Cet ouvrage est un hommage à Lorca dont le dernier recueil de poèmes (Divan du Tamarit) peut apparaître, a posteriori, comme une prémonition de sa propre mort. Les neuf Casidas, qui en composent la seconde partie, sont autant de visions désespérées ou amères que Maurice Ohana imagine peuplant la mémoire du poète tout au long de la route de la Fontaine aux larmes qui fut son chemin de croix. Mots et images tournent autour du condamné, anneau qui l'encercle, l'emprisonne, mais aussi le protège à l'heure ultime. L'ouvrage est d'un seul tenant, les séquences s'enchaînant comme autant de visions tour à tour sombres, violentes, déchirantes, dépouillées ou tragiques, en un poème de la mort qui rejoint, après vingt-cinq années, cet autre poème de mort qu'était le Llanto por Ignacio Sanchez Mejias. / Contre-ténor et ensemble
47.90 EUR - Sold by LMI-partitions
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Alfred Schnittke: Cello Concerto No.1: Cello: Study Score
Cello, Orchestra
Sikorski
für Violoncello und Orchester-Schnittke?s first cello concerto was written duri...
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für Violoncello und Orchester-Schnittke?s first cello concerto was written during a near fatal time in his life after having suffered a severe stroke in 1985 during which his heart stopped three times. Upon recovery he completed the concerto the music becoming more dissonant and discordant with the melodies more contorted.The first cello concerto was a monumental endeavor for large orchestra and approximately 40 minutes in duration. The work was written for Schnittke?s close friend Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic exhausting the performer both technically and emotionally. The last fourth movement creates an unusual structuralprogression ending in what feels like a celestial hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere and I?ve just written it down.Available here is the study score for Schnittke?s emotionally and technically demanding Cello Concerto No.1. This Sikorski edition study score is well presented and provides an excellent resource for study or perusal use.
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Thomas Agerfeldt Olesen: Cello Concerto: Cello: Score
Cello, Orchestra
[Sheet music]
Wilhelm Hansen
Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To...
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Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To the memory of my mother'. Written to Nicolas Altstaedt on commission from Aarhus Symfoniorkester and Die Duisburger Philharmoniker with support from The Danish Arts Foundation First perfomance in Århus Sept 24 2015. Programme note: This concerto contains a lot of technical and structural stuff that I have forgotten all about now. Without it though the piece would have been a big mess of emotions since it was written while my family and I were taking care of my mother as she was terminally ill. I recognize ithaving become a kind of rondo. The music wanted a place to return to and perhaps it is due to the fact that my mother was always someone I could return to when everything else was exploding. In the end the rondo dies and the music goes somewhere else like all mothers.
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Emergences - Nachlese Vi (JARRELL MICHAEL)
Français
Cello, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ra...
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Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back to some musical ideas which I liked and found interesting, but were inappropriate in a different context and to develop them in new directions. When choosing a title I like it to refer to different techniques used in the piece, but also very directly to what is heard at some moments. For instance, in the first movement the orchestra 'emerges' from the very fast and nervous line played by the soloist and then, later, the 'climax' of this movement 'emerges' from the fast line then played by the orchestra. This piece is dedicated to Jean-Guihen Queyras and Thierry Fischer. / contemporain / Répertoire / Violoncelle et Orchestre
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Easter Triptych
Cello, Orchestra
Belaieff
La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Piet...
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La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Pietà, la Vierge et le crucifié, BEL 499 - triptyque de Pâques, la Vierge par la Croix, BEL 497) est l'une des oeuvres tardives de Mouravieff. Trois pièces peuvent être joués ensemble ou séparément. Mouravieff était très intéressé par la tragédie grecque antique, et cela l'a amené à tenter de faire revivre l'art grec antique du mouvement. En plus de concevoir des rythmiques avec battements forts et faibles, il a continué à faire usage de rythmes grecques antiques et plus tard appliqué ses réflexions au rythme de la respiration. Il décrit cette en termes de battements longs et courts (1,5 et 1 longueur) avec une césure approprié. Par le biais de cette dualité, qui correspondent à des patrons de respiration ou l'impulsion (certains musiciens peuvent aujourd'hui trouver cela plutôt difficile), Mouravieff a tenté d'une manière idiosyncratique d'utiliser pleinement l'élément important du rythme de la musique. / Violoncelle Et Orchestre De Chambre
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Peter Sculthorpe: Cello Dreaming: Orchestra: Score
Cello, Orchestra
[Sheet music]
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Intermediate
Faber Music Limited
Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own...
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Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There along the coastline Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality.
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Fanfares
Cello, Orchestra
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Bohuslav Martinu: Concerto No.2 For Cello And Orchestra: Cello and Accomp.:
Cello, Orchestra
Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...
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This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
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Poul Ruders: Polydrama: Cello: Score
Cello, Orchestra
[Sheet music]
Wilhelm Hansen
Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orches...
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Cello Concerto No. 1-Poul Ruders Polydrama (Manyfold Event) for cello and orchestra is the last part of a drama trilogy otherwise consisting of Dramaphonia' for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until finally nothing remains but bare branches in a landscape of long shadows; a solitary singing bird remains however like a streak of hope in an increasingly dark and pessimistic universe.
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Lydie's Blues - Partition
Français
Cello, Orchestra
[Sheet music]
Billaudot
Voici une partition musicale pour Orchestre et plus spécialement pour Grande Fo...
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Voici une partition musicale pour Orchestre et plus spécialement pour Grande Formation que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Jazz & Blues, cette partition dont le titre est LYDIE'S BLUES - PARTITION a été composée par le célèbre compositeur Barbet Patrick. C'est l'éditeur Billaudot sous la référence EDFR0021 1 qui a les droits pour éditer cette partition. / Grande Formation / Partition
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Edward Elgar: Concert E Op.85: Mixed Ensemble: Study Score
Cello, Orchestra
Barenreiter
Edward Elgar’s concerto for violoncello his last major work is a cleanl...
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Edward Elgar’s concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton.This is the last word on this famous work a referenceedition for every cellist!First ever critical editionAll existing sources consultedFirst ever critical commentaryFull score & parts (BA9040) cello & piano (BA9040-90) and study score format 22.5 x 16.5cm (TP398) available for sale
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Edward Elgar: Concerto: Cello: Instrumental Work
Cello, Orchestra
Barenreiter
e minor-Edward Elgar's concerto for violoncello his last major work is a clean...
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e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News
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Edward Elgar: Concerto: Cello: Score
Cello, Orchestra
Barenreiter
The Barenreiter Facsimile seal is used exclusively for facsimile publications th...
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The Barenreiter Facsimile seal is used exclusively for facsimile publications that meet the highest technical and scholarly demands. The distinguishing features include A facsimile in high resolution full-colour printing reflecting the original Specially selected paper Decorative binding in keeping with the historic theme Individually trimmed pages as far as the edition allows A commentary by internationally renowned scholarsFacsimile of the autograph in the Royal College of Music LondonWith an introduction by Jonathan Del Marand a preface by Stephen Isserlis (English/German)
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