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Violin
ACCORDION
Cello, Piano
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Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano: Cello: Score
Cello, Piano
[Sheet music]
G. Henle
Salut d'amour op. 12 for Violoncello and Piano-Edward Elgar’s Salut Dâ...
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Salut d'amour op. 12 for Violoncello and Piano-Edward Elgar’s Salut D’Amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts the work became anenormous success early on. There are numerous arrangements but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188) Piano solo (HN 1190) and Violoncello and Piano.Up tonow there has only been an arrangement of the Cello part made by the original publisher presumably with Elgar’s approval. We are now for the very first time publishing the version following Elgar’s autographmanuscript which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition.
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Pop Romance (SCHMITZ MANFRED)
Cello, Piano
-
Intermediate
AMA Verlag
Par SCHMITZ MANFRED. Have fun learning through the combination of classical play...
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Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano
34.90 EUR - Sold by LMI-partitions
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of ...
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?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.
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Claude Debussy: Nocturne et Scherzo: Cello
Cello, Piano
Faber Music Limited
This piece dates originally from May 1882 when Debussy made his first public ap...
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This piece dates originally from May 1882 when Debussy made his first public appearance as a composer at a musical soiree in Paris accompanying the violinist Maurice Thieberg. Among the work performed on that occasion was a Nocturne and Scherzo for Violin and Piano by the 19-year-old composer which has since disappeared. In June Debussy made a new version for Cello and Piano which survives in autograph manuscript and is published here - in this new edition by the musicologist and cellist Neil Heyde - for the first time.Although the title implies two separate pieces the Nocturne et Scherzo is a hybrid piece in which the opening Scherzo material surrounds a cantabileepisode of nocturnal character.
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Richard Strauss: Sonate F-dur Opus 6 für Violoncello und Klavier: Cello and
Cello, Piano
G. Henle
Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet ...
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Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?
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Arvo Pärt: Fratres: Cello: Score
Cello, Piano
Universal Edition
Fratres (original setting for violin and piano) was commissioned by the Salzburg...
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Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th 1980 at that very place (violin: Gidon Kremer piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style this piece allows many different settings because it is not bound to a specific klangfarbe (tone color).
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Butt-Chen: Cellowise 2: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
Spartan Press
Another volume in this highly acclaimed series premiering sensational new arrang...
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Another volume in this highly acclaimed series premiering sensational new arrangements for cello. CELLOWISE 2 includes Lacrimosa by Mozart Paganini's La Campanella Prokofiev Romeo and Juliet Brahms Waltzes Op. 39 and Bach's Gavotte en Rondeau from Violin Partita in E made famous by Segovia.With the drama and spectacle of Prokofiev's Romeo and Juliet acrobatic leaps and fun of the Fair in Moussorgsky's Gopak reflective chiaroscuro of the Brahms Waltzes the fireworks of Paganini's La Campanella mystical Lacrimosa of Mozart's Requiem or Bach's colourful variations in the Gavotte en Rondeau this selection explores vivid and dramatic themes fromthe great Classics. It is idiomatic to the cello clear and accessible in technical format and makes a practical and versatile concert handbook for cellists of all ages.ContentsBach * 3. Polonaise (from Suite No. 2 BWV 1067) * 4. Gavotte en Rondeau (from Partita No. 3 in E major BWV 1006)Brahms * 7. Waltz op. 39 No. 9 * 8. Waltz op. 39 No. 15Handel * 1. Hornpipe (from the Water Music) * 2. Air (from the Water Music)Mozart * 5. Lacrimosa (from the Requiem K626)Mussorgsky (Moussorgsky) * 9. Gopak (from Sorochintsky Fair)Paganini * 6. La CampanellaProkofiev * 10. Montagues and Capulets (from Romeo and Juliet)
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Christopher Le Fleming: Air And Dance (Bass Clef): Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Chester
The bass-clef version of two pleasant and pastoral movements by Christopher Le F...
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The bass-clef version of two pleasant and pastoral movements by Christopher Le Fleming for the Cello with a full Piano accompaniment. A treble-clef edition is available with either the Oboe Violin or Flute as the soloist itemcode number CH56275.
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Gaspar Cassadó: Serenade: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Universal Edition
Gaspar Cassado's Serenade for Cello (or Violin) and Piano.
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Polly Waterfield L. Beach: O Shenandoah!: Cello: Instrumental Album
Cello, Piano
-
Easy
Faber Music Limited
This is a celebration of music from the time the pioneers explored the vast reac...
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This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary cello Grade 1-3 with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Violin editions giving an opportunity for young players to experience ensemble playing at quite an early stage.
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Take Your Bow: Cello: Instrumental Album
Cello, Piano
[Sheet music + Audio access]
-
Beginner
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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I Could Sing Of Your Love Forever Vol.4
Cello, Piano
Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...
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Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
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Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73: Cello:
Cello, Piano
[Sheet music]
G. Henle
The circumstances in which these poetic ?Soirée Pieces? (thus their original ti...
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The circumstances in which these poetic ?Soirée Pieces? (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to fleewith Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet they were accompanied byalternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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Star Wars : Episodes I II And III Instrumental Solos For Strings
Cello, Piano
Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...
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This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
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Adagio For Violoncello And Piano
Cello, Piano
EMB (Editio Musica Budapest)
Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and ded...
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Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Violoncelle Et Piano
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Parabola concertante (SHCHEDRIN RODION)
Cello, Piano
Schott
piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans...
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piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example “Music from afar” for 2 bass recorders, or “Balalaika” for a solo violin playing pizzicato throughout. This predilection for the unusual leads the composer in “Parabola concertante” with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg./ Répertoire / Violoncelle et Piano
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Béla Bartók: Romanian Folk Dances For Cello: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Universal Edition
The Romanian Folk Dances undoubtedly rank amongst Bartok's most popular composit...
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The Romanian Folk Dances undoubtedly rank amongst Bartok's most popular compositions. The earliest version is scored for Piano (1915) and was published by Universal Edition is 1918. The composer himself orchestrated this version in 1917. Several other chamber music arrangements (for example Zoltan Szekely's version for Violin and Piano) were not by Bartok although he authorised them. The musical material derives from Bartok's collections of folk music which date right back to 1904 when he wrote down a melody sung by a Hungarian peasant girl. In the course of extensive travels throughout Eastern Europe Bartokcompiled an enormous collection of folk tunes (by 1918 his collection comprised no fewer than 2700 Hungarian 3500 Romanian and 3000 Slovak dances and songs) which would in all probability have been lost had Bartok not written them down. As it was some of them found their way into his compositions. In 1908 Bartok jotted down tunes in Transylvania. They are the source of Romanian Folk Dances.
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Ernest Chausson: Pièce Op.39: Cello: Instrumental Work
English
Cello, Piano
Faber Music Limited
Chausson's 'Piece Op.39' the composer's only work for solo cello was written d...
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Chausson's 'Piece Op.39' the composer's only work for solo cello was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works 'Piece' derives potency from its restrained lyricism but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures. Neil Heyde's new edition the first authoritative one of the work is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh first-rate repertoire by major French composers. The edition includes an informative introduction and critical commentary.
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Friedrich Seitz: Concerto D Major Op. 22: Cello: Score and Parts
Cello, Piano
-
Intermediate
Barenreiter
The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the ...
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The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the three-movement Student Concerto Op.22 in arrangements for viola and cello previously published for violin (BA 8979). The concertos have been transposed making them ideal for beginners and young pupils. The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.Concise forewords by the renowned string pedagogues Kurt and Christoph Sassmannshaus introduce the works and point out the relevant playing techniques required.
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Xavier Montsalvatage: Sonata Concertante: Cello: Instrumental Work
Español
Cello, Piano
-
Intermediate/advanced
Unión Musical Ediciones
A Sonata Concertante for Violin and Piano by Xavier Montsalvatge.
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Nikolai Andreyevich Roslavets: Sonate 1 (1921): Cello: Score
Cello, Piano
Schott
Anton n Dvo ák's Humoresque Violin and Piano.
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Cello Sonata (SAINT-SAENS CAMILLE)
Cello, Piano
[Sheet music]
Kunzelmann
Par SAINT-SAENS CAMILLE. After The Violin Sonata, Op. 75/ Répertoire / Violonce...
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Par SAINT-SAENS CAMILLE. After The Violin Sonata, Op. 75/ Répertoire / Violoncelle et Piano
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Faure G. - Sonata In A Major Op. 13 - Violoncelle Et Piano
Cello, Piano
Breitkopf & Härtel
Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight ...
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Arrangement for Violoncello and Piano by Carl Hüllweck The gourmet's delight In 1876, ten years before César Franck's violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf & Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. With this work of such modest appearance, Mr. Fauré has leapt to the top ranks of the masters in one bound. Thus wrote Camille Saint-Saëns with pride about his pupil's work. The publisher seems to have picked out a true gem from Fauré's œuvre, for the sonata soon became very popular, and in 1889, Breitkopf & Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Fauré's violin sonata in a competent period arrangement.
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Butt-Chen: Cellowise: Cello: Instrumental Album
Cello, Piano
[Score and Parts + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Sonate F-Moll, Op. 4 (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
Hofmeister Musikverlag
Nach der Sonate für Violine und Klavier, op. 105. Par SCHUMANN ROBERT. / Réper...
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Nach der Sonate für Violine und Klavier, op. 105. Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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3 Pie`Ces De Concert
Cello, Piano
Bote and Bock
Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks...
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Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks komponierte sie in seinen frühen Pariser Jahren für den ehemaligen Solocellisten des Königlichen Concertgebouw Orchesters, Gérard Hekking, der seit 1927 am Conservatoire lehrte. Der erste Satz variiert ein raffiniert-schlichtes eigenes Thema und bleibt dabei, trotz aller virtuosen Capricen, immer nonchalant. Der langsame zweite Satz ist eine melancholische Romanze über Blues-Harmonien, und der dritte ein Perpetuum mobile - ein Satztypus, den zur selben Epoche etwa auch Maurice Ravel in seiner Kammermusik ähnlich verwandte.Laks schuf von seiner für Violoncello und Klavier vorgesehen Komposition auch eine Fassung für Violine und Klavier - lange verschollen, wurde sie vor wenigen Jahren für die CD-Einspielung bei eda records rekonstruiert / Violoncelle Et Piano
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Introduction Et Rondo Capriccioso Op. 28 For Violin And Orchestra (SAINT-SAENS CAMILLE)
Cello, Piano
G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...
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Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
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M. Goddard: Party Pieces: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Spartan Press
Young cellists can also enjoy the sort of fresh and energetic pieces till now re...
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Young cellists can also enjoy the sort of fresh and energetic pieces till now reserved for violins. The solo part is written in the bass clef throughout and strays no higher than 'middle C'. The piano part has also been kept fairly simple while allowing gifted pianists potential for improvisation. Grade: 2 - 5
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Johann Sebastian Bach: Concerto For Violoncello String And BC A Minor: Cello:
Cello, Piano
-
Intermediate
Barenreiter
Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangeme...
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Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.
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