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ACCORDION
Cello, Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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2-6 Flûtes à Bec [Aa/St/Stt/… (1)
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Franz Schubert: Serenade From Three Melodies: Cello: Instrumental Work
Cello, Piano
Chester
Franz Schubert (1797-1828) was an Austrian composer working in the early Romanti...
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Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His Serenade was written in 1826 supposedly after a long summer's walk with some friends. It was originally asetting of a poem by Ludwig Rellstab for a solo Alto Voice.Serenade was never published during the composer's lifetime only coming to light in a posthumous collection called the SwanSong. It has since been recognised as one of Schubert's most beautiful and graceful compositions. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of hisThree Melodies.
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Franz Schubert: Ave Maria From Three Melodies: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
Franz Schubert (1797-1828) was an Austrian composer working in the early Romanti...
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Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His ever-popular Ave Maria was composed in 1825 as No.6 of his Op. 52 a setting of seven songs from Sir WalterScott?s epic poem The Lady Of The Lake. The text came from a part of the poem called Ellen?s Song.The melody has been re-used many times and is often set to the Catholic Prayer that starts with the samephrase (?Hail Mary? in English). Most memorably it was adapted by Walt Disney for his 1940 film Fantasia. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of his ThreeMelodies.
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Judith Weir: Three Chorales: Cello: Instrumental Work
Cello, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...
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These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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Ola Gjeilo: Stone Rose: Three Pieces for Cello and Piano: Cello: Parts
Cello, Piano
-
Intermediate/advanced
Peters
Three pieces for Cello and Piano from Ola Gjeilo's CD Stone Rose reflective an...
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Three pieces for Cello and Piano from Ola Gjeilo's CD Stone Rose reflective and lyrical music inspired by life in New York City. The three composed pieces are The Hudson Sidewalks and Madison. Listen to Ola Gjeilo's 'Madison' here:
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Stuart MacRae: Three Pieces For Cello And Piano: Cello: Instrumental Album
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Three Pieces for cello and piano received its premiere on 9th June 1999 at St Cy...
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Three Pieces for cello and piano received its premiere on 9th June 1999 at St Cyprian's Church Marylebone performed by Susie Winkworth (Cello) and Tamami Honma (piano). Duration c. 8 minutes.
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Benjamin Frankel: Three Poems for Cello and Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
Three Poems for Cello and Piano
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William Lloyd Webber: Three Pieces For Cello And Piano: Cello: Instrumental
Cello, Piano
Stainer and Bell
Complementing the Lyric Suite a much loved title in our cello list these three...
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Complementing the Lyric Suite a much loved title in our cello list these three pieces are delightful miniatures from the pen of William Lloyd Webber. Air Varié Slumber Song and In the Half-Light can be played as individual concert items or as suite of contrasting musical moods. Air Varié and In the Half-Light are recorded on ASV CD DCA 961 and Slumber Song is available on Philips CD 442 426-2 cassette 442 426-4.
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Franz Schubert: Am Meer From Three Melodies (Arr Piatti): Cello: Instrumental
Cello, Piano
[Sheet music]
Chester
Am Meer From Three Melodies (Arr Piatti)
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Songs Vcl/P. (WEILL KURT)
Cello, Piano
[Sheet music + CD]
Universal Edition
Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are ...
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Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented here in easy arrangements for cello and piano. Players of any age will relish the chance to play these famous tunes. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist. Includes: The Ballad of Mack the Knife, Polly's Song (The Threepenny Opera) Alabama Song, Jenny's Song (Rise and Fall of the City of Mahagonny) Don't be Afraid, The Liquor Dealer's Dream (Happy End )… and more./ Recueil / Violoncelle et Piano
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Sonate F-Dur (STRAUSS RICHARD)
Cello, Piano
Schott
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was compo...
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Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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Michael Nyman: On The Fiddle For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate/advanced
Chester
On The Fiddle consists of three pieces derived from scores to three Peter Greena...
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On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five is a version of the Shakespeare song setting made for Prospero'sBooks (1990).The second Angelfish Decay is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for twoviolins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added.The final piece Miserere Paraphrase was writtenfor use in The Cook The Thief His Wife And Her Lover (1989) and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus.This version for celloand piano written in 1997. Duration c.15 mins.
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Ludwig van Beethoven: Sonate E Variazioni: Cello: Score
Cello, Piano
Dover Publications
Beethoven's five sonatas for cello and piano are basic works of the cello repert...
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Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf
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Season of Carols: Cello and Accomp.: Instrumental Album
Cello, Piano
Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...
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Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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Gondoliera For Cello And Piano (SQUIRE WILLIAM HENRY)
Cello, Piano
[Sheet music]
Stainer and Bell
Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for...
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Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for cello and piano evokes the dreamy magic of Venice and the barcarolles of Chopin, Fauré, Liszt and Mendelssohn. Performers and audiences who enjoy the three 'Venetian gondola songs' in Mendelssohn's Lieder ohne Worte will certainly derive pleasure from Squire's illustration of the watery half-light of the lagoon at dusk or daybreak and the chiarascuoro of a contrasting, brighter middle section in G major. Though not challenged technically beyond an intermediate level of difficulty of around Grade 6, cellists ideally must project the melody with truly vocal poise and bel canto spirit in this short work that is a real treasure for amateur and professional players alike./ Répertoire / Violoncelle et Piano
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Johann Christian Bach: Concerto in C-moll: Cello
Cello, Piano
SALABERT
Violoncello & Piano-This concerto was originally written for cello solo and reco...
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Violoncello & Piano-This concerto was originally written for cello solo and reconstructed and harmonised by Henri Casadeus. This edition presents the piece in a version for cello and piano orchestrated by Francis Casadeus. It contains three parts: Allegro molto mamaestoso Adagio molto espressivo and Allegro molto energico.
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First Repertoire for Cello. Book 2: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Easy
Faber Music Limited
From Elgar to Blake and from show tunes to spirituals variety is the spice of l...
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From Elgar to Blake and from show tunes to spirituals variety is the spice of life and the essence of First Repertoire For Cello! Here in three books are over forty carefully graded elementary pieces which skilfully explore the cello's unique sonorities and provide a superb introductory literature for the young player. The book comes with piano accompaniment.
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Manuel de Falla: Tres Obras Para Violoncello Y Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Manual De Falla Ediciones
Three works for Cello and Piano by Spanish composer Manuel De Falla. Set as par...
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Three works for Cello and Piano by Spanish composer Manuel De Falla. Set as part of the ABRSM Cello Grade 5 Syllabus.
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Burlesque Op. 97 (KAPUSTIN NIKOLAI)
Cello, Piano
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Advanced
Schott
Par KAPUSTIN NIKOLAI. In 1999 Kapustin wrote three short compositions for cello ...
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Par KAPUSTIN NIKOLAI. In 1999 Kapustin wrote three short compositions for cello and piano, Burlesque, Elegy (ED 22848) and Nearly Waltz (ED 22852). Burlesque is an entertaining dialogue between cello and piano. / Niveau : Avancé / Répertoire / Violoncelle et Piano
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Jacques Offenbach: Fantaisies faciles fur Violoncello und Klavier: Cello:
Cello, Piano
Bosworth
Among the many works Offenbach wrote for the Cello is a series of operatic fant...
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Among the many works Offenbach wrote for the Cello is a series of operatic fantasies. Of these there is a set of six under the title Fantaisies faciles Op.69-74 published in 1853. The new edition herewith confines itself to just three of the pieces based on operas which remain in the repertoire today. The original printed editions have been revised with misprints corrected passages where the Cello and Piano parts differ made to correspond and questions in the music text settled by recourse to the original opera score.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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18th Century Sonatas for Cello and Continuo: Cello
Cello, Piano
Ricordi
The six sonatas for cello and basso continuo in this volume all belong to the ?F...
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The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.
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Johann Nepomuk Hummel: Sonata op. 104: Cello: Instrumental Work
Cello, Piano
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Intermediate
Barenreiter
for Pianoforte and Violoncello-Famous in his day the Austrian composer and pian...
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for Pianoforte and Violoncello-Famous in his day the Austrian composer and pianist Johann Nepomuk Hummel (1778 1837) studied with Mozart and befriended Beethoven. Among his many works is a relatively late sonata for Violoncello and Piano composed in 1824 and published in 1826 a delightful early Romantic piece in three movements supported by a capricious Piano part. The expressive Cello cantilena in the Romance will capture the heart of every cellist.Our edition edited by Mark Kroll is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript which served as a master copy for the engraving. A comparison of the sourcesbrought to light a number of details overlooked in the first edition especially with regard to dynamics.A must for all cellists and lovers of chamber musicNotes on performance practice in the Foreword (Ger/Eng)Detailed Critical Commentary (Eng)
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