for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Par GREGORY THOMAS. This is the brand new addition to the string series. Full of new pieces, mixed with arrangements of old favourites. Ideal for Cellists who are between grades 2-4./ Recueil / Violoncelle

Par PERNES THOMAS. Vc / Niveau : Elémentaire à Intermédiaire / Date parution : 1975-01-01/ Répertoire / Violoncelle

Par BEETHOVEN LUDWIG VAN / TELEMANN GEORG PHILIPP. Beethoven\'s sonata for violoncello is a staple of the chamber repertoire, Telemann\'s duet sonata is a feast of 18th-century music at its finest: Includes accompaniments for both primo and secondo parts. Includes complete printed music score on high-quality ivory paper, including both primo and secondo parts for the Telemann Duet, and a compact disc containing a complete performance with soloist, then performed again minus the soloist. An additional version minus first \'cello is provided so you can play either primo or secondo part in the Telemann Duet. Performed by Steven Thomas, violoncello Accompaniment: Steve Isaacson, piano/ Répertoire / Divers

Le deuxième livre dans une anthologie en trois volumes offrant une sélection classée des arrangements bien conçus et idiomatique, ainsi que quelques pièces originales, pour violoncelle et piano. Pour grade 2-3 standard. / Violoncelle / niveau : Facile / Partition

Arrangements individuels de 31 favoris irlandais avec grande qualité sonore accompagnement CD. / Violoncelle

Les 14 mélodies classiques et traditionnels dans ce volume sont parfaite première représentation matérielle pour les joueurs de violoncelles dans les premières étapes de l'apprentissage. Techniquement, ils sont assez faciles et les pièces ont été organisées dans l'ordre croissant de difficulté. Le CD le long de jeu comprend des représentations par deux musiciens professionnels et un accompagnement classique magnifique est également inclus sans solistes pour utilisation dans les répétitions et spectacles / Violoncelle / 32 pages / Partition

Voici une partition musicale pour Violoncelle que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Pédagogie cette partition a pour titre Florilege Musical N004. C'est l'éditeur Leduc sous la référence AL28764 qui a les droits pour éditer cette partition. / Violoncelle / Partition