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ACCORDION
Chamber Orchestra
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Nursery rhyme (14)
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3 Clarinets (trio) (14)
DVD concert (14)
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Ocarina (11)
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Affiche (7)
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Lute (7)
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2 Trompettes Et 2 Trombones (7)
4 Voix Mixtes et Guitare (7)
Cornet (7)
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Choeur SA Et Piano (7)
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Clarinette Alto et Piano (6)
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Xylophone or Marimba or Vibrap… (6)
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Ukulélé Soprano (5)
2 Flûtes à Bec (5)
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Oboe and Orchestra (5)
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Quatuor à Vents variable (4)
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5-Part Flexible Band and Opt. … (4)
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Quatuor de Cordes (4)
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Hautbois et Harpe (4)
Plectrum Orchestra (4)
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Orgue et Flûte à Bec Soprani… (4)
2 Violons, 2 Altos et 2 Violon… (4)
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Violon Principal et 13 Cordes (4)
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Handbells (4)
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Concerto A Flûte A Bec, 2 Violini, Viola E Cembalo - Ouverture A Flûte A Bec, 2 Violini, Viola E Cembalo - Canon All'Unissono A 2 Flauti, Violoncello O Vero Viola Da Gamba E Cembalo
Chamber Orchestra
Anne Fuzeau Productions
Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flû...
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Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flûte à bec, 2 violini, viola e cembalo (c.1741) Canon all'unisono a 2 flauti, violoncello o vero viola da gamba et cembalo (c. 1737)Présentation de Susi Möhlmeier et Frédérique Thouvenot : notice biographique - sources - lecture de la partition (articulation, dynamique, rythme, terminologie, agrémentation, ornementation, notation générale, basse continue) - suggestions. Intégrale des oeuvres pour flûte à bec de Graupner. Manuscrits autographes de Graupner, conservés à la Hessische Landes-und Hochschulbibliothek de Darmstadt.Concerto : 2 flûtes à bec, deux violons, alto, basse continue.Ouverture : flûte à bec, deux violons, alto, basse continue.Canon : 2 flûtes à bec, violoncelle ou viole de gambe. / Musique De Chambre / 71 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Canons classiques: Vocal Tutor
Chamber Orchestra
EMB (Editio Musica Budapest)
'...The present collection has been conceived right from the outset so as to for...
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'...The present collection has been conceived right from the outset so as to form an organic component of and a supplement to the teaching of solfeggio. The original text and their relevant translations have been omitted with the intention that the pedagogical aim namely that which is achieved through solmization could be proprely emphasized. There is hardly any need to recommend these pieces for cultivation. Luckily enough solfeggio has become so wide-spread and in particular singing canons has gained such popularity that its praise would suggest an irony of the same kind as Erasmus' eulogy of foolishness. Nevertheless it cannot be left unsaid how immensely this domaincontributes to raising the musical standards of the greatest number of people possibile.' (Antal Molnár)
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Jorgen Jersild: Fantasia E Canto Affetuoso: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Jörgen Jersild's Fantasia E Canto Affetuoso is a work for Flute Clarinet Cell...
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Jörgen Jersild's Fantasia E Canto Affetuoso is a work for Flute Clarinet Cello and Harp. Score and Parts.
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Bryce Dessner: Letter 27: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
Letter 27 is a work by Bryce Dessner scored for Chamber Ensemble. Commissioned ...
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Letter 27 is a work by Bryce Dessner scored for Chamber Ensemble. Commissioned by Bang on a Can the first performance took place on 17th September 2013 at the Sacrum Profanum Festival in Krakow Poland.A full performance lasts around 5 minutes. This is the Score and Parts.
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
-
Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Venite Adoremus (TROTTA MICHAEL JOHN)
Chamber Orchestra
[Score]
Walton Music
Chamber Orch. Par TROTTA MICHAEL JOHN. A wonderfully expressive a cappella setti...
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Chamber Orch. Par TROTTA MICHAEL JOHN. A wonderfully expressive a cappella setting of the traditional Christmas text. Carefully prepared dissonances and use of close harmonies thoughtfully paint the text as a sense of awe and wonder permeate the setting. The work concludes with the opening material sung on 'Alleluia ' with a soaring soprano descant. May be performed in English or Latin. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre
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Jean-Marie Leclair: Deuxieme Recreation op. 8: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Amadeus Verlag
The trio sonatas by Leclair are one of the bests in their genre. They can be pla...
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The trio sonatas by Leclair are one of the bests in their genre. They can be placed on th esame level with Händel and Telemann. An opening overture follows a glorious round dance.
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Sonata A Tre G-Moll Op. 5 / 6 Op. 5/6 (VIVALDI ANTONIO)
Chamber Orchestra
Doblinger
2Vl Bc. Par VIVALDI ANTONIO. Den Solo-Violinsonaten Op. 5 von Vivaldi sind zwei ...
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2Vl Bc. Par VIVALDI ANTONIO. Den Solo-Violinsonaten Op. 5 von Vivaldi sind zwei Triosonaten beigegeben. Während die drei Sätze der B-Dur-Sonata die beiden Canti gIeichberechtigt führen und in ihrer polyphonen Grundhaltung, mit Echostellen (Corrente!) und hochbarockem Pathos ... / Niveau : 2 - 3/1 - 2/1 - 2/2 - 3 / Répertoire / Musique de Chambre
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Subtilior Lamento: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...
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for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
123.50 GBP - Sold by Musicroom UK
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Nico Muhly: Moving Parts: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Moving Parts is the music for Benjamin Millepied’s ballet of the same nam...
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Moving Parts is the music for Benjamin Millepied’s ballet of the same name. Scored for Violin Clarinet and Pipe Organ the piece is a series of rhythmic etudes. The slow movement is a very slow passacaglia with I hope unexpected lyrical melodies in the violin. After an extended Organ toccata built over a drone a brief slow movement creates a natural midpoint. The violin aggressively plucking builds up to form a canon with a clarinet and after a loud outburst from the organ the piece ends quietly. Moving Parts written in 2012 is dedicated to Benjamin and the Los Angeles Dance Project.
24.99 GBP - Sold by Musicroom UK
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Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wo...
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Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wood: 'I had for many years wanted to set Marina and the opportunity came to start work on it in mid August 1988. About a year later havingcompleted in the meantime the Horn Trio Opus 29 and the Cantata Opus 30 I turned back to the drafts of Marina and completed it on 10 September 1989. It is dedicated to the memory of my daughter who was murdered in Bavaria on 10September 1988.Marina is the heroine of Shakespeare’s Pericles a play remarkable for one of the most moving of all Shakespeare’s recognition scenes a dramatic situation which never failed to draw out his deepest expressionof feeling. This is the re-meeting of an ageing father with his long-lost daughter born at sea during the storm in which her mother is thought to have died and long believed to be dead herself. Eliot transforms the twocharacter’s mutual recognition into a transfigured mediation and surrounds it with a wealth of mainly marine imagery. In the words of Helen Gardener these images are: The prelude to a moment of ecstatic recognition. The voyagein Marina discovers in the ocean anisland and sees again a beloved face. Its theme is not the immortality of the soul but resurrection.
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Platée et Io (RAMEAU JEAN-PHILIPPE)
Chamber Orchestra
[Score]
Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrum...
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Symphonies. Par RAMEAU JEAN-PHILIPPE. This edition unites all the purely instrumental and dance numbers from one of Rameau?s most popular operas, along with those from his last one-act opéra-ballet ?Io?, which was left unfinished at the time of his death. ?Platée? is the setting of a libretto by Jacques Autreau that Rameau arranged to be adapted for his own purposes, especially with regard to comic effects. In grotesque form, it shows Jupiter curing his wife Juno of her jealousy by feigning a marriage of love with the ugly swamp nymph Platée. Faced with such a ludicrous rival, Juno is forced to admit that her suspicions were unfounded. The opera was premièred in Versailles in 1745 for the wedding of the Dauphin Louis and Maria Theresia of Spain. The performance was a fiasco, however, for the coarse comedy and bizarre characters were deemed inappropriate by the wedding audience. It was not until 1749 in Paris that ?Platée? achieved its breakthrough, becoming Rameau?s greatest triumph to date. Another version with an altered text was performed from 1754 on. The plot of the fragmentary ?Io? deals with the amorous relations between the nymph Io and Jupiter in the guise of the shepherd Hylas, who becomes a rival of Apollo, disguised as Philemon. Now the inventive and richly varied orchestral numbers from this cruelly comical bonfire of the vanities can be presented in concert with greater flexibility. / Date parution : 2022-04-05/ Répertoire / Ensemble de Chambre
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The Beatles: The Beatles Session Parts: Guitar Solo: Parts
Chamber Orchestra
Hal Leonard
This unique collection of 20 Beatles tunes presents in score format the parts ...
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This unique collection of 20 Beatles tunes presents in score format the parts played by the band's studio session players so that you can study and play exactly what those Violins Harps or Trumpets were playing.Songs include: All You Need Is Love • Eleanor Rigby • The Fool on the Hill • Golden Slumbers • Got to Get You into My Life • Hello Goodbye • I Am the Walrus • Magical Mystery Tour • Penny Lane • Sgt. Pepper's Lonely Hearts Club Band • Something • Strawberry Fields Forever • When I'm Sixty-Four and more.
19.99 GBP - Sold by Musicroom UK
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At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
Chamber Orchestra
[Score]
Peters
Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of A...
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Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 15th concluding phrase. In addition, all but one of the phrases may be performed in any clef or any transposition. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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take nine (BERNHARD GANDER)
Chamber Orchestra
Peters
for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute w...
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for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute work for a 12-part ensemble scored for: BCl(Cl), CbCl, Cbsn(Bsn) – Hn, Tpt, Tba – Perc – Pf – Vln, Vla, Vlc, DB. The work is based on rhythms in 9/16 and 9/8 time, but also 8/16, 8/8, 10/16 and 10/8 beats, which may seem complex at first, but sounds transparent to the audience. The main musical inspirations of Bernhard Gander are rock and heavy metal along with the jazz classics Take Five and Blue Rondo a la Turk by Dave Brubeck and Paul Desmond. take nine was commissioned by the Ensemble Intercontemporain and premiered on 23 March 2012 at the Centre Pompidou, Paris conducted by Pablo Heras-Casado. The full score (EP 125569) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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Trio Sonata In G Major Bwv 1038
Chamber Orchestra
Breitkopf & Härtel
Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour ...
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Sonate en trio BWV Le 1038 est la première édition de musique de chambre pour flûte de Johann Sebastian Bach que Barthold Kuijken a préparé. Les chercheurs ont longtemps douté de la paternité de ce travail pour des raisons stylistiques, même si les pièces de performance de la principale source ont été écrits par Bach lui-même, mais malheureusement il a oublié, ou n'ont pas jugé nécessaire, d'ajouter son nom à la musique. Kuijken roule quelques arguments convaincants qui réfutent la thèse selon laquelle le jeune Carl Philipp Emanuel Bach a travaillé sur la version trio de la Sonate pour violon BWV 1022. L'édition examine également une variété de nouvelles découvertes sur l'origine de l'oeuvre dans la préface, et offre un Urtext irréprochable avec une partie style magistralement réalisé continuo, tous reflétant les normes les plus élevées de rédaction. / Musique De Chambre
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Octet (ELIA ALESSIO)
Chamber Orchestra
[Score]
EMB (Editio Musica Budapest)
Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a ...
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Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a project conceived by the conductor Andrea Vitello, which includes also the first recording in the performance of I Solisti della Scala of the Octet by Stravinsky and the first world recording of the Octet by Peter Eötvös, the Octet by Alessio Elia is described by the Italian musicologist Guido Barbieri in these terms: ''In the Octet written in 2016 by Alessio Elia, the musical elements, or their strongly contrasted combination, significantly shape the structure of the piece. The utilization of different scales - a technique defined by the composer as ''polysystemism'' - further emphasizes his concept of sound as a phenomenal entity.'' / Date parution : 2022-07-23/ Répertoire / Ensemble de Chambre
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