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Three
ACCORDION
Chamber Orchestra
NARROW BY INSTRUMENTATION
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Piano solo (1981)
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Musical Awakening (17)
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Lap Steel Guitar (6)
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Handbells (5)
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2 Trombones (duet) (5)
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Soprano, Piano (5)
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5-String Banjo (2)
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Mariachi (2)
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Mallet Percussions (2)
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RECORDER TRIO, RECORDER ENSEM… (1)
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Trompette En Sib Ou Autre Inst… (1)
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Saxophone (Soprano, Alto, Tén… (1)
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Violon Solo (1)
TBN/EUPH/BSN::Trombone/Euphoni… (1)
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2 Clarinettes Et Plus (1)
Chant et Harpe (1)
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Trio De Batteries (1)
MEZ/PFA::Piano Accompaniment (1)
Guitare Tablatures Flatpick et… (1)
Guitare, Banjo ou Ukulélé (1)
Instruments Divers Ad Libitum … (1)
2-6 Flûtes à Bec [Aa/St/Stt/… (1)
TPT(3)::Trompette(Trio) (1)
Piccolo (1)
SSATB et Orgue (1)
Wind Sextet - 2 Bb Clarinets,… (1)
CHAM::Chamber Group (1)
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Three Shades Without Angles: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute viola and harp-Three Shades Without Angles is a piece that plays with...
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for flute viola and harp-Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece I was inspired by Auguste Rodin’s sculpture The Three Shades a detail sitting atop the sculptor’s work The Gates of Hell depicting a scene from Dante’s The Inferno. Although my music is not representative or depictive of Dante or an image of hell I was deeply drawn to the sinewy character of Rodin’s work its intensity muscularity consistency and the way in which movement and energy is represented in his shapes - Hannah Lash
100.50 GBP - Sold by Musicroom UK
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Three Studies from Couperin (ADES THOMAS)
Chamber Orchestra
Faber Music Limited
Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically rew...
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Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ?Les Amusemens?, ?Les Tours de Passe-passe?, and ?L?Âme-en-Peine? remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer. The Three Studies has earned critical praise and popularity, having received over 200 public performances in more than 20 countries since its 2006 premiere. ?Three Studies from Couperin, looks at the music as if through a kaleidoscope, the shattered pieces of the original tumbling around like glinting fragments of coloured glass.? Financial Times / Date parution : 2022-06-14/ Répertoire / Orchestre de Chambre
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David Baker: Three Cinematic Sketches: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Forton Music
Three Cinematic Sketches
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Christopher D. Wiggins: Three French Dances: Wind Ensemble: Score
Chamber Orchestra
Ricordi London
Three French Dances
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Wiggins: Three Czech Dances: Ensemble: Score
Chamber Orchestra
Ricordi London
Three Czech Dances
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Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...
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The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
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Alexander Pogorilec: Selected Pieces: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
PWM (Polskie Wydawnictwo Muzyczne)
For Three Violins And For Two And Three Violins And Piano
23.00 GBP - Sold by Musicroom UK
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Claude Debussy: Sonate Vc E Pf Vn E Pf Fl Vn E Arpa: Chamber Ensemble: Score
Chamber Orchestra
Dover Publications
Debussy's last three chamber works. Written between 1915 and 1917.
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Bent Sørensen: Donne: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Work for Soprano Violin and Guitar dating from 1983. Three songs to poems by Jo...
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Work for Soprano Violin and Guitar dating from 1983. Three songs to poems by John Donne (1573-1631).
11.99 GBP - Sold by Musicroom UK
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Quartet in E Major Op.1: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Simrock
Rabl?s Quartet in E-Flat Major won first prize in 1896 in a prestigious competit...
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Rabl?s Quartet in E-Flat Major won first prize in 1896 in a prestigious competition for young composers sponsored by the Vienna Tonkünstlerverein of which Johannes Brahms was honorary president and a judge of the competition. Brahms recommended the piece to his own publisher Simrock who released it the following year along with three other Rabl works: the Fantasy Pieces for Piano Trio Op. 2 and two sets of Four Songs Op. 3 and Op. 4. The Op. 1 quartet appears to be the first work ever written for that combination which was later more famously used by Messiaen in his Quatuor pour la fin du temps (Quartet for the end of time) composed in 1941.
26.99 GBP - Sold by Musicroom UK
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James Rae: Caledonia: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Queen's Temple Publications
A Suite of three Scottish folksongs expertly arranged by James Rae for Clarinet ...
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A Suite of three Scottish folksongs expertly arranged by James Rae for Clarinet Bassoon and Piano. Commissioned by and dedicated to Iona Garvie Fiona Mitchell and Eleanor Meynell with support from the Clarinet and Saxophone Society of Great Britain.
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Robert Schumann: Chamber Music: Ensemble: Score
Chamber Orchestra
[Score]
Dover Publications
Edited by Clara Schumann-Superb collection of eight works including the celebra...
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Edited by Clara Schumann-Superb collection of eight works including the celebrated 'Piano Quintet Op. 44' four 'Quartets' (Op. 41 Nos. 1-3 Op. 47) three 'Trios' (Opp. 63 80 110). Breitkopf
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Per Nørgård: Delta: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are c...
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Delta for Saxofon Cello og Piano (2005). Programme note: Some of my works are created in several stages where an earlier work or movement are reborn or recomposed as part of a new work. For instance “Suite for Martin” (1967) for saxophone amplified accordion and prepared piano - used in a Danish documentary film “Kongens Enghave” - was rearranged by me in 2004 in a new instrumentation for saxophone cello and piano and named MELANCOLIA (duration 12 minutes) which became the third movement (with the title MALINCONIA) in an enlarged version from 2005 with the title DELTA (duration around 20minutes). A delta is be nature moving outwards or rather downwards downstream.This movement is characteristic for all three works mentioned. EUFONIA. In the first movement of DELTA the music changes from the light hearted and harmonious towards a darker sound.In the second movement NOSTALGIA this darker colour is intensified dominating the whole movement. MALINCONIA the third and last movement completes the direction downwards – during six shorter sections – going towards a black edged pessimism (and a “black sound”). Per Nørgård (2005)
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Elisabeth Lutyens: Music for Three: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
For Flute (+ Piccolo Alto Flute) Oboe and Piano.Published in 1966.Score and Pa...
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For Flute (+ Piccolo Alto Flute) Oboe and Piano.Published in 1966.Score and Parts.
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