SKU: HL.14018521
7.0x10.0x0.009 inches.
SKU: HL.14009550
Lyrics by Percy Bysshe Shelley.
Composed in 1903 for the Morecambe Festival, this is an impassioned, yearning setting of a Shelley text, as the poet begs the wind to inspire his efforts in order to bring his message to the world.
SKU: HL.14009572
Lyrics by Rudyard Kipling.
A recessional hymn setting the text of Rudyard Kipling.
SKU: HL.14009568
SKU: HL.14009619
For Chorus and Orchestra.
SKU: HL.14009934
SKU: HL.14009703
SKU: HL.14009935
SKU: GI.G-7699
UPC: 785147769903. English. Text Source: Matthew 25:35-36, 40, adapt.; Translation: Edward Eicker. Scripture: Matthew 25:35–36, 40.
Edward Eicker has given us the perfect song for liturgies using the “What you have done for the least of these†text from Matthew 25. The attractive, immediate congregational refrain allows this piece to be sung many places in the liturgy. For cantor or soloist.
SKU: GI.G-8874
UPC: 785147887409. English. Text Source: Based on Psalm 23. Text by Edward J. Eicker. Scripture: Psalm 23.
The text of Psalm 23 is set to a familiar chorale by Bach. The organ part is engaging and will require preparation while the choral parts are accessible. This traditional favorite will be a useful ministry tool.
SKU: HL.14010120
6.75x9.75x0.048 inches.
This is the Vocal Score for Edward Elgar's Jesu, Meek And Lowly, Op.3 No.3, for SATB Choir and Organ Accompaniment.
SKU: GI.G-9044
UPC: 785147904403. English. Text Source: Edward H. Plumptre, 1821–1891, alt., words adapt. Ruth C. Duck. Text by Edward Hayes Plumptre.
Scored for SATB voices, assembly and organ with optional brass quintet and timpani, the time-honored tune MARION is set most festively in traditional style. Vocal parts are easy to master, and the brass quintet and timpani parts make the anthem crackle with energy. The organ accompaniment is printed in the full score.
SKU: GI.G-6915
UPC: 785147691501. English. Text Source: Text I: Carl P. Daw, Jr., Text II: Robert Robinson, 1735–1790. Text by Robert Robinson.
Not just another arrangement of nettleton, Edward Eicker has employed forces (in addition to organ and vocal elements) that bring their own unique colors to the mix: flute, clarinet, violin, brass quartet, and timpani. And, you get TWO texts with the purchase of this octavo—“Come, Thou Fount of Every Blessing†and Carl Daw’s “Called to Gather As God’s People.†Solid a cappella writing in the middle, with a soprano descant on the final verse. Reproducible material for congregational use (for each text) is included in the octavo.
SKU: GI.G-7606
UPC: 785147760603. English. Text Source: All Hail the Pow'r of Jesus' Name, Edward Perronet, 1726–1792, alt. by John RIppon, 1751–1836. Text by Edward Perronet.
Gerald Custer has composed a new tune for the text “All Hail the Power of Jesus’ Name.†This resolute setting is made even more powerful with optional parts for brass sextet. Each stanza builds on the preceding stanza, culminating in a triumphant ending with majestic block chords for chorus, organ and brass. Brass sextet part is optional.
SKU: PR.342402070
ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.
To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.
SKU: JK.01910
UPC: 093285019102. John 15:12-14, Doctrine and Covenants 34:1-4.
For SATB and Piano, this simple and profound arrangement will help a choir sound more mature while inviting a reverent feeling.Composer: Crawford GatesArranger: Julie Ann BallardText: Edward L. HartDifficulty: Easy/MediumPerformance time: 2:30Reference: John 15:12-14, Doctrine and Covenants 34:1-4
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