A new engraving of Thomas Attwood's delightful miniature, Come Holy Ghost , this piece is suitable for Whitsundtide or for general use. Thomas Attwood (1765-1838) is perhaps best known as the composer of such charming miniatures as Come, Holy Ghost , which is in essence a simple, threeverse hymn. Its elegant melody, first sung by soprano, then by a chorus (or quartet and chorus) is reminiscent of Mozart's delicate masterpiece, Ave verum corpus . This is perhaps unsurprising -Attwood took composition lessons from Mozart in Vienna, and one of his contemporaries quotes Mozart as saying: 'He partakes more of my style than any scholar I ever had - and I predict, that he will prove a sound musician.' Attwood worked closely with the royal family throughout his life. He taught music to the Prince of Wales, was appointed composer and eventually organist to the Chapel Royal, and organist at St Paul's Cathedral (he is buried under the organ there). He wrote the anthem I was glad for the coronation of King George IV. / Choeur Mixte (SATB) Et Orgue

John Purifoy has paired Chris Tomlin's How Great Is Our God with Holy Holy Holy blending the new with the traditional to create a wonderful anthem of praise and adoration. May be used for general worship orservices of praise.Available separately: SATB SAB ePak(S) and ChoirTrax CD. Performance Time: Approx. 3:20.

The popular gospel favorite Holy Ground is set with care by Larry Mayfield in this worshipful new arrangement. Also incorporating Holy Holy Holy this setting is peaceful yet powerful. Its versatility makes it useful throughout the entire church year.

C. Harry Causey conductor of the National Christian Choir has created a stirring setting of the hymn “Holy Holy Holy.” Beginning softly the hymn gently wafts through the air and then begins to build and grow culminating in a dramatic thrilling finish. Fully orchestrated (available separately) Harry's keyboard part is wonderfully fulfilling.

Hear Us Holy Jesus is a prayer of petition and exquisite beauty for Lent Holy Week or general use (optional text provided). The melody is haunting chant-like and beautifully expresses the bittersweetness of the text.There are two contrasting homophonic middle sections one of which may be sung a cappella. The cello part adds warmth and gentleness. Both texts are poignant and beseeching. Hear Us Holy Jesus is a stunning moment forworship whenever it is used.

A new engraving of Thomas Attwood's delightful miniature Come Holy Ghost this piece is suitable for Whitsundtide or for general use. Thomas Attwood (1765-1838) is perhaps best known as the composer of such charming miniatures as Come Holy Ghost which is in essence a simple threeverse hymn. Its elegant melody first sung by soprano then by a chorus (or quartet and chorus) is reminiscent of Mozart’s delicate masterpiece Ave verum corpus.This is perhaps unsurprising Attwood took composition lessons from Mozart in Vienna and one of his contemporaries quotes Mozart as saying: ‘He partakes more of my style than anyscholar I ever had; and I predict that he will prove a sound musician.’ Attwood worked closely with the royal family throughout his life. He taught music to the Prince of Wales was appointed composer and eventually organist to the Chapel Royal and organist at St Paul’s Cathedral (he is buried under the organ there). He wrote the anthem I was glad for the coronation of King George IV.

Two beloved Christmas songs captured in one dramatic setting! Flowing quite naturally from 'Silent Night, Holy Night' to 'O Holy Night,' then pairing the two, this ingenious setting is beautifully done! In 3 voicings for treble and mixed choirs, and singers of all ages! Optional flute part included. / Choeur Mixte (SATB)

Mark Hayes does it again in his stellar adaptation of a true sacred evergreen. Mark's colorful orchestrations are highly imaginative and there is liberal use of solo voice making this piece not only a great choral moment but ashowcase for solo voice as well. The Holy City is destined to become an instant classic!

The rolling 12/8 meter of this new Martin Pentecost piece is immediately compelling. The piano accompaniment provides a steady unction as the choral parts build to expressive and evocative phrases. The use of the beloved hymn“Come Thou Fount of Every Blessing” is effective. The invocation of God's Holy Spirit into hearts and lives is the foundational ministry of this anthem. Fulfilling!

Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday? texts of the same name by William Blake, James Lavino has created a work for SATB divisi choir, SATB semi-chorus and organ that is both thrilling and thought provoking. Chosen by Philip Brunelle for the Cathedral series and performed by his world renowned 'Vocal Essence? choir, this work requires both advanced singers and conductor but produces a powerful emotional impact. / Choeur Mixte (SATB) Et Piano