SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

Edited by Bob Dingley, composed by Duke Ellington, lyrics by Irving Mills (1894-1985), arranged by Mac Huff. Octavo for SATB choir and piano accompaniment. With chord names. Series: Pop choral octavo (SATB). 20 pages. Published by Alfred Publishing.

Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen Kursawa, Org. Choral part(s). With Standard notation. Composed 2001/2002. Universal Edition #UE31988. Published by Universal Edition

Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent. SATB with performance CD. Lorenz Publishing Company #55/1191L. Published by Lorenz Publishing Company (LO.55-1191L).

Composed by Kyle Pederson. African American Heritage. Instrumental part. Galaxy Music Corporation #1.3610. Published by Galaxy Music Corporation

Revised Order of Mass 2010. Composed by James Chepponis. This edition: Choral / Accompaniment edition. Mass. Sacred. Handbell score. With guitar chord names. 32 pages. GIA Publications #8499. Published by GIA Publications (GI.G-8499).

(The Christmas Story Through Timeless Carols). By Larry Shackley. For SATB choir, piano (with optional instrumental accompaniment). Cantatas. Christmas, Sacred. Choral score with performance CD. Published by Lorenz Publishing Company

By Don Besig. Words by Don Besig and Nancy Price. For SATB Choir and Congregation. Choral. Single Sheet. Published by Shawnee Press.

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.