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ACCORDION
Flute, Orchestra
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Flûte En Suite
Flute, Orchestra
Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...
(+)
This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Miniature Score): Miniature
Flute, Orchestra
[Study Score / Miniature]
Chester
The solo flute here is kept in high profile by the absence from the orchestra no...
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The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Parts
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Score
Flute, Orchestra
[Sheet music]
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wodka Cola
Français
Flute, Orchestra
[Sheet music]
Noetzel
Il n'y a guère d'élève pianiste qui ne se soit essayé à cette pièce - elle...
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Il n'y a guère d'élève pianiste qui ne se soit essayé à cette pièce - elle compte assurément parmi les oeuvres classiques pour piano les plus populaires de tous les temps. Et pourtant, des questions restent ouvertes jusqu'à ce jour. Elles concernent aussi bien des détails du texte musical que le fameux nom de l'intitulé. Est-ce que la lecture traditionnelle de la dédicace à 'Elise' est vraiment correcte? Ne devrait-il pas plutôt s'agir de 'Therese'? Qui peut bien être ce personnage de l'entourage de Beethoven? Les conclusions actuelles à ces questions sont documentées dans la présente édition Henle Urtext. Le texte musical révisé est maintenant publié préalablement au volume de 'Klavierstücke' tant attendu de l'édition des oeuvres complètes que la spécialiste de Beethoven, Joanna Cobb Biermann, est en train de préparer. / Piano / Chanson En Séparée
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Trail Of Tears
Flute, Orchestra
Boosey and Hawkes
Ce concerto pour flûte est un voyage musical dans l'esprit humain qui a toujour...
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Ce concerto pour flûte est un voyage musical dans l'esprit humain qui a toujours à découvrir des moyens pour faire face aux bouleversements, le besoin et la misère. Le premier mouvement où le vent soufflait libre 'a été inspiré par une citation de l'Indien Geronimo chef (1829-1909):' Je suis né dans les prairies où le vent soufflait libre et il n'y avait rien pour briser la lumière du soleil 'tandis que la fin de ce mouvement, avec son turbulent instrumentale coda, est devenu un mort mars, le 'Trail of Tears'. 'Incantation' Le mouvement de réflexion deuxième médite sur la mort de personnes chères et l'espoir d'une meilleure vie après la mort. 'Danse du soleil' Le dernier mouvement évoque l'une des cérémonies les plus spectaculaires et les plus importantes de danse religieuses des Indiens d'Amérique du Nord des Prairies du 19ème siècle qui se pratique encore aujourd'hui, après plusieurs années de détention aux réserves indiennes. / Flûte Et Orchestre
50.90 EUR - Sold by LMI-partitions
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