with Piano Accompaniment. An outstanding collection of 15 classic Christmas tunes expertly arranged for the beginning flute player. Includes a printed piano accompaniment and a play-along CD. Contents: Angels We Have Heard on High · Deck the Halls · Go, Tell It on the Mountain · God Rest You Merry, Gentlemen · I Wonder as I Wander · It Came Upon the Midnight Clear · Jingle Bells · O Come, All Ye Faithful · O Holy Night · O Little Town of Bethlehem · Rocking · Silent Night · The Babe of Bethle'm · The First Noel · What Child Is This?

These lush carol settings bring home the beauty of the season to any gathering. Each arrangement captures all at once what is beloved contemporary and creative in each carol. Listeners and performers alike will wonder at the new beauty Smith and Snyder bring out in these well-known carols; and the intermediate-level Flute parts are enjoyable for virtually any player. Includes the songs Angels We Have Heard on High ? Away in a Manger ? Christmas Carol Suite ? Deck the Hall Variations ? Gesu Bambino ? It Came Upon the Midnight Clear/Silent Night ? Lo How a Rose E'er Blooming ? Jesu Joy of Man's Desiring ? What Child isThis/Coventry Carol ? O Holy Night ? We Three Kings of Orient Are and Three Carols in 6/8 time.The audio tracks are accessed online for download or streaming and include both full performance demos as well as Piano accompaniments only.

With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This?

Par CHALLAN ANNIE. / Musique Instrumentale / Répertoire / Flûte Traversière et Piano

HWV 376 B minor. Par HAENDEL GEORG FRIEDRICH. Cette édition présente un morceau qui fait partie du répertoire standard de tous les flûtistes : la sonate pour flûte et basse continue (?Hallenser n° 3?, HWV 376) en Si mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l??uvre systématiquement à trois tempos différents avec un accompagnement professionnel. Chaque playback fait d?abord entendre la version de concert d?un morceau (flûte et basse continue). Mais vous y trouverez également un accompagnement de piano pour travailler à un tempo lent puis un autre à un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d?origine avec l?accompagnement de la basse continue. Toutes les versions ont été enregistrées en live./ Répertoire / Flûte Traversière et Piano

Teacher soloist chamber musician conductor and composer ? Flautist Eric Ledeuil a student of Patrick Gallois and Benoît Fromanger wears many hats. This diversity continually enriches his educational work as can be seen by the success of his flute method La flûte imaginative published by Leduc in two volumes (AL 30 365 and 30 367). Fête à Camelot a piece for Flute and Piano (or Harp) for fourth-year students reconnects with the Knights of the Round Table an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in hisLes Méandres de Viviane (AL 30 495 Beginner) and Les Mystères de Brocéliande (AL 29 589 Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy.

Series: Flex-Ability Series Category: Mixed Instruments - Flexible Instrumentation Format: Book Instrument: Flute Instrumentation: Flute The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.

This dreamlike and evocative piece from Peter Maxwell Davies was originally composed for Flute and orchesta. Here it is presented as Flute with Piano reduction and still captures the wonder and sanctuary of the composer's home surrounded by seabirds and seals that fire the imagination in childlike ways evoking images of mermaids and angels. The Flute solo is both tranquil and highly virtuosic and is well supported by the Piano accompaniment. The piecewas first performed in May 1999 at the Royal Concert Hall Dublin.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.        Edward Gregson

Flute Et Piano - Debutant 1-French composer pianist and musicologist Jean Sichler (b. 1933) is also a prolific teacher in many regional conservatoires. His Flûte En Tête is suitable for beginner flautists technical progression. As a devout Catholic Sichler's career has seen him dealing with the delicate relationship between music and faith. His didactic works remain popular and Flûte En Tête ensures a high standard of focus on articulation sequences and intervals amongst other aspects for beginner flautists. With a typical performance lasting around one and a half minutes Sichler's Flûte En Tête is essential to beginner flautists.