With online audio of piano accompaniments-Intermediate level arrangements for solo instruments and piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.

for Flute and Piano. Par SCHOENFELD PAUL. Paul Schoenfeld (formerly Schoenfield) composed the Six Improvisations on Hassidic Melodies for Piano Solo in 1985. They are presented here by the composer in this edition for Flute and Piano. There are six movements: Ufaratsta, Achat Sha'alti, Vah'hi Vishurun Melech, Kozatske, Nigun, and Rikud. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano

Faure’s two original pieces for flute and piano – the Fantaisie Op.79 and the Morceau de Lecture – Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions.The solo flute part is also included on a separate insert.

15 fun pieces for flute and piano-Fifteen fun pieces for Flute by Heather Hammond using only seven notes!Here are three books designed to inject fun into any young flautistâ??s repertoire. Neat Beat is a progressive series ofcarefully graded books that work well alongside any Flute tutors. Book One uses up to four notes Book Two up to seven and Book Three up to nine.Heather Hammond is a prolific and immensely popularcomposer whose work is published by Kevin Mayhew. She studied Piano and Clarinet at Leeds College of Music. Postgraduate studies followed in Education at Bretton Hall College Wakefield and Music Technology at YorkUniversity.Contents: Medieval march Strange horizon Monday morning waltz Frisbies Lord Henry's hornpipe Bluebirds Rock pool bay Sleepy eyes 60 seconds ballad Clowns' picnic Just a reggae man Lazy weekend waltz Wishing on a star Butternut bossa and Wonderful.

Sinfonische Dichtung-A 'symphonic poem' for solo flute accompanied by a full orchestra can be considered unique in the repertoire for the flute. Benoit's Symphonic Poem or Symphonisch Gedicht (Sinfonische Dichtung) is an exciting and challenging piece which has been arranged here for Flute with Piano Reduction by Lucien Vieuxtemps and edited by Werner Richter. This piece is certainly a unique addition to any accomplished flautist’s repertoire.The solo flute part is also included on a separate insert.

The opera Carmen after a short story by Prosper Merimee and the incidental music to the play L'Arlesienne by Alphonse Daudet are without doubt the most important works of Bizet. It is significant for him that his imagination was aroused most by literary subjects of high standing. In spite of failure at their first performances both works became worldwide successes continuing to the present day.The three extracts selected here all of them pieces complete within the larger framework are a testimony to the fact that the brilliant orchestrator Bizet had a special predilection for the flute.This is a wonderful selection ofextracts from Bizet's two great works Carmen and the L'Alesienne Suite No.2 which have been skilfully arranged for Flute with Piano Accompaniment by Werner Richter.The solo flute part is also included on a separate insert.

This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampling of the various styles of music known to the composer. It contains a pair of French Menuets two Passepieds from Brittany a Polish Polonaise and an Air à l'italienne. For good measure Telemann throws in two quasi-illustrative movements describing Les plaisirs and a Réjouissance respectively. The Overture is perhaps the best-known part of the work and is remarkable for its almost processional feel and itreappears as the Conclusion at the suite's end. This diversity of styles and means fits well the template of a suite but the unifying intelligence behind all of them is definitely that of Telemann.

Par ARNOLD MALCOLM. Dedicated to Sir James Galway, who gave the first performance in 1977 at New Hall, Cardiff, this Sonata for flute is in three movements. The composer writes, 'there are so many works for flute which are solely vehicles for instrumental virtuosity that I have attempted to write a piece where the musical element is more to the fore. Although this is a virtuoso work with a particular virtuoso in mind, it endeavours to be as interesting musically as I can possibly make it.' / Répertoire / Flûte Traversière et Piano

Eldin Burton's Sonatina for Flute and Piano was the prize-winning composition of the New York Flute Club contest 1948 and is published here as part of the highly respected Carl Fischer catalogue.

Scaramouche Op.71-This work is from Scaramouche Sibelius' tragic pantomime. The piece is taken from the incidental music of the pantomine and is arranged here for Flute and Piano.