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Olivier Messiaen: Saint Francois d'Assise - Act II: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume ...
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Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments on each tableau. It is focused on the “Act II Tableau 4. L’Ange voyageur” which describes the appearance of the “Traveller Angel” to Saint Francis. This tableau is introduced by each of the themes of Brothers Leon Élie and Bernard and the theme of Philemon the bird. It opens as the Brothers are confronted to the Angel but don’t recognise him straight away except for BrotherBernard who reacts wisely. The Angel then requests to talk to Father Francis and the tableau finishes introducing the following part: “Act II Tableau 5. L’ange musicien”. Within this tableau 4 birdsong can be heard that is reminiscent of Messiaen's 'Bird Catalogue' collection. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
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Zoltán Kodály: Dances Of Galanta: Orchestra: Instrumental Work
Orchestra
Universal Edition
Galánta is a small Hungarian market-town known by the travellers from Vienna to...
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Galánta is a small Hungarian market-town known by the travellers from Vienna to Budapest. The composer has passed through there many times during his childhood at the time there existed a famous Gipsy-band which has disappeared since their music was the first 'orchestral sonority' which came to the ear of the composer. The forbearers of these gipsies were known already more than a hundred years ago about 1800 some books of Hungarian dances were published in Vienna one of which contained music 'after several gipsies from Galantha'. The composer has taken his principal subjects from these ancient editions. (ZoltánKodály 1934)
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Joaquín Turina: Rapsodia Sinfonica: Orchestra: Score
Español
Orchestra
[Sheet music]
Unión Musical Ediciones
Rapsodia Sinfonica (Op.66) was written in 1931 for Piano and String Orchestra. I...
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Rapsodia Sinfonica (Op.66) was written in 1931 for Piano and String Orchestra. It is perhaps a little understated as a symphonic rhapsody with the focus very much on vibrant Iberian flourishes and individual melodies than on forming a thick harmonic texture making it a light and rather enjoyable work.Joaquin Turina (1882-1949) was a Spanish classical composer. Unlike his contemporaries such as Granados and Falla he wrote several chamber pieces many of which are still performed today. He studied in Paris with Ravel and Debussy whose influences can be heard throughout his works as well as influences from traditional Andalusian music.
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Tänze Aus Galánta (KODALY ZOLTAN)
Orchestra
[Score]
Universal Edition
Par KODALY ZOLTAN. Galánta is a small Hungarian market-town known to the travel...
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Par KODALY ZOLTAN. Galánta is a small Hungarian market-town known to the travellers from Vienna to Budapest. The composer has passed there seven years of his childhood. There existed at that time a famous Gipsy-band which has disappeared in the meantime. Their music was the first 'orchestral sonority' which came to the ear of the child. The forbears of these gipsies were known already more than hundred years ago. About 1800 some books of Hungarian dances were published in Vienna, one of which contained music 'after several gipsies from Galantha'. They have preserved the old Hungarian tradition. In order to continue it the composer has taken his principal subjects from these ancient editions. (Zoltán Kodály, 1934) “Dances from Galánta” is now available in the New Conductor Score series. These completely redesigned scores stand out due to their carefully researched critical report and a highly legible, clean notation, all in the trusted Universal Edition quality./ Répertoire / Orchestre
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Oliver Knussen: Symphony No.3: Orchestra
Orchestra
Faber Music Limited
'. . .The symphony is the work of a modern Ravel.'The Independent 27 June 1988
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Sports Et Divertissements (CAMPO REGIS / SATIE ERIK)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par CAMPO REGIS / SATIE ERIK. Sports et Divertissements, composé autour de 1913...
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Par CAMPO REGIS / SATIE ERIK. Sports et Divertissements, composé autour de 1913, est un cycle fantaisiste pour piano, composé de plusieurs pièces quasi improvisées relatant avec humour et esprit 'cubiste' diverses préoccupations - disons - assez futiles comme la pêche, le carnaval, le yachting, la balançoire, le bain de mer, colin-maillard ou le flirt. M'étant penché un temps sur la manière d'orchestrer la musique de Satie avec son oeuvre Parade (penché mais pas trop tout de même), j'ai ensuite pensé à Ravel et ses Tableaux d'une exposition, mais aussi au jeune Stravinsky, à Jeux de Debussy où l'on parle également de flirt et de tennis. Puis j'ai retrouvé mes manières d'orchestrer, en évitant par exemple de rendre le Choral inappétissant de Satie aussi inappétissant que le Choral de Parade, le rendant d'avantage magique et touchant: un hommage au caractère de Satie, un homme éminemment affable et bienveillant envers son entourage et les enfants d'Arceuil. En revanche, le traitement de la percussion est respectueusement très satien, s'inspirant des petites textes glissés par le compositeur dans la partition pour piano (j'ai surréalistement opté pour un éoliphone, un vibraslap, un machine à écrire modèle Underwood, des crécelles, une flûte à coulisse, un flexatone, un appeau 'rossignol'...). Donc bruit de moulinet de la canne à pêche, des talons en dansant le Tango, bruissement de la Balançoire, présence menaçante du vent au grand large dans Le Yachting, ou encore sifflet pour Le Réveil de la Mariée... Régis Campo / contemporain / Répertoire / Orchestre
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Britta Byström: Invisible Cities: Orchestra: Score
Orchestra
-
Intermediate/advanced
Wilhelm Hansen
Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Prog...
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Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Programme note: Invisible Cities is an orchestral piece inspired by the Italian writer Italo Calvino's novel 'Le città invisible' (1972). The novel consists of many short poetical descriptions of wondrous cities. This is what the explorer Marco Polo reports to Kublai Khan of what he has seen during his travels. Gradually though Kublai Khan begins to suspect that Marco Polo all the time describes one and the same city but in many different ways: Marco Polo's own hometownVenice. This was also my musical idea: to present the same motif in many different ways. The piece has eleven movements just as the novel consists of eleven different kinds of cities. Before every new musical 'city' there is a 'walk' – a little piano line which takes the listener from one city to another. This piano line is a quotation from Witold Lutoslawski'sVenetian Games. There are also other music connected to Venice hidden in my piece: the well-known Barcarolle by Offenbach and some fragments from Carnival in Venice. These references are the 'invisible cities' of my piece the material hidden under the music's surface. Marco Polo explains to Kublai Khan: 'To distinguish the other cities' qualities I must speak of a first city that remains implicit. For me it is Venice.' (c) Britta Byström Britta Byström’s careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhögskolan in Stockholm with Pär Lindgren and Bent Sørensen.
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestra
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Symfoni Nr. 2 - Snapshot Symphony: Orchestra: Score
Orchestra
Wilhelm Hansen
Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiest...
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Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiesta Mexicana: fortissimo accelerando (ca. 6 minutes) 2nd movement Arabian Nights: adagio intensivo e furioso (ca. 11 minutes) 3rd movement Great Fireworks in China: giocoso esplosivo e marcatissimo (ca. 8 minutes) Programme note I’ve never been to Mexico and Arabia or to China. But I love the way those countries sound in Hollywood movies and inpop culture generally: When Clint Eastwood rides south of the border when Disney’s Alladin or Mulan takes me far east when arabic pop music roars past me out of the open windows of a car... and bull fighter music and the sound of acrobatic beat-em-up’s in John Woo’s Hong Kong karate movies – and so on: powerful images splashed all over my eye balls and ear drums. My recollections of this ethnic-pop-film-music has turned itself into a symphony. And I don’t even have to just remember what I have heard: A few internet clicks gives me access to incredible sound libraries containing live-and-kicking ethnic music from my three favorite countries just waiting to be put together in new combinations and energize my personal imagery. The symphony is like a huge slide show – musical snapshots from my travels in the western pop culture versions of three exotic locations: Mexico Arabia and China – original and popular melodies welded together by my personal musical language and associations. I use all the effects of modern pling-plong-music plus a few of my own inventions to create a spectacular contemporary orchestral sound sporting a bee hive of melodies from either East or West played simultaneously in different keys and differents tempos at once while kept firmly in place by
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Adam Falckenhagen: Concerto in F Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late B...
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Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto).
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Adam Falckenhagen: Concerto in F Major: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late B...
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Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period travelling from court to court throughout his life eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia Margravine of Bayreuth a lutenist herself and the sister of Frederick the Great. He composed a variety of music for lute including this Concerto in F Major in three movements: Allegro Andante and Vivace. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adaptedfrom lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Joseph M. Martin: A World of Christmas: Orchestra: Parts
Orchestra
Shawnee Press
Joseph Martin gives you the world in his new cantata that celebrates the carols ...
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Joseph Martin gives you the world in his new cantata that celebrates the carols and traditions of Christmas. Like a seasonal travelogue this work tells the story of Christ's birth with great color and variety. Pamela Martin'sthoughtful narration allows for several performance options and the glorious orchestrations by Brant Adams and Stan Pethel capture perfectly the spirit and joy of this festive work. Observe our unity in Christ with the mostexciting Martin cantata yet! Carols include: Joy to the World ? Angels from the Realms of Glory ? Silent Night ? Infant Holy Infant Lowly ? Niño Lindo ? Italian Pipers Carol ? Love Came Downat Christmas ? Go Tell It on the Mountain ? The Virgin Mary Had a Baby Boy ? Everywhere Christmas Tonight ? and many more. Perf. Time: Approx. 40 minutes.
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Hans Abrahamsen: Nacht Und Trompeten: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Nacht Und Trompeten by Hans Abrahamsen (1981). Programme note: The piece is ded...
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Nacht Und Trompeten by Hans Abrahamsen (1981). Programme note: The piece is dedicated to Hans Werner Henze from whose request the piece arose. The music unfolds in a space in which the memory of the earlier music has the same reality as the music of today. But the music of the memory is naturally distant and vague whereas the music of today is present and gesticulated.In the opening section the past and the present are clearly separated but during the piece this balance is lifted as 'the music of the past' (trumpet signals Sicilian melodicity romantic Pathos strawinskian neo-classicism) in a dynamic andoften dramatic surrealistic play with minimalism and modernism of today is unravelled. Orchestration: 2.2.2.2/2.3.0.0/5perc/pf/str. Parts are for hire: hire@ewh.dk
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Ludwig van Beethoven: Symphony No. 5 In C Minor Op.67: Orchestra: Study Score
Orchestra
G. Henle
Opus 67-Beethoven is presumed to have completed his 5th Symphony in early 1808; ...
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Opus 67-Beethoven is presumed to have completed his 5th Symphony in early 1808; today it is one of the most famous works of classical music of all. Its nickname ?Fate Symphony? was given to it posthumously byBeethoven?s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship.Based on the recently published musical text of the Beethoven Complete Edition andsupplied with a new preface by editor Jens Dufner one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel study or the concert hall.
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Benjamin Britten: Irish Reel: Orchestra
English
Orchestra
[Score]
Faber Music Limited
Britten's Irish Reel was composed in 1936 as title music for a documentary film ...
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Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning' 'The Vocar of Bray' and Sheild's 'The Plough Boy') many of which were suggested to him by the Norfolk-based composer E.J.Moeran.
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Du Corps... (PEREZ-RAMIREZ MARCO-ANTONIO)
Orchestra
[Sheet music]
Jobert
Par PEREZ-RAMIREZ MARCO-ANTONIO. Le titre de cette nouvelle pièce s'est imposé...
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Par PEREZ-RAMIREZ MARCO-ANTONIO. Le titre de cette nouvelle pièce s'est imposé tout naturellement au moment où je lisais cette phrase d'Antonin Artaud 'Du corps, par le corps, depuis le corps, avec le corps et jusqu'au corps'. J'avais déjà commencé à écrire cette pièce pour orchestre, je cherchais des aspérités, des volumes antagonistes, des sons âpres, rauques, une forme sans concession, des accélérations et ralentissements du matériau, je voulais dévier, dériver, m'enfoncer, repartir, déraper, foncer, revenir... J'éprouvais des sensations tactiles très fortes au moment de l'écriture, des sensations de contact direct, immédiat, physique. J'essayais de laisser une trace dans l'espace. Un peu comme dans les tableaux d'Antoni Tapiès avec ces graffitis ou éraflures, '...comme si une mémoire avait pu reprendre corps à partir de ces surfaces graveleuses...' (Jorge Semprun). Aujourd'hui plus j'avance dans mon travail et plus cette idée du corps, devient présente dans ma musique. Ecrire de la musique est devenu une expérience du corps tout entier. Un corps qui est pensée, connaissance et sensations. Tout ce que j'écris passe par mon corps. Je mime, chantonne, ronronne ma musique. Je me lève, me rassois, tourne autour de ma table pour calmer ma main et ma tête qui parfois vont trop vite. Par ce contact direct, physique, j'essaye que ma musique garde en mémoire le geste qui la fait naître. Au-delà de cette 'physicalité', les réflexions sur le corps m'ont permis de faire le lien avec ces idées chères à Bergson sur le Temps, la durée réelle, sur l'Instinct et l'Intuition. Toutes ces notions se croisent dans mon esprit, se mélangent dans ma musique, et plus particulièrement dans cette nouvelle pièce. Du Corps... est dédiée à René Koering, car c'est après avoir entendu le final, extrêmement étrange, de son 3e quatuor à cordes que j'ai eu envie d'écrire les premières mesures de cette pièce. Marco-Antonio Perez-Raminez / contemporain / Répertoire / Orchestre
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Michael Nyman: MGV (Musique A Grande Vitesse): Ensemble: Instrumental Work
Orchestra
[Sheet music]
Chester
MGV (musique grand vitesse) was conceived as a set of interconnected journeys ...
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MGV (musique grand vitesse) was conceived as a set of interconnected journeys performed without pause but listed as nine separate tracks on Michael Nyman’s 23rd album. Since then Christopher Wheeldon has choreographed a danceto the work so there is now a DGV (dance grand vitesse) to add to the layers.When the French city of Lille produced a festival in 1993 to celebrate the inauguration of TGV (train grand vitesse fast train) service fromParis they could not have chosen a more apt composer for their event. Nyman's work The Piano Concerto was also premiered at the concert but it is the dynamic locomotion of MGV which aurally suggests the feeling and sound oftravel by train. Though as the composer writes ‘the topography of MGV should be experienced without reference to planning description or timetables.’
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Irish Reel (Score)
Orchestra
Faber Music Limited
Britten's Irish Reel was composed in 1936 as title music for a documentary film ...
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Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association, which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music, Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning', 'The Vocar of Bray', and Sheild's 'The Plough Boy'), many of which were suggested to him by the Norfolk-based composer E.J.Moeran.
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Maurice Ravel: Alborada Del Gracioso: Orchestra: Miniature Score
Orchestra
[Study Score / Miniature]
Eulenburg
Mit ?ber 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musikthe...
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Mit ?ber 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die gr???te Partiturreihe der Welt. Sie deckt einen gro??e Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zur?ck.
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Maurice Ravel: Concerto En Sol Pour Piano Et Orchestra: Piano: Study Score
Orchestra
[Score]
Durand
Full Score
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Maurice Ravel: Four Orchestral Works: Orchestra: Score
Orchestra
Dover Publications
Four Orchestral Works
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Maurice Ravel: Le Tombeau de Couperin: Orchestra
Orchestra
[Score]
Durand
Suite d' Orchestre - Conducteur Grand Format
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Maurice Ravel: Daphnis Et Chloe 1 Suite Poche: Orchestra
Français
Orchestra
[Study Score / Miniature]
Durand
Daphnis Et Chloe 1 Suite Poche
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Maurice Ravel: Bolero: Orchestra: Miniature Score
Orchestra
Ernst Eulenburg u. Co.
Bolero
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Maurice Ravel: Daphnis et Chloé: Orchestra: Study Score
Français
Orchestra
[Study Score / Miniature]
Durand
fragments symphoniques 2e série
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Maurice Ravel: Pavane Pour Une Infante Defunte: Orchestra: Score
Orchestra
[Score]
Zen-On
Pavane Pour Une Infante Defunte
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Maurice Ravel: Ma Mère L'Oye: Orchestra
Orchestra
[Study Score / Miniature]
Durand
Ma Mère L'Oye
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Maurice Ravel: Pavane Pour Une Infante Défunte: Orchestra: Miniature Score
Orchestra
Eulenburg
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musikth...
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Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Maurice Ravel: La Valse: Orchestra
Français
Orchestra
[Study Score / Miniature]
Durand
La Valse
25.99 GBP - Sold by Musicroom UK
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