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Symphony
ACCORDION
Organ
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Widor Complete Organ Symphonies Series I - 001 - Organ
Organ
[Sheet music]
Dover Publications
Description Widely regarded as the culmination of French romanticism on the o...
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Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata
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Symphony 'Romane', Op. 73 (Organ)
Organ
United Music Publishers
Significantly remembered for his Organ works, Charles-Marie Widor 's (1844-1937)...
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Significantly remembered for his Organ works, Charles-Marie Widor 's (1844-1937) renowned Symphony 'Romane' is essential to the repertoire of all passionate organists. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. Nicknamed the 'Romane', the Symphony #10 reflects Widor 's mastery of the Organ, exploring all possibilities on the instrument, as well as deriving thematic material from plainchant. Made up of four movements, Symphony Romane is founded upon the Christmas Hymn, A Child is Born. The composer's invaluable experience, as well as his virtuosic ability of the Organ make this favourite and famous Symphony #10 by Charles-Marie Widor vital for advanced organists. / Orgue
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Widor Complete Organ Symphonies Series Ii - Organ
Organ
[Sheet music]
Dover Publications
Description The greatest French organist of his day, Widor (1844–1937) comp...
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Description The greatest French organist of his day, Widor (1844–1937) composed 10 organ symphonies—actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series II includes Symphonies 6-8, Symphonie Gothique and Symphonie Romane, frequently performed today. Also includes a glossary of French terms. Songlist Symphonie Gothique Op.70 Symphonie Romane Op.73 Symphony No.6 In G Minor Op.42 No.2 Symphony No.7 In A Minor Op.42 No.3 Symphony No.8 In B Major Op.42 No.4
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Vierne Louis - Organ Symphonies - Nos. 1-3 - Organ
Organ
[Sheet music]
Dover Publications
Description Three majestic lyrical works from French organist and composer Lo...
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Description Three majestic lyrical works from French organist and composer Louis Vierne. A student of Franck and Widor, Vierne was organist at Notre-Dame, Paris. Songlist Symphony No.1 Op.14 Symphony No.2 Op.20 Symphony No.3 Op.28
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Organ Symphonie #1 (SCHNEIDER ENJOTT)
Organ
[Sheet music]
Schott
Pater Noster. Par SCHNEIDER ENJOTT. Organ Symphony No 1 de Schneider est dans la...
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Pater Noster. Par SCHNEIDER ENJOTT. Organ Symphony No 1 de Schneider est dans la tradition des symphonies orgue français (Widor, Vierne, Duruflé). Avec sa tendance générale from the dark désespérée pour le réconforter brillante, l'Orchestre symphonique d'apporte de l'air de la prière et la plaidoirie de la souffrance des personnes comme un thème. Le ' pater noster ' comme l'archétype de la prière est cité dans tous les mouvements./ Recueil / Orgue
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Organ Symphony #2 (SCHNEIDER ENJOTT)
Organ
[Sheet music]
Schott
Die Marianische. Par SCHNEIDER ENJOTT. Comme la contrepartie de l'orgue Symphoni...
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Die Marianische. Par SCHNEIDER ENJOTT. Comme la contrepartie de l'orgue Symphonie #1 Pater Noster (ED 9937), l'orgue Symphonie #2 offre plus douces et plus mystérieuses (mariales) sonores mondes, esquisse des étapes de la vie de Mary : une adoration Salve Regina se développe à partir de la source mystique, suivie pour Berceuse Marie comme une berceuse les événements de Noël. Le troisième mouvement Mater Dolorosa retombe sur la séquence de grégorien célèbre Stabat Mater, prenant la douleur de Mary à la Croix comme thème central. La finale traite l'Ave Maris Stella dans un crescendo de pp à ff de manière positive et solennelle, à la mémoire de l'hypothèse de Mary. Il est conseillé d'utiliser un orgue avec au moins trois manuels./ Répertoire / Orgue
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Schneider, Enjott : Organ Symphony No. 11
Organ
[Sheet music]
Schott
[Symphonies pour Orgue n°11 - Avent] / Classique / Partition /
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Complete Organ Symphonies I (WIDOR CHARLES-MARIE)
Organ
[Sheet music]
Dover Publications
Par WIDOR CHARLES-MARIE. Widely regarded as the culmination of French romanticis...
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Par WIDOR CHARLES-MARIE. Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these 'symphonies' - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers./ Répertoire / Orgue
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Symphonie N06 Op. 42 (WIDOR CHARLES-MARIE)
Organ
[Sheet music]
Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No....
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Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saë ns at the Organ of La Madeleine, and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupre. Followingthe death of Cesar Franck in 1890, it was Widor who was requested to direct Organ studies at the Paris Conservatoire, and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works, but it is above all his Organ music that is most performed today./ Répertoire / Orgue
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Symphonie No 1 En Ré Titan Pour Orgue
Français
Organ
Delatour France
Cette transcription de la Symphonie TITAN de Gustav Mahler a été réalisée ...
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Cette transcription de la Symphonie TITAN de Gustav Mahler a été réalisée en répondant aux réflexes techniques de l'organiste, C'est dire qu'il ne s'agit pas d'une simple réduction de la partition d'orchestre vers l'orgue, mais bien d'un arrangement pensé pour l'orgue et pour l'organiste, tout en respectant le caractère et les colorations de l'oeuvre originale,Ainsi, certains éléments existants dans la symphonie originale ont pu être retirés et d'autres ajoutés, ou réécrits et on se gardera surtout d'imiter l'orchestre, que ce soit par les phrasés, les tempi, et par la registration,Il faut jouer cette transcription comme un oeuvre pour orgue, écrite pour l'orgue dès le départ, - 1- Langsam, Schleppend_Immer sehr gemächlich, (18')- 2- Kräftig bewegt (10')- 3- Feierlich und gemessen (12')- 4- Finale, Stürmich bewegt (22') À propos de Paul Sterne The Mahler Organ Project / Orgue
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Dsch Symphonie Pour Grand Orgue (CHOSTAKOVITCH DIMITRI)
Français
Organ
Chant du Monde
Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostako...
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Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's D. S. C. H. Symphonie Pour Grand-Orgue. Available in France and Belgium only! Dmitri Shostakovich's D. S. C. H. Symphonie Pour Grand-Orgue./ Répertoire / Orgue
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2ème Symphonie Pour Orgue
Français
Organ
Delatour France
Ecrite en 2013, cette symphonie justifie son nom à la fois par l'ampleur de s...
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Ecrite en 2013, cette symphonie justifie son nom à la fois par l'ampleur de ses proportions, par les perspectives sonores ouvertes dans chacune de ses parties, et surtout par l'unité fondamentale qui la domine, En effet elle repose essentiellement sur une cellule thématique dont les notes évoquent le nom d'Albert Schweitzer (dans le système de notation germanique), Tour à tour énergique et enthousiaste, mystérieuse et voilée, grandiose et visionnaire, la musique, caractérisée par une harmonie très libre et une écriture très concentrée, se veut une affirmation passionnée de la suprématie de l'Esprit, / Orgue
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Symphonie #4 En Mi Mineur Pour Orgue
Français
Organ
-
Intermediate/advanced
Delatour France
Cette transcription de la 4ème Symphonie de Brahms a été réalisée dans une ...
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Cette transcription de la 4ème Symphonie de Brahms a été réalisée dans une écriture classique à 4, voire à 5 voix et répondant aux réflexes techniques de l'organiste, Il ne s'agit donc pas d'une simple réduction de la partition d'orchestre vers l'orgue, certains éléments préexistants ayant pu être retirés, d'autres ajoutés, ou réécrits, On se gardera donc d'imiter l'orchestre, que ce soit par les phrasés, les tempi, ou par la registration, / Orgue
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2ème Symphonie En Ré
Organ
Anne Fuzeau Productions
2ème Symphonie en Ré MajeurEdition : Manuscrit autographe, janvier 1928-mai 19...
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2ème Symphonie en Ré MajeurEdition : Manuscrit autographe, janvier 1928-mai 1929.Présentation par Michèle Guyard : Catalogue des oeuvres d'A. Fauchard - notice biographique - erreurs ou omissions - la registration - orgue de concert du conservatoire - orgue de la Cathédrale de Laval. / Orgue / 68 pages / niveau : 1 / Fac-Similés - Format: 28 X 34
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3 Préludes Et Fugues (Dupre), Pièce Héroïque (Franck), 2ème Symphonie (Vierne) [Cd Audio]
Français
Organ
Delatour France
Quel que soit votre niveau, novice ou confirmé en Orgue mais surtout amateur de...
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Quel que soit votre niveau, novice ou confirmé en Orgue mais surtout amateur de Livres, Revues, DVD, Logiciels Et Accessoires et avec un peu de volonté, vous trouverez votre bonheur en piochant dans cette partition 3 préludes et fugues (DUPRE), Pièce Héroïque (FRANCK), 2ème symphonie (VIERNE) [CD Audio] éditée dans les années 2000. Elle fait partie du catalogue des éditions Delatour. / Orgue
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Symphonie En Mi Majeur
Français
Organ
[Sheet music]
Leduc, Alphonse
La partition Symphonie En Mi Majeur a été composée pour Orgue. Cette partitio...
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La partition Symphonie En Mi Majeur a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition
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Mahler, Gustav : Adagietto aus der 5. Symphonie
Organ
Süddeutscher Musikverlag
[Adagietto aus der 5. Symphonie] / Classique / Arrangement pour orgue : Hans-Mar...
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[Adagietto aus der 5. Symphonie] / Classique / Arrangement pour orgue : Hans-Martin Schwindt / Partition / Agrafé /
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Symphonie En Re Mineur
Français
Organ
[Sheet music]
Leduc, Alphonse
La partition Symphonie En Re Mineur a été composée pour Orgue. Cette partitio...
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La partition Symphonie En Re Mineur a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition
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Symphonie Pour Orgue Vol.25
Français
Organ
Delatour France
Un titre n'est jamais gratuit, en tout cas ne devrait jamais l'être. Ici, l'app...
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Un titre n'est jamais gratuit, en tout cas ne devrait jamais l'être. Ici, l'appellation de symphonie pour orgue n'est pas le fruit du caprice du compositeur, mais la simple traduction d'une structure caractérisée par l'ampleur de l'architecture en plusieurs mouvements et l'agencement interne de chacun d'eux, ainsi que par le traitement des différents plans sonores. Un hommage à la grande tradition française n'est pas absent non plus. / Orgue
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Symphonie En Si Mineur
Français
Organ
[Sheet music]
Leduc, Alphonse
La partition Symphonie En Si Mineur a été composée pour Orgue. Cette partitio...
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La partition Symphonie En Si Mineur a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Organ
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Alexandre Guilmant Organ Sonatas - Organ
Organ
[Score]
Dover Publications
Description The eight sonatas of Guilmant may well lay claim to classical ran...
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Description The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the organ a new sense which had been too little cultivated by organists. Edited by A. Eaglefield Hull. Songlist Fifth Sonata In C Minor, Op.80 Fourth Sonata In D Minor, Op.61 Second Sonata In D Major, Op.50 Symphony In D Minor, Op.42 Third Sonata In C Minor, Op.56
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Orgelsinfonie No. 14 (SCHNEIDER ENJOTT)
Organ
Schott
Die Romanische. Par SCHNEIDER ENJOTT. As inspiration for his Organ Symphony No. ...
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Die Romanische. Par SCHNEIDER ENJOTT. As inspiration for his Organ Symphony No. 14, Enjott Schneider draws from the atmosphere and the Romanesque style of the Imperial Cathedral of Speyer: the massive walls, the round arches, the western belfry. The work requires a large organ with at least three manuals./ Répertoire / Orgue
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Kantata For Organ
English
Organ
[Score]
Chester
Henryk Mikolaj Górecki's career spans more than 40 years, dating from the post-...
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Henryk Mikolaj Górecki's career spans more than 40 years, dating from the post-Stalinist era of the mid 1950s and embracing a catalogue of more than 70 acknowledged works. It was not, however, until the phenomenal success of his third symphony, Symphony of Sorrowful Songs Op 36, which brought the composer world-wide renown through its numerous performances and recordings, that his music reached an extended audience outside his native Poland. Since then the directness and emotional impact of his music have established him as one of the major figures of contemporary music. / Orgue
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Fourths Mostly For Organ Solo
Organ
Chester
Arranged for organ. Duration 10 minutes. Commissioned by Symphony Hall Birmingha...
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Arranged for organ. Duration 10 minutes. Commissioned by Symphony Hall Birmingham 2001. / Orgue
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4 Preludes For Organ Op. 48 (KABELAC MILOSLAV)
Organ
[Sheet music]
Barenreiter
Critical Complete Edition Of The Works Of Miloslav Kabelác V/13. Par KABELAC MI...
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Critical Complete Edition Of The Works Of Miloslav Kabelác V/13. Par KABELAC MILOSLAV. The four small-scale preludes of Miloslav Kabelác's op. 48 were commissioned in 1966 by the second 'Prague Spring International Music Competition” in the category organ. They are written in proportional notation, which the composer preferred ever since his Symphony No. VI of 1961. For practical reasons one of the editors, the leading Czech organist and Kabelác authority Jan Hora, has transcribed the graphic notation of the note-values into standard notation. The original musical text appears in a complete reproduction of the first edition of 1966, along with examples in facsimile./ Répertoire / Orgue
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Guillou Jean - Sinfonietta Op. 4 - Organ
Organ
Schott
Instrument : organ Nombre de Pages : 31 As its title indcates, this is a miniat...
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Instrument : organ Nombre de Pages : 31 As its title indcates, this is a miniature symphony, its structure compacted as much as possible. The classical form is respected, dwon to the smallest details, so that the various development sections lead to a recapitulation of the two themes and to a more asservative conclusion. Throughout the work the style is extremely sparse and straightforward. The nostalgia expressed by the theme of the second movement leads us towards effects of perspective that modify the light thrown on the melody, at first distand and soon more insistent, more dominant, before dying away in the gentle mist. The third movement is somewhat facetious and sly. Despite its brilliantly luminous progress, the ending is nostalgic, whimsical and, once more, humorous.
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Toccatas, Carillons And Scherzos For Organ - Organ
Organ
[Sheet music]
-
Intermediate/advanced
Dover Publications
Description 27 scintillating works for Church or Concert performance. Songl...
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Description 27 scintillating works for Church or Concert performance. Songlist Capriccio, 'La Caccia' (Polibio Fumagalli) Carillon (Leo Sowerby) Carillon From 'Douze Pieces', Op.16 (Leon Boellmann) Carillons From 'Dix Pieces', Op.7 (Emile Bourdon) Carillon-sortie (Mulet) Fanfare D'orgue (Harry Rowe Shelley) Festival Toccata [Fletcher, Percy E.] Humoresque, 'L'organo Primitivo' (Pietro Yon) Les Carillons De Saint-paul D'orleans (Adolphe Marty) Rondo Con Imitatizione De' Campanelli (Giovanni Morandi) Roulade From 'Six Pieces', Op.9 (Seth Bingham) Scherzo (Gaston Dethier) Scherzo In E Major From 'Dix Pieces' (Eugene Gigout) Scherzo In G Minor Op.49 No.2 Toccata (Symphony No.5) [Widor, Charles-Marie] Toccata And Fugue In D Minor- Bwv565 (J.S Bach Ed. Lemare) Toccata From 'Suite Gothique (Leon Boellmann) Toccata In A Major Op.67, No.2 (Georges Macmaster) Toccata In B Minor From 'Dix Pieces' (Eugene Gigout) Toccata In B Minor From 'Suite De Morceaux' (Charles Tournemire) Toccata In D Minor From 'Trois Pieces' (Alphonse Mailly) Toccata In D Minor Op.108, No.1 (Albert Renaud) Toccata In E Major (Remigio Renzi) Toccata In E Minor (Joseph Callaerts) Toccata In G Major From 'Douze Pieces' (Theodore Dubois) Tu Es Petra From 'Equisses Byzantines' (Henri Mulet) Veritables Preludes Flasques
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In Memoriam Anton Bruckner Op. 91A
Organ
Schott
The three-movement piece refers to Bruckner's music in different ways: in the fi...
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The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony #8- in the second movement, the first four tones of the 'Adagio' from Symphony #9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective. / Orgue
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Band I: Symphonie Nr. 1 Op. 14 (VIERNE LOUIS)
Organ
[Sheet music]
Barenreiter
Par VIERNE LOUIS. Sämtliche Orgelwerke. Hrsg Helga Schauerte-Maubouet (Keine Au...
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Par VIERNE LOUIS. Sämtliche Orgelwerke. Hrsg Helga Schauerte-Maubouet (Keine Auslieferung Nach Frankreich, Italien Und Spanien)/ Répertoire / Orgue
35.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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