This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music. <br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard. <br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /

Alfred's Kid's Piano Course is a fun method that teaches you to play songs on the piano right away. This complete edition combines levels 1 and 2 with the activity pages of the Notespeller, and includes online access to recordings of each song and exercise so you always know how the music should sound. Each lesson on every colorful page is explained in plain language that's easy to understand- plus, you get to learn from three irresistible piano experts---a clever, classical dog, one cool jazz cat, and a friendly alligator who loves the blues. They keep your attention focused by pointing out what's important on each page and help you learn by making music fun! Parents can be effective guides to help you through this course, even if they've never had any musical training themselves. The companion DVD to this edition features a live instructor to make learning the piano even easier! Hosted by expert teacher Gayle Kowalchyk, this video demonstrates the fundamentals of piano playing, teaches you how to read music, and helps you play lots of fun songs! The DVD features live performances that demonstrate how the music should sound, and includes bonus MP3 audio tracks of all the examples for listening and playing along! Online access to the video and MP3s are included free with the DVD kit as well. Get ready to take your first and best step toward a lifetime of musical enjoyment! / Piano

Alfred's Kid's Piano Course is a fun method that teaches you to play songs on the piano right away. This complete edition combines levels 1 and 2 with the activity pages of the Notespeller, and includes online access to recordings of each song and exercise so you always know how the music should sound. Each lesson on every colorful page is explained in plain language that's easy to understand- plus, you get to learn from three irresistible piano experts---a clever, classical dog, one cool jazz cat, and a friendly alligator who loves the blues. They keep your attention focused by pointing out what's important on each page and help you learn by making music fun! Parents can be effective guides to help you through this course, even if they've never had any musical training themselves. Get ready to take your first and best step toward a lifetime of musical enjoyment! / Piano

Sure to become a holiday favorite this songbook features easy arrangements of 27 traditional carols plus fabulous full-color Christmas artwork of the Peanuts Gang! Songs include: 'Angels We Have Heard on High' 'Away in a Manger' 'Deck the Hall' 'God Rest Ye Merry Gentlemen' 'The Holly and the Ivy' 'I Heard the Bells on Christmas Day' 'Jingle Bells' 'Silent Night' 'The Twelve Days of Christmas' 'We Wish You a Merry Christmas' 'What Child Is This?' and more.

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Grumper didn’t like Christmas. All that rushing around buying presents going to parties decorating the tree. What made it worse he’d fallen out with Ned and Ned had run away. Discover the real meaning of Christmas on an adventure with Grumper and is friends and enjoy Christmas songs and carols along the way.

Par LEVINE MARK. « Le livre du piano jazz » traite des techniques fondamentales et de l'art avancé du jeu, de Art Tatum à Mulgrew Miller.La structure de ce volume est insolite : au lieu de réunir tous les voicings en un chapitre et la théorie en un autre, les thèmes alternent au cours du livre.Mark Levine explique toujours la théorie musicale à l'aide des transcriptions et des pièces qu'interprètent souvent les musiciens de jazz. Le choix va de standards comme « Just Friends » à « Infant Eyes », la magnifique ballade de Wayne Shorter. « Le livre du piano jazz » s'adresse en premier lieu aux pianistes. Mais grâce aux avantages visuels qu'offre le piano, d`autres instrumentalistes et des chanteurs ont aussi un accès facile aux harmonies du jazz. Un livre qui vous inspire à travailler et explorer votre piano. / method / Recueil / Piano

I Can't Get No Satisfaction' - rock music was officially born when this worldwide hit by the Rolling Stones was released, found it's way into and spread quickly across the clubs and stadiums of the world.



The fact that the Stones and their wild heirs are also able to write beautiful ballads that are easy to play on the piano is proven by Carsten Gerlitz here. In this new volume from the Piano Lounge series, he has arranged a selection of the best known rock melodies in a new and surprisingly lounge-like way. Titles include famous rock ballads such as Who Wants To Live Forever, Wind of Change, Cryin' and Angie. All pieces have been recorded on the accompanying CD by the author himself. / Arrangement : Carsten Gerlitz / Partition CD /

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the