195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con gli accordi per chitarra delle canzoni dei Beatles/ Recueil / Chant et Piano

A unique collection that celebrates one of the most distinctive voices in American songwriting. Thirty-five memorable hits:1914 (Suite from 'Avalon')A Fool in Love (from 'Meet the Parents')A New Day (Suite) (from 'Pleasantville')Ballad of the Three Amigos (from 'Three Amigos!')Blue Shadows (from 'Three Amigos!')Crazy 'Bout My Baby (from 'Meet the Fockers')Dexter's Tune (from 'Awakenings')Forever (from 'Ally McBeal')Happy Ending (from the Music/Theater Piece 'Randy Newman's Faust ')He Gives Us All His Love (from 'Cold Turkey')Heaven Is My Home (from 'Michael')I Love to See You Smile (from 'Parenthood')I Will GoSailing No More (from 'Toy Story')If I Didn't Have You (from 'Monsters Inc.')It Was Beautiful (from the Music/Theater Piece 'Randy Newman's Faust ')It's a Jungle Out There (from 'Monk')Laugh and Be Happy (from 'Cats Don't Dance')Make Up Your Mind (from 'The Paper')My Life Is Good (from the Music/Theater Piece 'The Education of Randy Newman')My Name Is James (from 'James and the Giant Peach')One More Hour (from 'Ragtime')Sandman's Coming (from 'Cop Rock' and the Music/Theater Piece 'Randy Newman's Faust ')She Chose Me (from 'Cop Rock')Strange Things (from 'Toy Story')Stupid Little Songs (from the Music/Theater Piece 'The Education of Randy Newman')That'll Do (from 'Babe: Pig in the City')The NaturalThe Time of Your Life (from 'A Bug's Life')When She Loved Me (from Walt Disney's 'Toy Story 2')You Can't Keep a Good Man Down (from the Music/Theater Piece 'Randy Newman's Faust ')You've Got a Friend in Me (from 'Toy Story')

45 Classic Hymns for Churches, Schools & Choirs. A wonderful collection of the most popular traditional hymns in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

Collected (and set with a Piano accompaniment) by Ralph Vaughan Williams from the collection Folk Songs from the Eastern Counties.  For solo voice with Piano accompaniment.First sung to R. Vaughan Williams by James 'Duggie' Carter a King's Lynn fisherman  the song tells the story of the death of a young boy aboard a ship. According to comments from RVW himself 'The ballad was probably called forth by a particularly brutal case of ill treatment similiar to that narrated in it which occurred some twenty or thirty years ago'.Lyrics:One day a poor boy to me was bound apprentice Because of his beingfatherless;I took him out of St.James’ workhouse His mother being in deep distress.One day this poor boy unto me offended But nothing to him I did say Up to the mainmast shroud I sent him And there I kept him all that long day.All with my gasket I misused him So shamefully I can’t deny And by my barbarous cruel entreatment The very next day this poor boy died.You captains all throughout the nation Hear a voice and a warning take by me;Take special care of your apprenticeWhile you are on the raging sea.

In his libretto for “Riccardo Primo” Paolo Rolli drew on Antonio Lotti’s opera “Isacio tiranno” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni. He had already written the operas “Alessandro” and “Admeto” for them. He began composing “Riccardo Primo” in spring 1727 completing the first version on 16 May. However following the death of King George I on 11 June 1727 the theatres remained closed.For Handel who had become a British citizen in February 1727 the accession of George II to the throne offered new possibilities and he embarked on a revision of the opera. With this he was able to offer a new opera for the coronation festivities the hero of which was one of King George’s charismatic forebears. From May onwards Handel thoroughly revised the present score wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin the Sultan of Egypt and Syria who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion’ by the English for his great military ability and bravery although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005 edited by Terence Best and contains the second version of the opera which was premiered in November 1727. Performance material available for hire. Based on the Urtext of the Halle Handel Edition. Original Italian text with German singing translation. Straightforward and easy-to-play Piano reduction.

This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format this edition wasdesigned to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike totake a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement making them appropriate study material for any student of music theory and harmony.Chorales are also the root of traditional hymnody especially from the Lutheran tradition. The chorales were originally text and melody sung a cappella and were for congregational singing. Chorales were set in four parts forchoir use and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.

Jerry Herman est le seul compositeur-parolier dans l'histoire à avoir eu trois comédies musicales qui s'est déroulée au cours de spectacles consécutifs de 1500 à Broadway. Il est également intronisé au Songwriters Hall of Fame et le Théâtre Hall of Fame. Ce livre célèbre ses plus grands succès avec plus de 60 chansons de Hello, Dolly!, Mame, chers World, La Cage Aux Folles et plus encore. Comprend une biographie et un album de photos de sa vie et sa carrière en 288 pages emballés. / Divers

This excellent resource for Gospel titles features 449 songs including: Amazing Grace ? At the Cross ? Because He Lives ? Behold the Lamb ? Blessed Assurance ? Church in the Wildwood ? The Day HeWore My Crown ? Give Me That Old Time Religion ? He Looked Beyond My Fault ? He Touched Me ? Heavenly Sunlight ? His Eye Is on the Sparrow ? Holy Ground ? How Great Thou Art ? I Bowed on MyKnees and Cried Holy ? I Saw the Light ? I'd Rather Have Jesus ? In the Garden ? Joshua (Fit the Battle of Jericho) ? Just a Little Talk with Jesus ? Lord I'm Coming Home ? Midnight Cry ?Morning Has Broken ? My Tribute ? Near the Cross ? The Old Rugged Cross ? Precious Memories ? Rock of Ages ? Shall We Gather at the River? ? There Is Power in the Blood ? We Shall Wear aCrown ? What a Friend We Have in Jesus ? and hundreds more!

Lo! Here the Gentle Lark is a Coloratura aria with virtuoso Flute and Piano accompaniment whose flourishes cadenzas trills and Vocalise passages create much musical excitement. A high duet between Flute and Soprano near the endis particularly flamboyant and thrilling. Henry R. Bishop was a composer active throughout the early 19th century writing operas though in the old style that was more akin to today’s musical theatre than to through-sungContinental opera as well as many songs for theatrical performances and reworkings of other composers’ creations.One of Britain’s most famous composers of his time he was the first musician ever to be knighted by QueenVictoria in 1842 and has since fallen mostly into obscurity.