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ACCORDION
Piano, Voice
NARROW BY INSTRUMENTATION
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Mallet Percussions (2)
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RECORDER TRIO, RECORDER ENSEM… (1)
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Trompette En Sib Ou Autre Inst… (1)
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Flute, Violin, Guitar (1)
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Tenor, Piano (1)
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Saxophone (Soprano, Alto, Tén… (1)
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Violon Solo (1)
TBN/EUPH/BSN::Trombone/Euphoni… (1)
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2 Clarinettes Et Plus (1)
Chant et Harpe (1)
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Trio De Batteries (1)
MEZ/PFA::Piano Accompaniment (1)
Guitare Tablatures Flatpick et… (1)
Guitare, Banjo ou Ukulélé (1)
Instruments Divers Ad Libitum … (1)
2-6 Flûtes à Bec [Aa/St/Stt/… (1)
TPT(3)::Trompette(Trio) (1)
Piccolo (1)
SSATB et Orgue (1)
Wind Sextet - 2 Bb Clarinets,… (1)
CHAM::Chamber Group (1)
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André Previn: Three Dickinson Songs: Soprano: Instrumental Work
Piano, Voice
Schirmer
For Soprano and Piano. These threesettings by the multi-talented André Previn ...
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For Soprano and Piano. These threesettings by the multi-talented André Previn composed for and premiered by Renée Fleming demonstrate once more why Emily Dickinson's poetry is irresistible to composers and singers.
14.99 GBP - Sold by Musicroom UK
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Jean Langlais: Three Prayers For Medium Voice and Organ: Voice: Vocal Album
Piano, Voice
Leduc, Alphonse
Composed in 1949 Jean Langlais' (1907-1991) Three Prayers op. 65 for Medium Voi...
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Composed in 1949 Jean Langlais' (1907-1991) Three Prayers op. 65 for Medium Voice and Organ – republished here in their complete version – can also be performed by a Choir in unison and accompanied by the Harmonium or Piano. While Marcel Dupré's training allowed Langlais to acquire brilliant virtuosity as an organist it was never an end in itself: for the composer the key word was simplicity. Testaments to a strong faith the Three Prayers reveal a sense of concision and a search for purity not incompatible with the sonic refinement of an intense expressiveness. TheAve verum which highlights the real presence of Christ during the Eucharist radiates a serene clarity. The Ave maris Stella alternates exaltation and appeasement ('Break the chains of guilt bring light to the blind'). The first two pieces use the French translation of the Latin liturgical text while the third – Tantum ergo – offers the two versions in alternation. The entire cycle expresses the fulfilment that is found in simplicity.
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Arthur Bliss: Three Songs For Voice And Piano: Voice: Vocal Score
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Three Songs For Voice And Piano
8.99 GBP - Sold by Musicroom UK
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Geoffrey Bush: Three Elizabethan Songs for Voice and Piano: Voice: Instrumental
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Three Elizabethan Songs for Voice and Piano
10.99 GBP - Sold by Musicroom UK
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Victor Hely-Hutchinson: Three Nonsense Songs: Voice: Mixed Songbook
Piano, Voice
[Sheet music]
-
Intermediate
Paterson Ltd
Three Nonsense Songs arranged for voice and piano. Words by Edward Lear set to...
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Three Nonsense Songs arranged for voice and piano. Words by Edward Lear set to music by Victor Hely-Hutchinson.
6.99 GBP - Sold by Musicroom UK
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Rolf Wallin: Drei Gedichte (Three Poems): Mezzo-Soprano: Instrumental Work
Piano, Voice
[Sheet music]
Chester
Modern Norwegian composer Rolf Wallin's Drei Gedichte'arranged for the mezzo so...
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Modern Norwegian composer Rolf Wallin's Drei Gedichte'arranged for the mezzo soprano voice and piano. These three poems were written between 1900 and 1908 and they are very different in terms of form subject matter and atmosphere. Liebes-Lied is about a strong but painful love Buddha in der Glorie a description of religious ecstasy quite unusual in the works of Rilke and Sluss-stück about death which existsin the midst of us in the middle of life.
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Henri Dutilleux: Three Posthumous Songs. Sheet Music for Voice Piano Accompaniment
Piano, Voice
Leduc, Alphonse
Singer François Le Roux brings us “Three Posthumous Songs” writen ...
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Singer François Le Roux brings us “Three Posthumous Songs” writen in 1941 by Henri Dutilleux at the request of the great baritone Charles Panzéra. In L’Ange pleureur (The Weeping Angel) a poem by Edmond Borsent there are no tears but much irony as the chubby cherub frets over the “dark deeds” committed by the soul he must guard! Ronsard’s Verses take a delicately archaic style to illustrate the poet’s desire for young Angevin peasant girl Marie Dupin: starting out as pious believers they soon frolic under the sheets as lovers. An excerpt from Rymes written by Pernette du Guillet a poetessfrom Lyon about whom very little is known La Faute en est à toi (Love Blame Yourself) brings a “Renaissance” feel to the graceful crochet-half note rhythm with this third melody following in the footsteps of Ravel and Poulenc.
14.99 GBP - Sold by Musicroom UK
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Bacri: Three love songs op. 96: Soprano: Vocal Work
Français
Piano, Voice
Leduc, Alphonse
transcription de d. tchesnokov pour soprano et piano-Three love songs op. 96 (1...
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transcription de d. tchesnokov pour soprano et piano-Three love songs op. 96 (13') transcription de d. tchesnokov pour soprano et piano. Par Bacri aux éditions Leduc. Partition / Livre de chansons pour Piano et voix
15.99 GBP - Sold by Musicroom UK
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Dream Valley Op. 20 (QUILTER ROGER)
Piano, Voice
[Sheet music]
Boosey and Hawkes
from Three Songs of William Blake. Par QUILTER ROGER. Langue: English, Format: N...
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from Three Songs of William Blake. Par QUILTER ROGER. Langue: English, Format: New Edition portrait/ Répertoire / Chant et Piano
9.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Traditional: Three French Nursery Songs: Vocal: Vocal Work
Piano, Voice
[Vocal Score]
The Walsh Collection
Three French Nursery Songs
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Susan Brumfield: First We Sing! Songbook Three: Vocal Solo: Vocal Album
Piano, Voice
Hal Leonard
More Songs and Games for the Music Class-Bring singable songs and practical peda...
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More Songs and Games for the Music Class-Bring singable songs and practical pedagogy together with 20 more children's songs rhymes and games from around the world! Songbook Three also features extension activities for the classroom historical references pedagogical indices and suggestions for including these songs in the First We Sing literacy-based music series available from Hal Leonard. In addition there are suggestions for Orff instruments and recorder along with seasonal and holiday songs singing games and songs just for fun. This third volume comes with digital access to songsheet PDFs for projection or print options and audio access to sing-along recordings featuring Inner Voices a group of 8-16 year-oldsingers from The West Texas Children's Chorus. Ideally suited for teaching musical skills this collection provides a vocabulary of music and play from which children can draw today. Adults and kids of all ages will discover the fun and enjoyment of listening learning singing and playing these songs for generations to come! 20 songs including: Bandyrowe Goin' to Boston I'se the Bye Little Sally Walker Steal Liza Jane T'was in the Moon of Wintertime and more! Suggested for grades 1-5.
32.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Songs II for High Voice and Piano: High Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for High Voice and PianoFollowing the publication of Dvorák’s ea...
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Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
30.50 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Songs II for Low Voice and Piano: Low Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s ear...
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Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
30.50 GBP - Sold by Musicroom UK
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
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Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Kurt Weill: 3 Chansons: Voice: Vocal Work
Piano, Voice
[Sheet music]
Heugel
Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano...
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Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece Complainte de la Seine (Complains of the Seine) is three page long and its lyrics are about what lies at the bottom of the river. The second song Je ne t’aime pas (I don’t love you) is a man telling someone that he doesn’t love her that everything is fine and that he is fine if she is happy. The third piece Youkali is a highly rhythmic tango-habanera in fourpages which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall.
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Giles Swayne: The Kiss Op.2: Tenor: Vocal Work
Piano, Voice
[Sheet music]
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Intermediate/advanced
Novello & Co Ltd.
A set of three songs for Tenor voice and Piano by Giles Swayne. In 1967 while r...
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A set of three songs for Tenor voice and Piano by Giles Swayne. In 1967 while recovering from an illness Swayne sent some compositions to the Royal Academy of Music in London and won a scholarship. Three song-cycles for Tenor and piano date from these years: Six Songs of Lust La Rivière and The Kiss.
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3 Chansons (WEILL KURT)
Piano, Voice
[Sheet music]
Heugel
Par WEILL KURT. Trois Chansons by Kurt Weill is a set of three French songs for ...
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Par WEILL KURT. Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece, Complainte de la Seine (Complains of the Seine), is three page long and its lyrics are about what lies at the bottom of the river. The second song, Je ne t'aime pas (I don't love you), is a man telling someone that he doesn't love her, that everything is fine and that he is fine if she is happy. The third piece, Youkali is a highly rhythmic tango-habanera in fourpages, which depicts the island of Youkali. Kurt Weill (1900-1950) is a German composer who developed operas and some works for the concert hall./ Répertoire / Chant et Piano
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The Big Christmas Songbook + Cd - Voice
Piano, Voice
[Sheet music + CD]
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Easy
Amsco Wise Publications
Description Open the front cover of the Big Christmas Songbook and step int...
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Description Open the front cover of the Big Christmas Songbook and step into a vibrant world of Christmas carols and songs interspersed by festive stories and poems written by Dickens, Tennyson and other great literary names. Beautifully illustrated in vivid colour and supplied with a sing-along CD, the Big Christmas Songbook is a truly magical way to celebrate Christmas. The songs are arranged for Piano with full lyrics and chord symbols. Dimensions: 30.5cm x 23cm Songlist Infant Holy, Infant Lowly Away In A Manger Away In A Manger (U.S. Tune) Deck The Hall Ding Dong! Merrily On High Hark! The Herald Angels Sing I Saw Three Ships In Dulci Jubilo Jingle Bells Joy To The World O Christmas Tree (O Tannenbaum) O Come All Ye Faithful O Come, O Come, Emmanuel O Holy Night O Little Town Of Bethlehem O Little Town Of Bethlehem (U.S. Tune) Once In Royal David's City Past Three O'clock See Amid The Winter's Snow Silent Night Sussex Carol The Coventry Carol The First Nowell The Holly And The Ivy The Twelve Days Of Christmas The Twelve Days Of Christmas [Traditional] Unto Us A Boy Is Born We Three Kings Of Orient Are We Wish You A Merry Christmas While Shepherds Watched
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Vincenzo Bellini: I puritani: Voice
Piano, Voice
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Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volu...
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Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volumi-I Puritani is the last work of Vincenzo Bellini: composed in nine months from April 1834 to January 1835 (a gestation unusually long for that time) was performed for the first time in Paris Théâtre Italien 24 January 1835. During this period the dramatic structure suffered radical transformations: initially structured in two acts the work was divided into three acts just before the premiere but on the eve of the first performance and immediately after that theexcessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo whose protagonist had to beMaria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century.The new Critical Edition is based on the autograph on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo at the Museo Civico Belliniano in Catania at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version; it consists of three-score volumes- introduced by a detailed reconstruction of the historical context - and of a ?Apparati? volume with a description of the Sources and the Critical Commentary to the musical text.
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