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Symphony
ACCORDION
Soli, Mixted choir and accompaniment
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (...
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With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale
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Symphonie 2 "Ressurection" (MAHLER GUSTAV)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Sympho...
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Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Critical Reports]
Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 a...
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Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for saleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.
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Mahler G. - Symphonie N2 C-moll - Choeur Et Piano
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Universal Edition
Composer: Mahler Gustav Title: Symphony No. 2 C minor Scored for: for soli, m...
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Composer: Mahler Gustav Title: Symphony No. 2 C minor Scored for: for soli, mixed choir and orchestra Language: German Edition type: piano reduction Edited by: Stark-Voit Renate, Kaplan Gilbert ISBN: 978-3-7024-7021-0 ISMN: 979-0-008-08354-9 Order number: UE35468
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Hymn of Praise - Symphony cantata - MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre
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Ludwig van Beethoven: Symphony No 9 D-Moll Op. 125: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Vocal Score]
Breitkopf & Härtel
Symphony No 9 D-Moll Op. 125
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Symphonie Nr. 2 (Partitur und Textband)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Universal Edition
Auferstehungssymphonie. Par MAHLER GUSTAV. Mahler's Second Symphony (Resurrectio...
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Auferstehungssymphonie. Par MAHLER GUSTAV. Mahler's Second Symphony (Resurrection) is now published as a two-volume set from Universal Edition. The new revised edition is based upon the Critical Edition (2010)./ Répertoire / Solistes, Choeur et Orchestre
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Mahler G. - Symphony N°8 - Full Score
Soli, Mixted choir and accompaniment
Dover Publications
Superb authoritative edition of massive, complex Symphony of a Thousand. Powerfu...
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Superb authoritative edition of massive, complex Symphony of a Thousand. Powerful synthesis of motet, dramatic cantata, oratorio, song cycle and symphony, scored for an ensemble of orchestra, eight solo voices, a double chorus, a boys' choir, and organ.
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Ludwig van Beethoven: Symphonie Nr. 9 d-moll op. 125: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Breitkopf & Härtel
Symphonie Nr. 9 d-moll op. 125
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Symphonie Nr. 3 (SZYMANOWSKI KAROL)
Soli, Mixted choir and accompaniment
Universal Edition
Das Lied von der Nacht. Par SZYMANOWSKI KAROL. Universal Edition issues a handso...
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Das Lied von der Nacht. Par SZYMANOWSKI KAROL. Universal Edition issues a handsome new study score of one of Szymanowski's finest works. The Symphony's foundation is a captivating Persian poem, and text is included in Polish, German, and English./ Répertoire / Ténor, Chœur Mixte SATB ad lib et Orchestre
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8. Sinfonie (PENDERECKI KRZYSZTOF)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Schott
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orches...
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Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Par PENDERECKI KRZYSZTOF. The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees./ Répertoire / Solistes, Choeur et Orchestre
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Hector Berlioz: Romeo et Juliette: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatiqueFor hi...
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatiqueFor his third symphony ?Roméo et Juliette? (1839) Berlioz turned to his greatest literary passion Shakespeare drawing once again on his own most fervent experiences. Berlioz?s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama but also because the leading actress of the company Harriet Smithson immediately won his heart. She later became his wife.He began to think seriously about composing some kind of musical ?Romeo and Juliet? but it was not realised until 1839. The symphony is scoredfor double chorus (to represent the two warring families) solo voices as secondary characters with the lovers themselves represented by the Orchestra.Urtext of the New Berlioz EditionFull score (BA5458) vocal score (BA5458-90) and study score (TP334) available for salePerformance material (BA5458-72) available for hire
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Elijah (Elias) Opus 70 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Peters
Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
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John Frandsen Simon Grotrian: Requiem: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Wilhelm Hansen
Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloi...
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Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
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When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
(+)
When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
7.50 GBP - Sold by Musicroom UK
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Franz Schubert: Messe G D167: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
[Sheet music]
Peters
Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schu...
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Schubert's Mass No.2 in G D167 for SATB choir and Piano accompaniment.Franz Schubert composed his ?Mass No. 2 in G major? in less than a week (March 2 to 7 1815). Schubert was an Austrian composer who was extremely prolific during his lifetime ? despite dying at 31 his output consists of over six hundred secular Vocal works (mainly Lieder) seven complete symphonies sacred music operas incidental music and a large body of chamber and Piano music. Schubert is ranked among the greatest composers of the late Classical era and early Romantic era and is one of the mostfrequently performed composers of the early nineteenth century.
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Ludwig van Beethoven: Mass C major op. 86: SATB: Study Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
G. Henle
Missa C major op. 86-Ludwig van Beethoven mit sa premi?re messe en musique en 18...
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Missa C major op. 86-Ludwig van Beethoven mit sa premi?re messe en musique en 1807 ? la demande du prince Nikolas II Esterh?zy ? l?occasion de la f?te du pr?nom de son ?pouse. Il s?agit de la messe op. 86 pour solistes ch?ur et orchestre. Ainsi composa-t-il dans le voisinage temporel d??uvres aussi c?l?bres que le 4e concerto pour piano le concerto pour violon et les 4e et 5e symphonies une ?uvre de nature totalement diff?rente. Il d?clara ? son ?diteur qu?il pensait avoir trait? le texte de la messe d?une mani?re ?dont il l?a rarement ?t?. Cette partition d??tude reproduit la totalit? du texte musical conform?ment ? l??dition compl?te des ?uvres de Beethoven. Les sources utilis?es pour?laborer cette ?dition sont pr?sent?es de mani?re d?taill?e dans la pr?face et dans le commentaire critique.
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
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Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Georg Friedrich Händel: Anthem For The Funeral Of Queen Caroline HWV 264: Mixed
Soli, Mixted choir and accompaniment
[Sheet music]
Barenreiter
When Queen Caroline the wife of King George II of England died on 20 November ...
(+)
When Queen Caroline the wife of King George II of England died on 20 November 1737 Handel was commissioned to write an anthem for her funeral service. She was buried in King Henry VII?s Chapel Westminster Abbey on the evening of 17 December 1737 with Handel?s work performed after the funeral service.To emphasize the solemnity of the occasion he used a roughly 100-piece Orchestra and 80 Choristers. The piece is a so-called ?full anthem? consisting of an instrumental Introduction (?Symphony?) and thirteen interlinked choruses. The words were written by Edward Willes the Sub-Dean of Westminster at that time using passages from the King James Bible and theBook of Common Prayer albeit sometimes departing from the original wording.The absence of sections for solo voice has made this anthem a favourite among ambitious choruses and a highlight of any concert programme. Our edition contains the original unabridged version with English text. Martin Focke?s Piano reduction follows the Urtext of the Halle Handel Edition.Original unabridged version.Urtext from the Halle Handel Edition.Straightforward easy-to-play Piano reduction.Full score performance material (BA4267) and Vocal score (BA4267-90) based on the Urtext Halle Handel Edition available for sale.
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Missa solemnis (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
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WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn?t it also possible to hear much of Bruckner?s later style?With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
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WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn?t it also possible to hear much of Bruckner?s later style?With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
20.00 GBP - Sold by Musicroom UK
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