Ergänzt Und Herausgegeben Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS / LEVIN ROBERT D.. Mozart’s Mass in C minor K. 427, the “Große Messe, ” is a torso – a circumstance which, in view of the monumentality of the work, is truly unfortunate. The American musicologist and internationally acclaimed concert pianist, Robert D. Levin has reconstructed and completed the Mass, which occupies an outstanding position among Mozart’s church music. In honor of Mozart’s 250th birthday Carus-Verlag Stuttgart is publishing this important reconstruction and thus this central work of church music will now be available in a form which is liturgically complete. Its length now fills out a complete concert. (Of course, one may also perform the work's torso with this edition. ) / Messe / Répertoire / Solistes SSTB, Choeur SATB/SATB, Flûte Traversière

Ergänzt Und Herausgegeben Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS / LEVIN ROBERT D.. Mozart’s Mass in C minor K. 427, the “Große Messe, ” is a torso – a circumstance which, in view of the monumentality of the work, is truly unfortunate. The American musicologist and internationally acclaimed concert pianist, Robert D. Levin has reconstructed and completed the Mass, which occupies an outstanding position among Mozart’s church music. In honor of Mozart’s 250th birthday Carus-Verlag Stuttgart is publishing this important reconstruction and thus this central work of church music will now be available in a form which is liturgically complete. Its length now fills out a complete concert. [Of course, one may also perform the work's torso with this edition. ] / Messe / Répertoire / Solistes SSTB, Choeur SATB/SATB, Flûte Traversière

Kantate. Par MOZART WOLFGANG AMADEUS. The Vienna Musicians’ Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente (The Mass was originally written for a performance in Salzburg in 1783). Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, whichoccurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. / Musique religieuse / Répertoire / Solistes SST, Choeur SATB/SATB, Flûte Traversière,

Kantate. Par MOZART WOLFGANG AMADEUS. The Vienna Musicians’ Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente [The Mass was originally written for a performance in Salzburg in 1783]. Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, whichoccurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. / Oratorio / Répertoire / Solistes SST, Choeur SATB/SATB, Flûte Traversière,

Kantate. Par MOZART WOLFGANG AMADEUS. The Vienna Musicians’ Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente [The Mass was originally written for a performance in Salzburg in 1783]. Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, whichoccurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. / Oratorio / Répertoire / Solistes SST, Choeur SATB/SATB, Flûte Traversière,

Kantate. Par MOZART WOLFGANG AMADEUS. The Vienna Musicians’ Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente (The Mass was originally written for a performance in Salzburg in 1783). Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, whichoccurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. / Musique religieuse / Répertoire / Solistes SST, Choeur SATB/SATB, Flûte Traversière,

Kantate. Par MOZART WOLFGANG AMADEUS. The Vienna Musicians’ Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente [The Mass was originally written for a performance in Salzburg in 1783]. Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, whichoccurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. / Oratorio / Répertoire / Solistes SST, Choeur SATB/SATB, Flûte Traversière,