Pablo de Sarasate (1844-1908), sans doute, est l'un des virtuoses du violon les plus importantes et les plus prospères de la seconde moitié du 19ème siècle et est devenu immortel à travers ses morceaux de bravoure virtuose et très expressive dans le monde de jouer du violon. Son programme de concerts se composent essentiellement de ses propres compositions, même si pas mal de quelques travaux avaient été consacrés à lui par des compositeurs collègues et fait sur mesure pour lui: par exemple, 'Symphonie espagnole' de Lalo, 'Scottish Fantasia 'de Bruch et des oeuvres pour violon de Saint-Saëns et Wieniawski. En 1899, Sarasate composa une de ses plus populaires, non espagnols pièces, Op 'Introduction et Tarentelle '. 43, qui a été publié l'année suivante, même dans une version avec accompagnement d'orchestre. La tarentelle, une danse folklorique en 6/8 mètres, vient du sud de l'Italie et s'est développée à partir des airs de danse joués dans les Pouilles pour les personnes souffrant de tarentisme. Selon la croyance populaire, la morsure de la tarentule causé tarentisme qui était censé être guérie par la danse sauvage. Allez essayer si la pièce salon Sarasate a vraiment propriétés médicinales! / Violon Et Piano

Pablo de Sarasate (1844-1908), sans doute, est l'un des virtuoses du violon les plus importantes et les plus prospères de la seconde moitié du 19ème siècle et est devenu immortel à travers ses morceaux de bravoure virtuose et très expressive dans le monde de jouer du violon. Son programme de concerts se composent essentiellement de ses propres compositions, même si pas mal de quelques travaux avaient été consacrés à lui par des compositeurs collègues et fait sur mesure pour lui: par exemple, 'Symphonie espagnole' de Lalo, 'Scottish Fantasia 'de Bruch et des oeuvres pour violon de Saint-Saëns et Wieniawski. En dehors des oeuvres de son propre Sarasate a également organisé d'autres oeuvres pour son propre usage, comme les deux 'Nocturnes' de Frédéric Chopin. Pour les pianistes, il peut sembler comme un sacrilège d'organiser ces chefs-d'oeuvre, mais Sarasate voulu souscrire certaines des plus belles mélodies et les plus tendres pour le violon qu'il a vu avant tout comme un instrument vocal. Ou il aurait regretté que Chopin n'avait pas écrit une oeuvre originale pour violon et piano - mais voici arrangement de Sarasate pour compenser ce manque. / Violon Et Piano

by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Elements of Spanish folklore dominate in Sarasate?s compositions, but several prominent works also use typical melodies and dances of other countries. Alongside the ?Zigeunerweisen?, the ?Introduction et Tarentelle? numbers among the most popular representatives of this group: Sarasate erected here an enduring monument to the tarantella, the fiery southern Italian dance. The version for violin and piano was composed first in 1899; a year later, Sarasate made the version for violin and orchestra. For this first Urtext edition, all of the preserved autograph sources were consulted. Augustin Hadelich undertook the marking of the virtuoso violin part for G. Henle Publishers.

Romanza Andaluza is a wonderful sprightly dance by legendary Spanish violinist and composer Pablo De Sarasate. Written for Violin with Piano accompaniment this edition has been superbly edited by Zino Francescatti.

When composing his Spanish Dances (HN 1370) the composer and violin virtuoso Sarasate united existing material folk songs and songs by well-known composers with his own uniquely charming musical language. The two Dances op.22 ?Romanza andaluza? and ?Jota Navarra? were completed in 1878 during Sarasate?s first concert tour through Scandinavia. After their initial performances the lyrical ?Romanza? soon outstripped its brilliant sister piece inpopularity and thereafter it was one of Sarasate?s compositions that he played most often himself. Since then this piece has lost nothing of its charm and it is now available as a stand-alone edition in the Henle catalogue.

The Symphonie Espagnole For Violin And Orchestra perhaps Lalo’s best-known composition is found in the repertoire of violinists everywhere. The première on 7 February 1875 was greeted by storms ofapplause from the Parisian audience and marked Lalo’s breakthrough. He wrote the work for his friend Pablo de Sarasate who played it at his concerts and quickly made it known throughout Europe. This edition is the firstto make use of Lalo’s autograph manuscripts.

Ce document, unique par son ISBN 9790045009328 a été conçu par Sarasate Pablo De et a pour titre AIRS BOHEMIENS VL/PIANO . Il fait partie de la catégorie Classique. / Violon Et Piano / Partition