| Flatpicking Celtic Guitar Guitar notes and tablatures [Sheet music + Audio access] - Intermediate ADG productions
Composed by Allan Alexander. Saddle stitch. Celtic/Guitar Instruction. Book and ...(+)
Composed by Allan Alexander. Saddle stitch. Celtic/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions
$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Boogie-Woogie and the Blues Piano solo [Sheet music + Audio access] ADG productions | | |
| Jan Holdstock: Celebration! (Cassette) Piano, Vocal and Guitar Golden Apple Productions
Piano, Vocal and Guitar SKU: HL.14006301 Composed by Jan Holdstock. Music...(+)
Piano, Vocal and Guitar SKU: HL.14006301 Composed by Jan Holdstock. Music Sales America. Education. Cassette. Composed 2015. Golden Apple Productions #GA11065. Published by Golden Apple Productions (HL.14006301). English. A musical presentation with five songs and topic-linked narration, celebrating the new millennium and the 21st century. If you need to license a school/youth theatre performance of this product, please use the online application form. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alison Hedger/Sheila Wainwright: The Musicians Of Bremen (Cassette) Piano, Vocal and Guitar Golden Apple Productions
Piano, Vocal and Guitar SKU: HL.14022429 Composed by Alison Hedger and Sh...(+)
Piano, Vocal and Guitar SKU: HL.14022429 Composed by Alison Hedger and Sheila Wainwright. Music Sales America. Musicals. Cassette. Composed 2015. Golden Apple Productions #GA11010. Published by Golden Apple Productions (HL.14022429). English. A fun musical play in rhyme with seven songs for Primary schools based on the Grimm Brothers' story. Meet the flamboyant donkey who revels in showing-off, the kindly old dog who discovers he can sing, the slinky cat the night-singer, and the always-in-a-flap Rooster. Whilst perfect singing voices are not required, enthusiasm and humour are! The play has nine main characters, a unison speaking chorus, a body of singers and a troupe of dancing forest animals. If you need to license a school/youth theatre performance of this product, please use the online application form. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sur le nom de Didier Lockwood Guitar - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-3095 Composed by Dominique Preschez. Sc...(+)
Guitar solo - Advanced SKU: DZ.DZ-3095 Composed by Dominique Preschez. Score. 8 pages. Les Productions d'OZ #DZ 3095. Published by Les Productions d'OZ (DZ.DZ-3095). ISBN 9782897950125. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Latin Bass Play-Along Bass guitar [Sheet music + Audio access] ADG productions
Composed by Andrew D. Gordon. Saddle stitch. Latin/Bass Instruction. Book and Do...(+)
Composed by Andrew D. Gordon. Saddle stitch. Latin/Bass Instruction. Book and Download. Duration 75 minutes. Published by ADG Productions
$25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Sound of Paraddiddle 3 Guitars (trio) Productions OZ | | |
| 10 Sketches Guitar Classical guitar - Intermediate Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4261 Composed by José Mora-JimÃ...(+)
Guitar solo - Intermediate SKU: DZ.DZ-4261 Composed by José Mora-Jiménez. Score. Les Productions d'OZ #DZ 4261. Published by Les Productions d'OZ (DZ.DZ-4261). ISBN 9782898521782. Après avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de Sketches. L'idée de départ était de réaliser des pièces courtes pour les enfants. Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. Dâ??autres, je nâ??ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu. Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical.
After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 Sketches. The original idea was to make short pieces for children. Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most.
These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite No. 1 Guitar Classical guitar - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 5 Easy Studies, Opus 50 2 Guitars (duet) - Intermediate Productions OZ
Guitar duet - Intermediate SKU: DZ.DZ-4311 Composed by Louise Farrenc. Ar...(+)
Guitar duet - Intermediate SKU: DZ.DZ-4311 Composed by Louise Farrenc. Arranged by Eddie Healy. Score and parts. Les Productions d'OZ #DZ 4311. Published by Les Productions d'OZ (DZ.DZ-4311). ISBN 9782898522284. Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo! These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.
Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre. Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces Ã
Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en Ã
Âuvre dâÂÂune manière qui sâÂÂécarte de lâÂÂintention originale de lâÂÂétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares ! Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 20 Études miniatures Guitar Productions OZ
Guitar solo SKU: DZ.DZ-4295 Composed by Adrian Andrei. Score. Les Product...(+)
Guitar solo SKU: DZ.DZ-4295 Composed by Adrian Andrei. Score. Les Productions d'OZ #DZ 4295. Published by Les Productions d'OZ (DZ.DZ-4295). ISBN 9782898522123. Ce cycle de 20 études pour guitare seule a comme model les ouvrages didactiques de Bela Bartok, telles que For Children ou Mikrokosmos. Lâélément commune est lâusage de thèmes provenant du folklore dâenfants, car lâHongrie et surtout la Roumanie, sont très riche à cet égard. Toutes les chansons (développées) de ce volume sont trouvées dans la musique rituelle dâenfants de mon pays. Les études-miniatures sont des exercices polyphoniques et harmoniques qui seront très utile pour les jeunes guitaristes. Les structures modales donnent une saveur unique a cette partition et invite les musiciens à découvrir une tradition musicale étonnante.
This cycle, containing 20 studies for solo guitar is inspired from Bela Bartokâs didactical works, such as For Children or Mikrokosmos. The common element found in his works and mine are the themes coming from the children folk music which are very rich in Hungary and moreover in Romania. All the developed songs I used in this volume are a little part of the ritualic music of the Romanian children. These little studies are polyphonic and harmonic exercises which are very useful for the young guitarists. The modal structures give to this score a unique flavor and invite the musicians to discover an astonishing music tradition. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Methods & Treatises Harpsichord - Volume 2 - France 1600-1800 Harpsichord Anne Fuzeau Productions
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5835). ISBN 9790230658355. 24.00 x 33.00 cm inches. These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord. $91.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| School of Rock: The Musical Easy Piano Hal Leonard
Easy Piano SKU: HL.295711 Composed by Andrew Lloyd Webber and Glenn Slate...(+)
Easy Piano SKU: HL.295711 Composed by Andrew Lloyd Webber and Glenn Slater. Easy Piano Vocal Selections. Broadway. Softcover. 72 pages. Published by Hal Leonard (HL.295711). ISBN 9781540056559. UPC: 888680948733. 9.0x12.0x0.195 inches. Music by Andrew Lloyd Webber Lyrics by Glenn Slater. A dozen easy piano arrangements from the Tony Award-nominated 2015 musical adapted from the popular 2003 silver screen production of the same name. Our folio includes the new songs with music by Andrew Lloyd Webber and lyrics by Glenn Slater and the title track by Mike White and Samuel Buonaugurio. Includes: Children of Rock * Here at Horace Green * Horace Green Alma Mater * I'm Too Hot for You * If Only You Would Listen * If Only You Would Listen (Reprise) * School of Rock * Stick It to the Man * Time to Play * When I Climb to the Top of Mount Rock * Where Did the Rock Go? * You're in the Band. $17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Methods & Treatises Viola & Pardessus de viole - France 1600-1800 Viola Anne Fuzeau Productions
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe ...(+)
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5794). ISBN 9790230657945. 24.00 x 33.00 cm inches. These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole. $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Repertory for recorders (1670-1780) Anne Fuzeau Productions
Recorder, Flageolet, Galoubet SKU: FZ.50501 For recorder, flageolet an...(+)
Recorder, Flageolet, Galoubet SKU: FZ.50501 For recorder, flageolet and galoubet. Edited by Patricio Portell. Mnemosis: The Memory of Music Collection. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50501). ISBN 9782841691692. 17.00 x 24.00 cm inches. Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. The recorder enjoyed its golden age from the late 17th century to the first half of the 18th century. Not only was the instrument part of the orchestra of kings and the theatre companies of major town in Europe, but it also contributed to the enjoyment of small, intimate performed in the Chateaux and residences of the flourishing bourgeoisie who were eager to listen to music. it is mainly for this public that an enormous number of scores were printed in order to satisfy the growing circles of music lovers. Everything was printed, from erudite to fashionable music, from church to chamber music, to please all tastes and styles. until now, no bibliography of music for the flute, printed during the period when this instrument enjoyed so much popularity, has been published. This bibliography helps to identify over one thousand titles of works composed directly or indirectly for the recorder. this work makes it possible to locate and, therefore, learn all about a vast musical repertory that has been lying dormant on the shelves of librairies, just wainting to be discovered. Summary: Introduction. Liste des abreviations. Liste des bibliotheques avec leur abreviations. A : Oeuvres pour la flute a bec. B : Oeuvres qui peuvent aussi se jouer sur la flute a bec. C : Recueils. D : Oeuvre didactiques. Index par instrument. Bibliographie. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Methods & Treatises Jean-Philippe Rameau - 3 Volumes - France 1600-1800 Anne Fuzeau Productions
SKU: FZ.8324 Serie I - France 1600-1800 - Complete theoretical works i...(+)
SKU: FZ.8324 Serie I - France 1600-1800 - Complete theoretical works in 3 volumes.. Edited by Bertrand Porot, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.8324). ISBN 9790230683241. 24.00 x 33.00 cm inches. These early music methods are in facsimile in three books. Traite de l'harmonie - Nouveau systeme de musique. Remarques sur les differents genres de musique. Observations sur la methode d'accompagnement. Plan abrege d'une nouvelle methode d'accompagnement. Dissertation sur les differentes methodes d'accompagnement. Discours sur l'harmonie - Demonstration du principe de l'harmonie. Verites egalement ignorees et interessantes. Origines des sciences - Code de musique pratique Generation harmonique. Observations sur notre instinct pour la musique etc. . . Articles from the Encyclopaedia and their cristicism by Rameau. Argument with Monteclair - Correspondence. Articles published in newspapers - Prefaces to musical works. Table of contents: Volume 1: Rameau Jean-Philippe: Traite de l'harmonie - 1722. Rameau Jean-Philippe: Pieces de clavecin avec une methode pour la mecanique - 1724. Rameau Jean-Philippe: Nouveau systeme de musique - 1726. Rameau Jean-Philippe: Lettre de M. Rameau a Houdar de la Motte - 1727. Rameau Jean-Philippe: Remarques sur les differents genres de musique - 1728. [Monteclair Michel Pignolet de ?]: Conference sur la musique - 1729. Rameau Jean-Philippe: Examen de la conference sur la musique - 1729. Rameau Jean-Philippe: Observations sur la methode d'accompagnement - 1730. Rameau Jean-Philippe: Plan abrege d'une methode nouvelle d'accompagnement - 1730. [Monteclair Michel Pignolet de ?]: Reponse su second musicien au premier - 1730. Rameau Jean-Philippe: Replique du premier musicien a la reponse du second - 1730. [Monteclair Michel Pignolet de ?]:Reponse du second musicien au premier musicien - 1730. Rameau Jean-Philippe: Replique du premier musicien a l'ecrit du second - 1730. Rameau Jean-Philippe: Dissertation sur les differentes methodes d'accompagnement - 1732. Rameau Jean-Philippe: Les Indes galantes, ballet reduit a quatre concerts - 1735. Castel R. P. Louis-Bertrand: Suite et seconde partie des nouvelles experiences - 1735. Castel R. P. Louis-Bertrand: Suite et troisieme partie des nouvelles experiences - 1735. Rameau Jean-Philippe: Lettre de M. Rameau au R. P. Castel - 1736. Rameau Jean-Philippe: Pieces de clavecin avec une table pour les agrements - 1736. Rameau Jean-Philippe: Discours sur l'harmonie - 1737. Volume 2: Rameau Jean-Philippe: Generation harmonique - 1737. Rameau Jean-Philippe: Generation harmonique, ou traite de musique theorique - 1737. Anonyme: Le Pour ou le Contre - Tome XIII - 1737. Rameau Jean-Philippe: Lettre a Hans Sloane - 1737. Anonyme: Le Pour ou le Contre - Tome XIV - 1738. Rameau Jean-Philippe: Lettre a Jean-Pierre Christin - 1741. Rameau Jean-Philippe: Pieces de clavecin en concert - 1741. Rameau Jean-Philippe: Deux lettres a Johann II Bernoulli - 1750. Rameau Jean-Philippe: Lettre a Gabriel Cramer - 1750. Rameau Jean-Philippe: Demonstration du principe de l'harmonie - 1750. Rousseau Jean-Jacques: Encyclopedie - Articles Accompagnement, Accord, Cadence - 1751. Rameau Jean-Philippe: Nouvelles reflexions de M. Rameau - 1752. Rameau Jean-Philippe: Lettre a Johann II Bernoulli (copie ancienne) - 1752. Rameau Jean-Philippe: Lettre de M. Rameau a l'auteur du mercure - 1752. Euler Leonhard: Lettre a Rameau - 1752. Rameau Jean-Philippe: Reflexions de M. Rameau sur la maniere de former la voix - 1752. Rameau Jean-Philippe: Extrait d'une reponse de M. Rameau a M. Euler - 1752. Rousseau Jean-Jacques: Encyclopedie - articles Choeur, Chromatique - 1753. Rameau Jean-Philippe: Extrait d'une reponse de M. Rameau - 1753. Rameau Jean-Philippe: Observations sur notre instinct pour la musique - 1754. Rousseau Jean-Jacques: Encyclopedie - article Dissonance - 1754. Rameau Jean-Philippe: Erreurs sur la musique - 1755. Volume 3: Rousseau Jean-Jacques: Encyclopedie - Article Enharmonique - 1755. Alembert Jean Le Rond d' et Diderot Denis: Encyclopedie - Avertissement du volume VI - 1756. Rameau Jean-Philippe: Suite des erreurs sur la musique dans l'Encyclopedie - 1756. Rameau Jean-Philippe: Prospectus ou l'on propose - 1757. Alembert Jean Le Rond d': Encyclopedie : articles Fondamental - Gamme - 1757. Rameau Jean-Philippe: Reponse de M. Rameau a MM. les editeurs - 1757. Rameau Jean-Philippe: Lettre de M. d'Alembert - 1758. Rameau Jean-Philippe: 2 lettres a J. B. Beccari 1759. Rameau Jean-Philippe: 2 lettres au Padre Martini - 1759. Rameau Jean-Philippe: Lettre au Padre Martini - 1759. Rameau Jean-Philippe: Code de musique pratique - 1760. Alembert Jean Le Rond d': Lettre de Monsieur d'Alembert a Monsieur Rameau - 1761. Rameau Jean-Philippe: Reponse de Monsieur Rameau a la lettre de M. d'Alembert - 1761. Rameau Jean-Philippe: Origine des Modes & du Temperament par M. Rameau - 1761. Rameau Jean-Philippe: Suite de la reponse de M. Rameau a la Lettre de M. d'Alembert - 1761. Rameau Jean-Philippe: Origine des sciences - 1762. Alembert Jean Le Rond d': Reponse de M. d'Alembert a une lettre imprimee de M. Rameau - 1762. Rameau Jean-Philippe: Lettre de M*** a M. D**** sur un Ouvrage Seconde lettre deM*** a M*** ou extrait d'une controverse - 1762. Rameau Jean-Philippe: Observations de M. Rameau sur son ouvrage - 1762. Rameau Jean-Philippe: Lettre de M. Rameau aux Philosophes - 1762. Alembert Jean Le Rond d': Reponse a une lettre imprimee de M. Rameau - 1762. Rameau Jean-Philippe: Verites interessantes - manuscrit autographe incomplet - 1763/1764. Rameau Jean-Philippe: Verites egalement ignorees et interessantes tirees du sein de la nature - manuscrit avec corrections de autographes de Rameau - 1763/1764. Rameau Jean-Philippe: A. M. de la Place, auteur du Mercure sur M. Rameau (publication posthume d'une lettre de Rameau) - 1765. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Academie des Sciences, Belles Lettres et Arts of Lyon (France). - Conservatory Library of Dijon (France). - Inguimbertine Library of Carpentras (France). - Municipal Library of Bordeaux (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - British Library of London (England). - Civico Museo Bibliografico Musicale of Bologna (Italy). - Mariemont Museum of Morlanwelz (Belgium). - Nederlands Musiek Instituut of The Hague (Netherlands). - offentliche Bibliothek der Universitat of Basel (Switzerland). - osterreischiche National-Bibliothek of Vienna (Austria). - Stiftelsen Muzikkulturens Framjande of Stokckholm (Suede). - Zurich Library (Switzerland). - In Private Collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the Jean-Philippe Rameau. $300.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Methods & Treatises Violin - Volume 3 - France 1600-1800 Violin SATB, Orchestra Anne Fuzeau Productions
Violin SKU: FZ.5852 Serie I - France 1600-1800. Edited by Philippe...(+)
Violin SKU: FZ.5852 Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5852). ISBN 9790230658522. 24.00 x 33.00 cm inches. These early music methods are in facsimile in four books. Anonyme (3-4) - Louis, L'aine BORNET - Joseph DEMAR - Louis-Antoine DURIEU - Encyclopedie methodique - LABADENS (2) - J. J. O. de MEUDE-MONPAS. Table of contents: Anonyme: La parfaite connoissance - 1782. Bornet Louis, l'aine: Nouvelle methode de violon - 1786. Meude-Monpas J. J. O. de: Dictionnaire de musique - 1787. Encyclopedie methodique: Article sur les outils de lutherie et complements a l'Encyclopedie de Diderot - 1788. Anonyme: Principes pour apprendre facilement - c. 1790. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1790. Durieu Louis-Antoine: Methode de violon - 1794. Demar Joseph: Nouvelle methode abregee - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin. $95.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Methods & Treatises Violin - Volume 1 - Germany-Austria - 1600-1800 Violin SATB, Orchestra Anne Fuzeau Productions
Violin SKU: FZ.6370 Serie VII - Germany-Austria - 1600-1800. Edite...(+)
Violin SKU: FZ.6370 Serie VII - Germany-Austria - 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6370). ISBN 9790049063708. 24.00 x 33.00 cm inches. These early music methods are in facsimile in four books. Hans GERLE - Matthias KELZ - Johann Jacob PRINNER - Georg MUFFAT (1) - Daniel SPEER - Georg MUFFAT (2) - Joseph Friederich Bernhard Caspar MAJER - Johann Philipp EISEL - Maurus BUOHL - ANONYME. Table of contents: Gerle Hans: Musica und Tablatur, auff die Instrument der kleinen und grossen Geygen - 1546. Kelz Matthias: Epidigma Harmoniae Novae - 1669. Prinner Johann Jacob: Musicalischer Schlissl - 1677. Muffat Georg: SUAVIORIS HARMONIAE INSTRUMENTALIS - 1695. Speer Daniel: Grund-richtiger Kurz-Leicht-und Nothiger jetzt Wol-vermehrter Unterricht der Musicalishen Kunst - 1697. Muffat Georg: EXQUISITORIS HARMONIAE INSTRUMENTALIS - 1701. Majer Joseph Friederich Bernhard Caspar: MUSEUM MUSICUM THEORETICO PRACTICUM - 1732. Eisel Johann Philipp: Musicus autodidactos - 1738. Buohl Maurus: Ein neues durch die Musicalische Combination - 1756. Anonyme: Rudimenta Panduristae - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Congress Library of Washington (USA). - University Library of Uppsala (Sweden). - British Library of London (England). - Stadtarchiv of Constancy (Germany). - National Library of Wien (Austria). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin. $91.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Song Everlasting Choral Shawnee Press
(A Sacred Cantata based on Early American Songs). By Joseph M. Martin. For Chora...(+)
(A Sacred Cantata based on Early American Songs). By Joseph M. Martin. For Choral (DIGITAL PRODUCTION KIT). Harold Flammer. Published by Shawnee Press
$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Junior DrummerAEs Bible Drums [Sheet music + CD] - Beginner Mel Bay
Composed by John Trotter. Featured Products, Wire bound. Method. Book/CD set...(+)
Composed by John Trotter.
Featured Products, Wire
bound. Method. Book/CD set.
282 pages. Mel Bay
Publications, Inc #610506E.
Published by Mel Bay
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| Methodes and Traites Flute a bec - 4 Volumes - Europe Recorder Anne Fuzeau Productions
(Serie III - Europe). Edited by Frederique Thouvenot, Suzi Mohlmeier. For Record...(+)
(Serie III - Europe). Edited by Frederique Thouvenot, Suzi Mohlmeier. For Recorder. Facsimiles. Methodes and Traites. Grade 0. 1085 pages
$305.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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