| Concerto In C For Piano And Symphonic Wind Orch. Concert band [Score] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Anderson. Arranged by Jörg Murschinski. Score Only. Composed 2008. Beriato Music #BMP8095417. Published by Beriato Music (BT.BMP8095417). A lot is known about the American composer Leroy Anderson. This son of Swedish immigrants played the piano, organ, accordion, trombone, tuba and double bass. He spoke several languages fluently and graduated from Harvard with first-class honours.While on military service, the army also commissioned him to write a manual on Icelandic grammar.He already started writing musical arrangements as a student, and from his 30th year arranged and composed for the Boston Pops Orchestra. Such melodiesas Serenata, The Typewriter, Sleigh Ride and Bugler�s Holiday made him world famous. His best-known work, Blue Tango, reached number one in the US charts in 1952, and it sold more than a million copies. In 1975, a year after hisdeath, he was given a star at the Walk of Fame in Hollywood.Most of his works last no longer than three minutes, about the maximum length of a single at that time. One work that lasts longer is his 1953 Piano Concerto in C for piano and orchestra.The first performance was in Chicago, conducted by the composer and with Eugene List at the piano. However, after three performances he was no longer happy with the work and withdrew it. He always intended to revise it, but never got round to it. Itwas only in 1989 that the Anderson family decided to republish the work.This three-part composition is on the one hand characterised by a careless elegance, but on the other one can hear the influence of Rachmaninoff, Copland, Gershwin, and evenBeethoven and Mozart, as well as the Viennese classics.Anderson used the sonata form for the first movement. It ends with a cadenza that carries us on into the second part (in e minor). The third part is a typically cheerful American folk dance in2/4 time, a so-called Hoe Down, with a lilting, lyrical passage as its middle section. At the end comes a solo passage followed by a rapid close.In this piano concerto, Anderson combines a rigidly classical form of composition with simple andappealing themes and elements from light music. So this work is a perfect synthesis of light music and what is called serious music, in the same way as Gershwin�s Rhapsody in Blue. A work that can be played equally well in a concerthall, at an open-air concert or even a pop concert.
Over de Amerikaanse componist Leroy Anderson is veel bekend. Deze zoon van Zweedse immigranten speelde piano, orgel, accordeon, trombone, tuba en contrabas. Hij sprak vloeiend verschillende talen en studeerde met grote onderscheidingaf aan Harvard en schreef tijdens zijn legerdienst in opdracht van het leger een handboek grammatica Ijslands.Al in zijn studententijd begon hij met het maken van arrangementen, en vanaf zijn 30ste arrangeerde en componeerde hijvoor het Boston Pops Orchestra. Melodieën zoals Serenata, The Typewriter, Sleigh Ride en Bugler's Holiday maakte hem wereldberoemd. Zijn bekendste werk Blue Tango stond in 1952 op nummer één in de VS Charts, ener werden meer dan een miljoen exemplaren van verkocht. Een jaar na zijn dood in 1975 kreeg hij een ster op de Walk of Fame in Hollywood.Zijn meeste werken duren niet langer dan drie minuten, ongeveer de maximumduur van een singletoen. Een werk dat wel langer duurt, is het pianoconcerto in C voor piano en orkest uit 1953. Het werd in Chicago gecreëerd onder zijn leiding met Eugene List aan de piano. Na drie uitvoeringen echter, was hij niet meer tevredenover zijn werk en trok dit terug. Hij had zijn leven lang de intentie het te herwerken doch kwam er niet meer toe. Pas in 1989 besliste de Anderson Familie zijn pianoconcerto toch opnieuw uit te geven.Dit driedelige werk wordtenerzijds getypeerd door een zorgeloze elegantie, maar anderzijds zijn invloeden van Rachmaninoff, Copland, Gerschwin en zelfs Beethoven en Mozart alsook de Weense klassiekers te horen.Voor de eerste beweging, past Anderson de sonatevormtoe. Op het einde volgt een cadenza die ons in het tweede deel (in mi klein) voert. Het derde deel is een typische Amerikaanse, vrolijke volksdans in 2/4, een zogenaamde Hoe Down met als middengedeelte een zangerige, lyrische
Über den amerikanischen Komponisten Leroy Anderson lässt sich vieles berichten: Der Sohn schwedischer Immigranten spielte Klavier, Orgel, Akkordeon, Posaune, Tuba und Kontrabass, sprach neun Sprachen fließend, absolvierte mit einemMagna-cum-laude-Abschluss die Harvard Universität und verfasste während seiner Militärzeit im Zweiten Weltkrieg für die amerikanische Armee eine Grammatik des Isländischen. Schon während seiner Studentenzeit begann er zu arrangieren, ab Mitte der30er Jahre des letzten Jahrhunderts arrangierte und komponierte er für das Boston Pops Orchestra. Aus seiner Feder stammen so bekannte Werke der leichten Muse wie Serenata, The Typewriter, Sleigh Ride oder Bugler�s Holiday. Sein wohlbekanntestes Stück, Blue Tango, wurde als erste Instrumentalkomposition über eine Million Mal verkauft und belegte im Jahr 1952 Platz 1 der US-Charts. Für seine Verdienste um die Schallplattenindustrie erhielt er ein Jahr nach seinem Tod einenStern auf dem Walk of Fame in Hollywood.Charakteristisch für seine Werke ist die Dauer: die meisten sind rund drei Minuten lang � mehr passte nicht auf den damals gebräuchlichen Tonträger, eine Singleschallplatte. Nur wenige seinerKompositionen sprengen diesen Zeitrahmen. Dazu gehört sein Konzert C-Dur für Klavier und Orchester. Er komponierte es 1953, die Uraufführung fand unter seiner Leitung und mit Eugene List am Klavier im selben Jahr in Chicago statt. Da Anderson mit demWerk aber nicht zufrieden war, zog er es im Sommer 1954, nach nur drei Aufführungen, wieder ein. Er hatte zeitlebens die Absicht, es zu überarbeiten, allein, es kam nicht mehr dazu. Erst 1989 entschied sich die Anderson-Familie dazu, dasKlavierkonzert wieder zu veröffentlichen.Das dreisätzige Werk zeigt die Unbeschwertheit und Eleganz, die Andersons sämtliche Kompositionen auszeichnen. Dennoch findet man darin auch Anklänge an Komponisten wie Rachmaninoff, Copland, Gershwin, undeben Beethoven und Mozart, sowie die Wiener Klassiker. Der erste Satz folgt der Sonatenhauptsatzform. An seinem Ende steht eine Klavierkadenz, die direkt in den langsamen zweiten Satz (in e-Moll) überleitet. Der dritte Satz schließlich ist einwaschechter Hoe Down, ein fröhlicher amerikanischer Volkstanz im 2/4-Takt, in dessen Zentrum aber eine lyrisch-gesangliche Passage steht. Eine weitere Solo-Kadenz führt das Werk in einen spritzigen Schlussabschnitt.In seinem Klavierkonzertvereinigt Anderson einen klassisch-traditionellen Form- und Kompositionsstil mit Elementen der Unterhaltungsmusik und eingängigen Melodien, die schon immer sein Markenzeichen waren. Daher bildet dieses Werk eine perfekte Synthese von ernster undleichter Musik. Es passt � wie beispielsweise auch George Gershwins Rhapsody in Blue � gleichermaßen in einen vornehmen Konzertsaal, wie auch zur zwanglos-lockeren Atmosphäre einer sommerlichen Open-Air-Veranstaltung oder einesPops-Konzertes.
Nous savons beaucoup de choses sur le compositeur américain Leroy Anderson. Ce fils dimmigrants suédois jouait du piano, de lorgue, de laccordéon, du trombone, du tuba et de la contrebasse. Il parlait couramment plusieurs langues et était diplômé avec grande distinction de Harvard. Pendant son service militaire, il écrivit un manuel de grammaire islandaise commandé par larmée.Étudiant, il avait déj commencé faire des arrangements et dès l ge de 30 ans, il arrangeait et composait pour le Boston Pops Orchestra. Des mélodies telles que Serenata, The Typewriter, Sleigh Ride et Buglers Holiday lui valurent une renommée mondiale. Son uvre phare, Blue Tango, fut numéro un descharts américains en 1952 et se vendit plus dun million dexemplaires. Un an après sa mort en 1975, il eut droit son étoile sur le Walk of Fame Hollywood.La plupart de ses uvres nexcèdent pas trois minutes, soit peu près la durée maximale dun single lépoque. Son concerto en ut pour piano et orchestre de 1953 est quant lui plus long. Il fut créé Chicago sous sa direction avec Eugene List au piano. Après trois exécutions, Anderson nétait toutefois plus satisfait de son travail et le retira. Toute sa vie, il eut lintention de le remanier mais ne le fit pas. Ce nest quen 1989 que la famille Anderson décida de tout de m?me rééditer son concerto pour piano.Cette uvre en trois parties se caractérise par son élégance nonchalante mais aussi par linfluence de Rachmaninoff, Copland, Gershwin et m?me de Beethoven et Mozart, ainsi que des classiques viennois.Pour le premier mouvement, Anderson opte pour une sonate. la fin, une cadence nous conduit la deuxième partie (en mi mineur). La troisième partie est une danse populaire joyeuse et typiquement américaine en 2/4, une Hoe Down avec un passage lyrique et mélodieux en son milieu. la fin, un solo est suivi par une clôture rapide.Dans son concerto pour piano, Anderson unit une composition pure et classique des thèmes beaux et simples, sans oublier des éléments de la musique légère. Cette uvre. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto In C For Piano And Symphonic Wind Orch. Concert band [Score and Parts] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Anderson. Arranged by Jörg Murschinski. Set (Score & Parts). Composed 2008. Beriato Music #BMP8091417. Published by Beriato Music (BT.BMP8091417). A lot is known about the American composer Leroy Anderson. This son of Swedish immigrants played the piano, organ, accordion, trombone, tuba and double bass. He spoke several languages fluently and graduated from Harvard with first-class honours.While on military service, the army also commissioned him to write a manual on Icelandic grammar.He already started writing musical arrangements as a student, and from his 30th year arranged and composed for the Boston Pops Orchestra. Such melodiesas Serenata, The Typewriter, Sleigh Ride and Bugler�s Holiday made him world famous. His best-known work, Blue Tango, reached number one in the US charts in 1952, and it sold more than a million copies. In 1975, a year after hisdeath, he was given a star at the Walk of Fame in Hollywood.Most of his works last no longer than three minutes, about the maximum length of a single at that time. One work that lasts longer is his 1953 Piano Concerto in C for piano and orchestra.The first performance was in Chicago, conducted by the composer and with Eugene List at the piano. However, after three performances he was no longer happy with the work and withdrew it. He always intended to revise it, but never got round to it. Itwas only in 1989 that the Anderson family decided to republish the work.This three-part composition is on the one hand characterised by a careless elegance, but on the other one can hear the influence of Rachmaninoff, Copland, Gershwin, and evenBeethoven and Mozart, as well as the Viennese classics.Anderson used the sonata form for the first movement. It ends with a cadenza that carries us on into the second part (in e minor). The third part is a typically cheerful American folk dance in2/4 time, a so-called Hoe Down, with a lilting, lyrical passage as its middle section. At the end comes a solo passage followed by a rapid close.In this piano concerto, Anderson combines a rigidly classical form of composition with simple andappealing themes and elements from light music. So this work is a perfect synthesis of light music and what is called serious music, in the same way as Gershwin�s Rhapsody in Blue. A work that can be played equally well in a concerthall, at an open-air concert or even a pop concert.
Over de Amerikaanse componist Leroy Anderson is veel bekend. Deze zoon van Zweedse immigranten speelde piano, orgel, accordeon, trombone, tuba en contrabas. Hij sprak vloeiend verschillende talen en studeerde met grote onderscheidingaf aan Harvard en schreef tijdens zijn legerdienst in opdracht van het leger een handboek grammatica Ijslands.Al in zijn studententijd begon hij met het maken van arrangementen, en vanaf zijn 30ste arrangeerde en componeerde hijvoor het Boston Pops Orchestra. Melodieën zoals Serenata, The Typewriter, Sleigh Ride en Bugler's Holiday maakte hem wereldberoemd. Zijn bekendste werk Blue Tango stond in 1952 op nummer één in de VS Charts, ener werden meer dan een miljoen exemplaren van verkocht. Een jaar na zijn dood in 1975 kreeg hij een ster op de Walk of Fame in Hollywood.Zijn meeste werken duren niet langer dan drie minuten, ongeveer de maximumduur van een singletoen. Een werk dat wel langer duurt, is het pianoconcerto in C voor piano en orkest uit 1953. Het werd in Chicago gecreëerd onder zijn leiding met Eugene List aan de piano. Na drie uitvoeringen echter, was hij niet meer tevredenover zijn werk en trok dit terug. Hij had zijn leven lang de intentie het te herwerken doch kwam er niet meer toe. Pas in 1989 besliste de Anderson Familie zijn pianoconcerto toch opnieuw uit te geven.Dit driedelige werk wordtenerzijds getypeerd door een zorgeloze elegantie, maar anderzijds zijn invloeden van Rachmaninoff, Copland, Gerschwin en zelfs Beethoven en Mozart alsook de Weense klassiekers te horen.Voor de eerste beweging, past Anderson de sonatevormtoe. Op het einde volgt een cadenza die ons in het tweede deel (in mi klein) voert. Het derde deel is een typische Amerikaanse, vrolijke volksdans in 2/4, een zogenaamde Hoe Down met als middengedeelte een zangerige, lyrische
Über den amerikanischen Komponisten Leroy Anderson lässt sich vieles berichten: Der Sohn schwedischer Immigranten spielte Klavier, Orgel, Akkordeon, Posaune, Tuba und Kontrabass, sprach neun Sprachen fließend, absolvierte mit einemMagna-cum-laude-Abschluss die Harvard Universität und verfasste während seiner Militärzeit im Zweiten Weltkrieg für die amerikanische Armee eine Grammatik des Isländischen. Schon während seiner Studentenzeit begann er zu arrangieren, ab Mitte der30er Jahre des letzten Jahrhunderts arrangierte und komponierte er für das Boston Pops Orchestra. Aus seiner Feder stammen so bekannte Werke der leichten Muse wie Serenata, The Typewriter, Sleigh Ride oder Bugler�s Holiday. Sein wohlbekanntestes Stück, Blue Tango, wurde als erste Instrumentalkomposition über eine Million Mal verkauft und belegte im Jahr 1952 Platz 1 der US-Charts. Für seine Verdienste um die Schallplattenindustrie erhielt er ein Jahr nach seinem Tod einenStern auf dem Walk of Fame in Hollywood.Charakteristisch für seine Werke ist die Dauer: die meisten sind rund drei Minuten lang � mehr passte nicht auf den damals gebräuchlichen Tonträger, eine Singleschallplatte. Nur wenige seinerKompositionen sprengen diesen Zeitrahmen. Dazu gehört sein Konzert C-Dur für Klavier und Orchester. Er komponierte es 1953, die Uraufführung fand unter seiner Leitung und mit Eugene List am Klavier im selben Jahr in Chicago statt. Da Anderson mit demWerk aber nicht zufrieden war, zog er es im Sommer 1954, nach nur drei Aufführungen, wieder ein. Er hatte zeitlebens die Absicht, es zu überarbeiten, allein, es kam nicht mehr dazu. Erst 1989 entschied sich die Anderson-Familie dazu, dasKlavierkonzert wieder zu veröffentlichen.Das dreisätzige Werk zeigt die Unbeschwertheit und Eleganz, die Andersons sämtliche Kompositionen auszeichnen. Dennoch findet man darin auch Anklänge an Komponisten wie Rachmaninoff, Copland, Gershwin, undeben Beethoven und Mozart, sowie die Wiener Klassiker. Der erste Satz folgt der Sonatenhauptsatzform. An seinem Ende steht eine Klavierkadenz, die direkt in den langsamen zweiten Satz (in e-Moll) überleitet. Der dritte Satz schließlich ist einwaschechter Hoe Down, ein fröhlicher amerikanischer Volkstanz im 2/4-Takt, in dessen Zentrum aber eine lyrisch-gesangliche Passage steht. Eine weitere Solo-Kadenz führt das Werk in einen spritzigen Schlussabschnitt.In seinem Klavierkonzertvereinigt Anderson einen klassisch-traditionellen Form- und Kompositionsstil mit Elementen der Unterhaltungsmusik und eingängigen Melodien, die schon immer sein Markenzeichen waren. Daher bildet dieses Werk eine perfekte Synthese von ernster undleichter Musik. Es passt � wie beispielsweise auch George Gershwins Rhapsody in Blue � gleichermaßen in einen vornehmen Konzertsaal, wie auch zur zwanglos-lockeren Atmosphäre einer sommerlichen Open-Air-Veranstaltung oder einesPops-Konzertes.
Nous savons beaucoup de choses sur le compositeur américain Leroy Anderson. Ce fils dimmigrants suédois jouait du piano, de lorgue, de laccordéon, du trombone, du tuba et de la contrebasse. Il parlait couramment plusieurs langues et était diplômé avec grande distinction de Harvard. Pendant son service militaire, il écrivit un manuel de grammaire islandaise commandé par larmée.Étudiant, il avait déj commencé faire des arrangements et dès l ge de 30 ans, il arrangeait et composait pour le Boston Pops Orchestra. Des mélodies telles que Serenata, The Typewriter, Sleigh Ride et Buglers Holiday lui valurent une renommée mondiale. Son uvre phare, Blue Tango, fut numéro un descharts américains en 1952 et se vendit plus dun million dexemplaires. Un an après sa mort en 1975, il eut droit son étoile sur le Walk of Fame Hollywood.La plupart de ses uvres nexcèdent pas trois minutes, soit peu près la durée maximale dun single lépoque. Son concerto en ut pour piano et orchestre de 1953 est quant lui plus long. Il fut créé Chicago sous sa direction avec Eugene List au piano. Après trois exécutions, Anderson nétait toutefois plus satisfait de son travail et le retira. Toute sa vie, il eut lintention de le remanier mais ne le fit pas. Ce nest quen 1989 que la famille Anderson décida de tout de m?me rééditer son concerto pour piano.Cette uvre en trois parties se caractérise par son élégance nonchalante mais aussi par linfluence de Rachmaninoff, Copland, Gershwin et m?me de Beethoven et Mozart, ainsi que des classiques viennois.Pour le premier mouvement, Anderson opte pour une sonate. la fin, une cadence nous conduit la deuxième partie (en mi mineur). La troisième partie est une danse populaire joyeuse et typiquement américaine en 2/4, une Hoe Down avec un passage lyrique et mélodieux en son milieu. la fin, un solo est suivi par une clôture rapide.Dans son concerto pour piano, Anderson unit une composition pure et classique des thèmes beaux et simples, sans oublier des éléments de la musique légère. Cette uvre. $361.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irish Session Tune Book [Sheet music] Mel Bay
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginnin...(+)
By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solemnity Concert band - Easy Molenaar Edition
Concert Band - Grade 3 SKU: ML.013751080 Composed by Alexandre Carlin. Fu...(+)
Concert Band - Grade 3 SKU: ML.013751080 Composed by Alexandre Carlin. Full set. Molenaar Edition #013751080. Published by Molenaar Edition (ML.013751080). Solemnity was composed when the composer came back from his first Midwest Clinic in Chicago. Inspired by all the concert bands performing there, and all the fellow composers met at this occasion, he decided to write a kind of fanfare work, leading to a fast theme on a driving rhythm.The piece begins like a fanfare with a solemn character which gives the title of the work, the brass here have a nice part to play. Then, a new theme full of energy, using the same rhythmic motive as the fanfare theme, is exposed by the high woodwinds and finally by more instruments. The central part is a slow one, where a melancolic theme is exposed by the oboe, and finally the rest of the band. After a fugato section, the energic theme is back to lead to a brilliant coda.
Solemnity werd gecomponeerd toen de componist terugkwam van zijn eerste Midwest Clinic in Chicago. Geïnspireerd door alle concertbands die daar optraden en alle collega-componisten die hij bij deze gelegenheid ontmoette, besloot hij een soort fanfarewerk te schrijven, leidend naar een snel thema op een stuwend ritme.Het stuk begint als een fanfare met een plechtig karakter dat de titel van het werk geeft, de koperblazers hebben hier een mooie rol te spelen. Dan volgt een nieuw thema vol energie, gebruikmakend van hetzelfde ritmische motief als het thema van de fanfare, belicht door de hoge houtblazers en tenslotte door meer instrumenten. Het centrale deel is langzaam, waar een melancholisch thema wordt belicht door de hobo en uiteindelijk de rest van de band. Na een fugatogedeelte is het energieke thema terug om te leiden naar een briljante coda.
Solemnity a été composée lorsque le compositeur est revenu de sa première Midwest Clinic à Chicago. Inspiré par tous les orchestres de concert qui s'y produisaient et par tous les collègues compositeurs rencontrés à cette occasion, il a décidé d'écrire une sorte de fanfare, conduisant à un thème rapide sur un rythme entraînant.La pièce commence comme une fanfare avec un caractère solennel qui donne le titre de l'œuvre, les cuivres ont ici un beau rôle à jouer. Ensuite, un nouveau thème plein d'énergie, utilisant le même motif rythmique que le thème de la fanfare, est exposé par les bois aigus et finalement par d'autres instruments. La partie centrale est une partie lente, où un thème mélancolique est exposé par le hautbois, puis par le reste de l'orchestre. Après une section fugato, le thème énergique est de retour pour mener à une brillante coda.
Solemnity wurde komponiert, als der Komponist von seiner ersten Midwest Clinic in Chicago zurückkam. Inspiriert von all den Konzertkapellen, die dort auftraten, und all den Komponistenkollegen, die er bei dieser Gelegenheit traf, beschloss er, eine Art Fanfare zu schreiben, die zu einem schnellen Thema auf einem treibenden Rhythmus führt.Das Stück beginnt wie eine Fanfare mit einem feierlichen Charakter, der dem Werk seinen Titel gibt; die Blechbläser haben hier einen schönen Part zu spielen. Dann folgt ein neues, energiegeladenes Thema, das dasselbe rhythmische Motiv wie das Fanfarenmotiv verwendet und von den hohen Holzbläsern und schließlich von weiteren Instrumenten vorgetragen wird. Der Mittelteil ist ein langsamer Teil, in dem ein melancholisches Thema von der Oboe und schließlich vom Rest des Orchesters vorgetragen wird. Nach einem Fugato-Abschnitt kehrt das energische Thema zurück und führt zu einer brillanten Coda. $125.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dizzy Gillespie - A Night in Chicago DVD concert [DVD] VIEW Video
Performed by Dizzy Gillespie. Dvd. DVD (Digital Video Disc). Size 5.3x7.5 inches...(+)
Performed by Dizzy Gillespie. Dvd. DVD (Digital Video Disc). Size 5.3x7.5 inches. Published by View Video.
$15.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Concerto In E Minor Theodore Presser Co.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flute, and Chamber Orchestra (or Piano), TWV 52:e1. Composed by Georg Philipp Telemann. Arranged by Valerie Shields Zart Dombourian-Eby. Set of Score and Parts. With Standard notation. 32+12+12 pages. Duration 14 minutes. Theodore Presser Company #114-41882. Published by Theodore Presser Company (PR.114418820). ISBN 9781491113998. UPC: 680160667697. Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions. When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Addison Red Line Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4455-01 Composed by J. Bell. Concert B...(+)
Concert band - Grade 4 SKU: CL.012-4455-01 Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 50 seconds. Opus III Wind Orchestra Publications #012-4455-01. Published by Opus III Wind Orchestra Publications (CL.012-4455-01). The Addision Red Line is a popular train stop for the CTA in Chicago. Nearby, Wrigley Field, the home of the Chicago Cubs, hosts games that bring a myriad of people out to enjoy baseball at this historic location. The energy of people passing by, going to restaurants, or meeting with friends, all centered around the passion and fervor that baseball season brings, creates an exciting and unique atmosphere. The Addison Red Line is a fun and challenging, upbeat work that would make a great addition for any concert. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lord of the Rings, The (Symphony No. 1) - Complete Edition Concert band [Sheet music + CD] Amstel Music
(Score with CD). By Johan De Meij. Score. Amstel Music. Grade 5-6. Book with CD....(+)
(Score with CD). By Johan De Meij. Score. Amstel Music. Grade 5-6. Book with CD. Amstel Music #AM06. Published by Amstel Music
$160.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78 Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+6+8+8+6+6+9+18+18+27+8+8+8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78). ISBN 9781491152553. UPC: 680160910052. Key: Bb major. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78F Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F). ISBN 9781491153239. UPC: 680160910731. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chicago in Concert Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.212467 Medley. By Chicago. Arranged by ...(+)
Choral (SAB Choir) SKU: HL.212467 Medley. By Chicago. Arranged by Roger Emerson. Pop Choral Series. Jazz-Rock, Medley, Oldies, Pop, Rock, Show Choir. Octavo. Duration 480 seconds. Published by Hal Leonard (HL.212467). UPC: 888680662301. 6.75x10.5x0.069 inches. The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits and bring a touch of nostalgia to your pop, jazz and concert groups. Includes: Colour My World; Does Anybody Really Know What Time It Is?; Just You 'n' Me; Saturday In The Park; 25 Or 6 To 4. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chicago in Concert Choral 3-part SSA Hal Leonard
Choral (SSA Choir) SKU: HL.212468 Medley. By Chicago. Arranged by ...(+)
Choral (SSA Choir) SKU: HL.212468 Medley. By Chicago. Arranged by Roger Emerson. Pop Choral Series. Jazz-Rock, Medley, Oldies, Pop, Rock, Show Choir. Octavo. Duration 480 seconds. Published by Hal Leonard (HL.212468). UPC: 888680662318. 6.75x10.5x0.069 inches. The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits and bring a touch of nostalgia to your pop, jazz and concert groups. Includes: Colour My World; Does Anybody Really Know What Time It Is?; Just You 'n' Me; Saturday In The Park; 25 Or 6 To 4. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chicago in Concert Choral CD Hal Leonard
Choral (ShowTrax CD) SKU: HL.212476 Medley. By Chicago. Arranged b...(+)
Choral (ShowTrax CD) SKU: HL.212476 Medley. By Chicago. Arranged by Roger Emerson. Pop Choral Series. Jazz-Rock, Medley, Oldies, Pop, Rock, Show Choir. CD. Duration 480 seconds. Published by Hal Leonard (HL.212476). UPC: 888680662332. 5.0x5.0x0.2 inches. The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits and bring a touch of nostalgia to your pop, jazz and concert groups. Includes: Colour My World; Does Anybody Really Know What Time It Is?; Just You 'n' Me; Saturday In The Park; 25 Or 6 To 4. $49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Addison Red Line Concert band [Score and Parts] - Intermediate C.L. Barnhouse
Composed by Bell. Concert Band Series. Score and parts. Duration 0:3:50. Publish...(+)
Composed by Bell. Concert Band Series. Score and parts. Duration 0:3:50. Published by C.L. Barnhouse (CL.012-4455-00).
$84.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Windy City Overture Concert band [Score] Amstel Music
Score Only. By Johan De Meij. (Score). Amstel Concert Bands. 28 pages. Publishe...(+)
Score Only. By Johan De Meij. (Score). Amstel Concert Bands. 28 pages. Published by Amstel Music.
$39.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Woodland Serenade and Rondo Saxophone and Orchestra [Score and Parts] - Intermediate/advanced C. Alan Publications
(Alto Saxophone Feature). Composed by Catherine McMichael. For Soloist(s) with C...(+)
(Alto Saxophone Feature). Composed by Catherine McMichael. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2/3, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2/3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Bass Trombone, Euphonium, Tuba,). Grade 4. Score and parts. Duration 6:00. Published by C. Alan Publications
$120.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Addison Red Line Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4455-75 Composed by J. Bell. Concert B...(+)
Concert band - Grade 4 SKU: CL.012-4455-75 Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR388). Oversized, spiral-bound score. Composed 2016. Duration 3 minutes, 50 seconds. Opus III Wind Orchestra Publications #012-4455-75. Published by Opus III Wind Orchestra Publications (CL.012-4455-75). The Addision Red Line is a popular train stop for the CTA in Chicago. Nearby, Wrigley Field, the home of the Chicago Cubs, hosts games that bring a myriad of people out to enjoy baseball at this historic location. The energy of people passing by, going to restaurants, or meeting with friends, all centered around the passion and fervor that baseball season brings, creates an exciting and unique atmosphere. The Addison Red Line is a fun and challenging, upbeat work that would make a great addition for any concert. $30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Benny Goodman Memories Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0981153-140 Arranged by Naohi...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0981153-140 Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 1998. De Haske Publications #DHP 0981153-140. Published by De Haske Publications (BT.DHP-0981153-140). De aanstekelijke muziek van Benny Goodman was de drijvende kracht achter het swingtijdperk van de jaren dertig. Met de bekende hits Let’s Dance, Stompin' at the Savoy, Moonglow en Sing, Sing, Sing is deze energieke engoed geschreven medley een gepast eerbetoon aan het honderdste geboortejaar van de ‘King of Swing’.
An Benny Goodman, der vor mehr als 100 Jahren in Chicago gebunden wurde, knüpfen sich viele Erinnerungen. Naohiro Iwai widmete dem großen Jazzklarinettisten und Big-Band-Leader eine musikalische Hommage mit einem stilgerechten Medley für Blasorchester aus Memories of You, Don’t Be that Way, Stompin’ at the Savoy, Flying Home, Bugle Call Rag und Sing, Sing, Sing.
Le 30 mai 1909, naissait Chicago, Benjamin David Goodman, clarinettiste, saxophoniste et leader de Big Band. En 1934, Benny Goodman fonde son premier orchestre et lance l’ère du swing. Il sera sacré « roi du swing » au Carnegie Hall de New York en 1938. Il enchantera de son style et de sa sonorité plus de cinquante ans d’histoire du jazz, jusqu’ la fin de sa vie. Interprétez six des plus grands succès du King of Swing : Memories of You, Don’t Be That Way, Stompin’ at the Savoy, Flying Home, Bugle Call Rag et Sing, Sing, Sing. $36.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Urban Landscapes Concert band Hal Leonard
Concert Band; Wind Orchestra (Cd) SKU: HL.4008672 Symphony No. 3 for W...(+)
Concert Band; Wind Orchestra (Cd) SKU: HL.4008672 Symphony No. 3 for Wind Orchestra CD. Composed by Franco Cesarini. Editions Franco Cesarini. Classical, Concert. Softcover. Hal Leonard #EFC019-CD. Published by Hal Leonard (HL.4008672). ISBN 9798350115215. UPC: 196288190028. A CD that includes four great works by Franco Cesarini performed by the Civica Filarmonica di Lugano under the direction of the Maestro. Passacaglia and Fugue in C-minor BWV 582 In Franco CesariniÂ’s arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeittinged with late-Romanticism. A masterpiece by Johann Sebastian Bach superbly arranged for wind orchestra. Sinfonietta No. 3 “Zwölfmalgreien Sketchesâ€, Op. 56 In composing the Sinfonietta No. 3 , Franco Cesarini was inspired by the history of the municipality of Zwölfmalgreien, made up of various towns, villages and scattered districts which were incorporated to the City of Bolzano (Italy) over one hundred years ago. The peculiarity of these places, different from each other, but all characterized by rare beauty, have contributed to create this 3-mouvement work (City Life, Mountain Shadows and Classic Wineyards), which translates into music the activities of the villages, the winter days and the lively atmosphere in the wine regions. A perfect trip to this wonderful part of Italy! Suite Siciliana, Op. 57b The Suite Siciliana, a 7-movement piece - Intrada , Pavana, Gavotta, Barcarola , Tambourin , Sicilianaand Tarantella - is characterised by contrasting rhythms and tempo and consists of these 7 dances. The musical form, typical of the Baroque period, refers to some traditional expressions of art from the land of Sicily: ranging from the rich architecture of the Sicilian Baroque to the colorful majolica ceramics and the characteristic puppets, the “pupiâ€, which narrate a secular tradition. A full immersion into ancient traditions of this beautiful island! Symphony No. 3 “Urban Landscapesâ€, Op. 55 Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how was born Symphony No. 3 “Urban Landscapes†, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements - The Wrigley Building from Dawn to Noon , Blue Silhouette and Cloud Gate - which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. Symphony No. 3 “Urban Landscapesâ€, a sumptuous musical portrait of the “Windy Cityâ€. Civica Filarmonica di Lugano Since its foundation in 1830, Civica Filarmonica di Lugano has performed at diverging events, varying from large gatherings to international jury performances. The Civica Filarmonica di Lugano is one of SwitzerlandÂ’s oldest and most prestigious music societies and consists of approximately 70 musicians.The Civica Filarmonica gives about 20 concerts a year, both at the city's concert halls and the Piazza della Riforma, the square in Lugano that. $19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 1 The Lord of the Rings (Revised Edition 2023) Orchestra [Score and Parts] - Intermediate Amstel Music
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score and
Parts. Composed by Johan De
Meij. Amstel Music. Concert.
Softcover. Duration 2580
seconds. Amstel Music #AM200-
010. Published by Amstel Music
$700.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gems of the Concert Band Concert band Walking Frog Records
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along....(+)
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along. CD. Composed 1999. Walking Frog Records #WFR306. Published by Walking Frog Records (CL.WFR306). An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture. $74.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Traditional Jazz Series: The Condon Gang: Adventures in New York and Chicago Jazz Trumpet [Sheet music + CD] Music Minus One
For Trumpet in B-flat. Contains a custom-engraved music score featuring the solo...(+)
For Trumpet in B-flat. Contains a custom-engraved music score featuring the solo instrumental line with improvisational chord changes; and a concert lead sheet for each song;, printed on high-quality ivory paper; and a digital stereo compact disc containing complete versions of each song, and a second compact disc featuring accompaniments minus soloist, plus -20% slow-tempo versions of five up-tempo songs. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Traditional Jazz Series: The Condon Gang: Adventures in New York and Chicago Jazz Clarinet [Sheet music + CD] Music Minus One
For Clarinet in B-flat. Contains a custom-engraved music score featuring the sol...(+)
For Clarinet in B-flat. Contains a custom-engraved music score featuring the solo instrumental line with improvisational chord changes; and a concert lead sheet for each song;, printed on high-quality ivory paper; and a digital stereo compact disc containing complete versions of each song, and a second compact disc featuring accompaniments minus soloist, plus -20% slow-tempo versions of five up-tempo songs. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Traditional Jazz Series: The Condon Gang: Adventures in New York and Chicago Jazz Tenor Saxophone [Sheet music + CD] Music Minus One
For Saxophone (tenor). Contains a custom-engraved music score featuring the solo...(+)
For Saxophone (tenor). Contains a custom-engraved music score featuring the solo instrumental line with improvisational chord changes; and a concert lead sheet for each song;, printed on high-quality ivory paper; and a digital stereo compact disc containing complete versions of each song, and a second compact disc featuring accompaniments minus soloist, plus -20% slow-tempo versions of five up-tempo songs. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Traditional Jazz Series: The Condon Gang: Adventures in New York and Chicago Jazz Trombone [Sheet music + CD] Music Minus One
For Trombone. Contains a custom-engraved music score featuring the solo instrume...(+)
For Trombone. Contains a custom-engraved music score featuring the solo instrumental line with improvisational chord changes; and a concert lead sheet for each song;, printed on high-quality ivory paper; and a digital stereo compact disc containing complete versions of each song, and a second compact disc featuring accompaniments minus soloist, plus -20% slow-tempo versions of five up-tempo songs. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Midwest Fanfare Brass ensemble [Score and Parts] - Intermediate Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-030 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5 SKU: BT.AMP-473-030 Composed by Philip Sparke. Ceremonial Series. Opening Pieces. Set (Score & Parts). Composed 2019. Anglo Music Press #AMP 473-030. Published by Anglo Music Press (BT.AMP-473-030). English-German-French-Dutch. A Midwest Fanfare was commissioned by the Brass Band of Battle Creek and premiered by them during their appearance at the Midwest Clinic in Chicago on 20th December 2017 where this fanfare was the opening piece of the entire event. This piece is designed to be played with the cornets split into two teams either side of the band. It opens with the two groups answering each other antiphonally over a repeated figure in the lower band. A calmer central section introduces a euphonium solo which is then taken up by the whole ensemble. This leads back to a repeat of the opening fanfares over a rhythmic accompaniment and a short coda which brings the work to a close.
A Midwest Fanfare werd geschreven in opdracht van de Brass Band of Battle Creek en op 20 december 2017 door dit ensemble in première gebracht als openingswerk op de Midwest Clinic in Chicago. Het werk is zo gecomponeerd dat de kornetten in twee teams worden verdeeld, die aan weerszijden van de band komen te staan. Deze twee groepen antwoorden elkaar op antifonale wijze boven een herhaald motief in de lagere registers. Een rustiger centraal gedeelte introduceert een eufoniumsolo, die aansluitend wordt overgenomen door de complete band. Deze passage mondt uit in een herhaling van de openingsfanfares boven een ritmische begeleiding, waarna het werk met een korte coda fraaiwordt afgesloten.
A Midwest Fanfare wurde von der Brass Band of Battle Creek in Auftrag gegeben und bei ihrem Auftritt anlässlich der Midwest Clinic in Chicago am 20. Dezember 2017 uraufgeführt, wo diese Fanfare den Auftakt für die gesamte Veranstaltung bildete. Das Stück ist so konzipiert, dass die Kornette in zwei Gruppen aufgeteilt sind und auf beiden Seiten der Brass Band platziert werden. Es beginnt mit einem Wechselgesang der beiden Gruppen, der über einer sich wiederholenden Melodie in den tieferen Stimmen der Brass Band erklingt. Im ruhigeren Mittelteil wird ein Euphonium-Solo vorgestellt, das dann vom gesamten Ensemble aufgenommen wird. Schließlich kehren die Eröffnungsfanfarenüber einer rhythmischen Begleitung zurück und eine kurze Coda bringt das Werk zum Abschluss.
A Midwest Fanfare est une commande du Brass Band de Battle Creek, qui l’a créée le 20 décembre 2017 lors d’un concert dans le cadre de la Midwest Clinic, Chicago, où elle a été choisie comme fanfare d’ouverture. L’instrumentation divise les cornets en deux groupes de part et d’autre de l’orchestre. La pièce s’ouvre avec les deux groupes qui se répondent antiphonalement sur un motif répété par les basses. Un passage central plus calme introduit un solo d’euphonium qui est ensuite repris par l’orchestre entier. La fanfare du début revient alors sur un accompagnement rythmique avant une brève coda qui achève la pièce. $100.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Midwest Fanfare Brass ensemble [Score] - Intermediate Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-130 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5 SKU: BT.AMP-473-130 Composed by Philip Sparke. Ceremonial Series. Opening Pieces. Score Only. Composed 2019. 12 pages. Anglo Music Press #AMP 473-130. Published by Anglo Music Press (BT.AMP-473-130). English-German-French-Dutch. A Midwest Fanfare was commissioned by the Brass Band of Battle Creek and premiered by them during their appearance at the Midwest Clinic in Chicago on 20th December 2017 where this fanfare was the opening piece of the entire event. This piece is designed to be played with the cornets split into two teams either side of the band. It opens with the two groups answering each other antiphonally over a repeated figure in the lower band. A calmer central section introduces a euphonium solo which is then taken up by the whole ensemble. This leads back to a repeat of the opening fanfares over a rhythmic accompaniment and a short coda which brings the work to a close.
A Midwest Fanfare werd geschreven in opdracht van de Brass Band of Battle Creek en op 20 december 2017 door dit ensemble in première gebracht als openingswerk op de Midwest Clinic in Chicago. Het werk is zo gecomponeerd dat de kornetten in twee teams worden verdeeld, die aan weerszijden van de band komen te staan. Deze twee groepen antwoorden elkaar op antifonale wijze boven een herhaald motief in de lagere registers. Een rustiger centraal gedeelte introduceert een eufoniumsolo, die aansluitend wordt overgenomen door de complete band. Deze passage mondt uit in een herhaling van de openingsfanfares boven een ritmische begeleiding, waarna het werk met een korte coda fraaiwordt afgesloten.
A Midwest Fanfare wurde von der Brass Band of Battle Creek in Auftrag gegeben und bei ihrem Auftritt anlässlich der Midwest Clinic in Chicago am 20. Dezember 2017 uraufgeführt, wo diese Fanfare den Auftakt für die gesamte Veranstaltung bildete. Das Stück ist so konzipiert, dass die Kornette in zwei Gruppen aufgeteilt sind und auf beiden Seiten der Brass Band platziert werden. Es beginnt mit einem Wechselgesang der beiden Gruppen, der über einer sich wiederholenden Melodie in den tieferen Stimmen der Brass Band erklingt. Im ruhigeren Mittelteil wird ein Euphonium-Solo vorgestellt, das dann vom gesamten Ensemble aufgenommen wird. Schließlich kehren die Eröffnungsfanfarenüber einer rhythmischen Begleitung zurück und eine kurze Coda bringt das Werk zum Abschluss.
A Midwest Fanfare est une commande du Brass Band de Battle Creek, qui l’a créée le 20 décembre 2017 lors d’un concert dans le cadre de la Midwest Clinic, Chicago, où elle a été choisie comme fanfare d’ouverture. L’instrumentation divise les cornets en deux groupes de part et d’autre de l’orchestre. La pièce s’ouvre avec les deux groupes qui se répondent antiphonalement sur un motif répété par les basses. Un passage central plus calme introduit un solo d’euphonium qui est ensuite repris par l’orchestre entier. La fanfare du début revient alors sur un accompagnement rythmique avant une brève coda qui achève la pièce. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Zephyr Concert band [Score and Parts] - Beginner Belwin
(Fast Train to Chicago). Composed by Michael Ryan. Concert Band; Part(s);...(+)
(Fast Train to Chicago). Composed by Michael Ryan. Concert Band; Part(s); Score. Belwin Beginning Band. 134 pages. Published by Belwin Music (AP.44892).
$51.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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