In ‘Famous Folksongs’ we are taken on a musical trip around the world from France to the USA and from South America to the Middle East. Dagmar Kildevann arranged eight word famous folk songs in very different ways. From traditional (Lolo mi boto) to modern (Le coq est mort) and from swing (Sur le pont) to rock (Michael row the boat). Bon voyage have a pleasant journey! Oh and by the way don’t forget your passport!

Suite of Israeli Folk Songs-The long history of Jewish folk song has resulted in a rich and varied repertoire of songs which deal with religion history festival and celebration. The melodies featured in Shalom! reflect this panoply of subjects and range widely in mood from lament to rejoicing.

This concert work the latest of Jacob de Haan works based on American states is a suite in three movements based on a well-known folk tune from Arkansas. In the course of this varied work the folk song appears in its complete form and in fragments in major and in minor as a ballad in a lyrical orchestration as a blues accompanied by a jazzy rhythm and at the end again in its pure form. In the process all instrumental groups of the brass band get their chance to shine!

A suite in three movements by Ray Steadman-Allen based on the Norwegian folk song 'P? Kl?rfjell der kvelver seg borgi sa rein'.The work opens with the melody in the flugel horn and the theme is then developed and varied with many nuances throughout the work.The 2nd and 3rd movements are played continuously.The piece was commissioned by Manger Musiklag in 1988 and bears all the marks of the composer's masterly instrumentation. Een suite in drie delen door Ray Steadman-Allen gebaseerd op de Noorse folk song ''P? Kl?rfjell der kvelver seg borgi sa rein''. Het werk opent met de melodie in de bugel en het thema wordt vervolgens ontwikkeld en gevarieerd met veelnuances door het hele werk. Het tweede en derde deel worden zonder onderbreking gespeeld. Het stuk werd geschreven in opdracht van Manger Musiklag in 1988 en draagt alle kenmerken van de componist zijn meesterlijke instrumentatie.

A playful romp through the folk song Over the Hills and Far Away arranged for standard Brass Quintet by David Richards.

A Norwegian folk song harmonized by one of the best Norwegian composers Johan S. Svendsen. The brass band instrumentation is by Eivind Nils Nicolaisen tuba player of the Bergen Philharmonic Orchestra. Een Noors volksliedje geharmoniseerd door door één van de beste Noorse componisten Johan S. Svendsen. De instrumentatie voor brassband is van Nils Eivind Nicolaisen tuba?st van the Bergen Philharmonic Orchestra.

Dreaming of love. This is the theme of the folksong on which the composition was based. Its characteristic melody inspired Jacob de Haan to this instrumental romance with a transparent structure consisting of an introduction the folk-melody a development of the theme the folk-melody accompanied by ornamental triplets followed by the final bars.

A beautiful expressive flugelhorn solo on a Norwegian religious folk song of Ole Olsen I himmelen.

Prelude on an Irish Folk Tune (?Prélude sur un air irlandais?) est basée sur l'air traditionnel Slane la version hymnique d?une mélodie irlandaise plus ancienne The Banks of the Bann. La mélodie s?imbrique dans la trame musicale vers la fin de la pièce. Publiée pour la première fois en 1909 dans le recueil Old Irish Folk Music and Songs (?Chants et airs irlandais anciens?) de Patrick Joyce cette mélodie traditionnelle tient son nom d?une colline située à environ 16 kilomètres de Tara dans le comté de Meath. Selon un extrait des Confessions de Saint Patrick le saint irlandais aurait allumé le cierge pascal sur la colline de Slane le Samedisaint de l?an 443. Cet acte de défi provoqua la fureur de Laoghaire un roi païen qui avait promulgué un édit interdisant d?allumer un feu autre que le feu royal sur la colline de Tara. Le feu royal célébrait la coutume païenne du retour du Printemps après l?Hiver du triomphe de la lumière (saison claire) sur la pénombre (saison sombre).Dans Prelude on an Irish Folk Tune des fragments de la mélodie font allusion au canevas futur de la pièce. Un autre thème écrit dans le style traditionnel domine le contexte avant de servir de contrechant lorsque la mélodie Slane se dévoile.

The composer:1st movement: Reflections by the Fjord.Overlooking one of the mighty fjords of Norway my mind and thoughts are with an old religious Norwegian folk-tune with words by the famous parson Peter Dass.The majestic fanfare-likeopening reflects the power of God our Father the choral itself heard for the first time on flugelhorn. The choral is repeated a few times separated only by some short variations. The movement ends in thriumph with fanfares and the choral broughttogether.2nd movement: Reflections in the Old Church.In this movement my associations of a summer day finding myself alone in an old deserted stone church. From the old walls I hear folk songs perhaps like the ones sung in the church bypoor fishermen and farmers in days gone by. Suddenly the light from the sun breakes through the small circular window above the altar and a lovely melody is heard before the original figures take us to the end of the movement.3rd movement:Festive Reflections.Any festive occasion can be reflected in this movement. from the bonfire at midsummer-night to the children celebrating the return of the sun in the northern part of Norway. from the traditional sleigh-riding at Christmas tothe Celebrations of the National Day on the 17th of May each year.

If there is one set of music any beginner band should own this is it. It is made up of 24 short contrasting pieces which are a mixture of folk songs well-known classics Christmas items and original works each of which is aimed to reinforce an aspect of learning. A must for all beginner bands.

If there is one set of music any beginner band should own this is it. It is made up of 24 short contrasting pieces which are a mixture of folk songs well-known classics Christmas items and original works each of which is aimed to reinforce an aspect of learning. A must for all beginner bands.

Hear the beat of horse hooves and feel the blistering heat of the prairie. In this medley of five well-known songs arranger Dagmar Kildevann has truly captured the atmosphere of the Wild West. An attractive feature of this piece is the various comic effects that Kildevann has included in the arrangement of the folksongs Home on the Range Deep in the heart of Texas Clementine Skip to my Lou and Polly Wolly Doodle. A guaranteed winner!