Instrumental Play-Along-Now solo instrumentalists can play along with a dozen favorite songs from Disney blockbusters such as Beauty and the Beast  The Lion King  Monsters Inc.  Toy Story 2 and other beloved movies. These books feature access to online recordings by a full symphony orchestra. There are full demo tracks and backing-tracks only so you can sound like a pro playing with the orchstra! Songs include Beauty and the Beast ? Belle ? Circle of Life ? Cruella De Vil ? Go the Distance ? God Help the Outcasts ? Hakuna Matata ? If I Didn't Have You ? Kiss theGirl ? Prince Ali ? When She Loved Me and A Whole New World.

Instrumental Play-Along-12 of the most enduring pop classic songs are included in this collection perfect for budding instrumentalists.Classic Pop Songs features online access to audio demonstration and great-sounding backing tracks for download or streaming to help you hear how the song should sound.Songs include Bridge over Troubled Water ? Candle in the Wind ? Dust in the Wind ? Every Breath You Take ? Fire and Rain ? Good Vibrations ? Have I Told You Lately ? Heaven ? Lean on Me ? She's Always a Woman ? Tears in Heaven and With a Little Help from My Friends.

Compiled by Sheila M. Nelson Piece By Piece 2 comprises 24 easy graded repertoire pieces with piano accompaniment for young cellists. The solo cello part is also included on a separate insert.

Instrumental Play-Along-15 selections of some of J.S. Bach's most treasured compositions in accessible arrangements for budding instrumentalists with online demo and backing tracks for download or streaming with the popular Playback features allowing the player to adjust pitch change keys slow down audio and more.Pieces include Adagio Bist Du Bei Mir Bourrée in E Minor Jesu Joy of Man's Desiring Minuet in G Major Polonaise in G Minor Sheep May Safely Graze Sleepers Awake (Wachet Auf) and more.

Chaîne de matériel pédagogique du professeur de chaîne préférée du monde Sheila Nelson. Tetratunes permet aux jeunes joueurs à apprendre la note de lecture dans les blocs de quatre notes par étapes sur chaque chaîne. Ce système développe des compétences physiques légèrement avant de lecture de la note. / Violoncelle

'You know how Syrinx disregarded fiery Aphrodite and what price she paid for her too great pride and love for virginity; how she turned into a plant with reedy growth substituted for her own when she had fled from Pan's love and how she still sings Pan's desire!' (Nonnus of Panopolis Dionysiaca book 16. Greek poet 5th cent.AD)Debussy's la fl te de Pan (better known as Syrinx) was originally written for flute. The characteristics of the cello capture and unfold what is distinctly French about this piece.

This work was commissioned by Rudolf Steiner Foundation. It is dedicated to Anssi Karttunen who gave the first performance in Helsinki on 10th September 2000.Sept papillons was the first piece Saariaho wrote after her operaL'Amour de loin and it was partly written during the rehearsals of the opera in Salzburg. One can sense the desire to find a new world which has nothing to do with the opera neither in style nor in language. From the metaphors ofthe opera which all have an eternal quality - love yearning and death - she moved now to a metaphor of the ephemeral: butterfly. Also from the long time-spans of the opera she moved to these seven miniatures which each seem tobe studies on a different aspect of fragile and ephemeral movement that has no beginning nor end.

Cello Time Sprinters is the third book in this hugely successful series, building on the firm technical and stylistic foundations of Joggers and Runners by featuring extended pieces in first position, and fourth position pieces. The book includes original pieces in different styles, pieces by a range of composers, and duets with parts of equal difficulty, together with CDs of performances and backings. Straightforward piano accompaniments are available in a separate volume. Difficulty : Easy 32 pages 21 July 2005 Kathy Blackwell and David Blackwell Kathy Blackwell is an experienced peripatetic string teacher, currently teaching privately after many years working for Oxfordshire County Council. She has a special interest in teaching the violin and viola to young children, both individually and in groups. Her determination to find the very best pieces - well written and accessible, tuneful and catchy - led directly to the creation of the Fiddle/Viola/Cello Time series. David Blackwell has worked in publishing for Oxford University Press and ABRSM. He has conducted both adult and children's choirs, and published several fine choral arrangements. He has contributed pieces to several instrumental tutor books as well as co-writing Fiddle/Viola/Cello Time.

# Open string pieces and tunes using the finger pattern 0-1-34 # Quality original pieces from rock to calypso # Careful introduction of new notes and rhythms # Simple slurs and dynamics # Easy duets # Scales and arpeggios in the keys of G, D, and C major, one octave # CD with performances of all the pieces to play along to - jazz and rock numbers add drumkit # Book of straightforward piano accompaniments available 32 pages 25 July 2002 Kathy Blackwell and David Blackwell Kathy Blackwell is an experienced peripatetic string teacher, currently teaching privately after many years working for Oxfordshire County Council. She has a special interest in teaching the violin and viola to young children, both individually and in groups. Her determination to find the very best pieces - well written and accessible, tuneful and catchy - led directly to the creation of the Fiddle/Viola/Cello Time series. David Blackwell has worked in publishing for Oxford University Press and ABRSM. He has conducted both adult and children's choirs, and published several fine choral arrangements. He has contributed pieces to several instrumental tutor books as well as co-writing Fiddle/Viola/Cello Time.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Sonata in G Major (Allegro, Grave, Vivace) (Sammartini) * Allegro Appassionato, Op. 43 (Saint-Saëns) * Elegié (Fauré) * Scherzo (van Goens). / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as a Book

Bags of Classics for Cello is filled with favourite melodies from famous works of classical music arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand it introduces a wide variety of styles and sound worlds from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work sight-reading practice or just for sheer musical enjoymentContents: Allegro from Brandenburg Concerto No.3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido’s Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene’s Notebook (Anon) Papageno’s Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto No.5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from ‘The Bird’ String Quartet (Haydn) Theme from Caprice No.24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny No.40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle