With deep reverence the prophecy is made: On that day there will be one God and His precious name the only name. And the earth will know but one God and His name alone will be above all names... Awe and mystery are heardin this mostly two-part octavo but as the music builds toward the climax layers of sound and texture are added until every tongue confesses that “He Is Lord” in strong confident glorious harmony. “On ThatDay” is accessible to choirs of any size. Text from Zechariah 14:9; Romans 14:11

Jonathan Dove's Seek Him That Maketh is a joyful uplifting setting of Psalm 139 arranged for accompanied SATB choir. The organ part with its sparkling use of high registers subtly evokes the stars. This exquisitely complements the careful sculpted vocal lines. Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Paperback-for SATB unaccompanied A flowing carol-style setting of Isaiah 6:1-14 that is unexpectedly calm and serene. The unaccompanied choral parts although almost athletic at times are quite easily mastered.

All That Hath Life And Breath Praise Ye The Lord! by René Clausen arranged for SATB choir.As sung by the Kansas City Chorale on the album Life And Breath - Choral Works by René Clausen (Chandos: CHSA 5105).

Mary Poppins Returns (Choral Highlights). Six songs from the Hairspray (2002) writing team of Marc Shaiman and Scott Wittman are skillfully assembled and connected from this new movie classic. While paying tribute to the original movie's songs, these new songs are destined to be loved and sung by kids and adults for many years to come. Includes (Underneath the) Lovely London Sky, Can You Imagine That?, A Cover Is Not the Book, The Place Where Lost Things Go, Trip a Little Light Fantastic and Nowhere to Go But Up.

The familiar story of Christmas is told in a tender new setting recorded by Point of Grace. The touching lyrics will be remembered by all who hear it. We're not that far from Bethlehem Here all our hope and joy begins For in our arms we'll cherish him We're not that far ... from Bethlehem Available for SATB SSA and ShowTrax CD. Performance Time: Approx. 3:30

Gabriel Jackson's O Thou That Art The Light for SATB unaccompanied.This exquisite miniature sets an intimate prayer by St Augustine of Hippo asking for God's grace to know and serve Him. Simple and homophonic it is infused with Jackson's characteristic passion and luminosity and would be ideal as a general purpose introit or used specifically within a Service of Light.

A sensational arrangement of this wonderful tongue-in-cheek song by Eric Idle that features in Monty Python's Spamalot for SATB chorus with Piano.

O that we were there! is a text taken from the Christmas hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ but it also conveys alonging to be out of the world oftime and space and in an eternal world.Composed in 2012 in memory of Blossom Barrow this SATB version was first performed at the memorial service for Annabel Freyberg mother of Blossom Barrow at St Mary Abbots theparish church of Kensington on 26th February 2014. The performance was given by the choir of St Mary Abbotsconducted by the Director of Music Professor Mark Uglow.

Paperback-Gabriel Jackson's I Say That We Are Wound With Mercy for SATB with Organ accompaniment.Setting a section from 'The Blessed Virgin Compared to the Air we Breathe' by Gerard Manley Hopkins this Marian piece opens with an extended soprano passage underpinned by soft yet characterful organ writing. Several hallmarks of Jackson's style are evident including soaring melismatic Soprano lines sonorous harmonies and repeated Organ motifs. The result is a captivating and emotive work for church and concert use.

This rhythmic upbeat anthem is a change of pace for Advent or Christ the King Sunday quoting the passage from Isaiah 12 as the basis for the text. With joy and assurance we sing of His promised salvation. Much unison andtwo-part singing and the repetitious nature of this piece make it easy to learn and remember. Changes in voicing and dynamic add interest and propel it forward to the victorious climax. “In That Day”...weproclaim that the Lord has done glorious things!

This traditional spiritual has been set by Phil Kern as a follow-up to his wonderful arrangement of “Rise Up Shepherd.” A strong piano accompaniment is paired with full vocals that range from forte harmonies andlegato unisons to quiet a cappella sections. Even hand claps are incorporated and the entire piece builds to a rousing final chord that your audience and singers will thoroughly enjoy and appreciate.