My Voice Shalt Thou Hear is an anthem for Boy's voices and Piano or Organ. The text is from The Holy Bible (Psalm V v.3). Edited and the figured bass realised by Derek Holman.

A poem by Charles Causley set to music by Betty Roe for Unison voices or voice and piano. This song is part of Three Childhoods.

For Unison upper voices (with optional parts) Brass Quintet and optional Percussion.A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'!Bob ChilcottBob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

Maurice Duruflè (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct it is almost chantlike in its melodic purity. Originally written for unison voices (or solo voice)with organ accompaniment Duruflé later scored it for four-part chorus. These new editions include an English text for singing the original French text and a keyboard reduction of the unaccompanied version.

Cobwebs is a delightful little piece taken from Fancy-Fair a collection of eight songs for young children by Peter Jenkyns. It is scored for unison Voices with Piano accompaniment but is also suitable for solo performance. English singer composer conductor and musical director Peter Jenkyns (1921-1996) wrote many of his well-known songs with children in mind for the choirs of the schools he was headmaster of to perform at the annual St. Albans Schools' Music Festival. The excellent pieces by this writer of little art songs for the under 12s are well received and much anticipated by audiences and performers alike.

Sleep Little Boy is a Christmas song for Unison voices and Piano with text by Jack Fuller. This song is an extract from Herod Do Your Worst a Nativity Opera.

A wonderful setting of Christopher Wren with words by High Chesterman arranged for Unison Voice and Piano Accompaniment.

Scored for solo voice unison chorus and piano The Twelve Apostles was written for Peter Pears and the London Boy Singers. The text was adopted from The Ten Commandments as given in ‘English Folk Songs from the Southern Appalachians’ (1932).

Harold Hinchcliffe Sykes was a British twentieth century arranger and composer who usually published under the name Harold H. Sykes. His setting of The Poor Snail is for Unison Voice withPiano accompaniment. It laments the way in which a Snail must carry his home on his back. The lyrics were written by J. M. Westrup who is best known for his poem Flying.

For Congregation (Unison Voice) and Organ. Congregational Part available: NOV954140-01