Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano

Par GOODALL HOWARD. Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Take the Lead Smash Hits ' contient des arrangements de hits graphique qui englobe une vaste gamme de chansons dans une variété de styles dont les hits de Westlife, Nelly Furtado Christina Aguilera et entendre dire. Il s'agit d'une excellente occasion pour les jeunes joueurs à jouer leurs hits graphique préférée, fournissant le répertoire de l'excellent concert ainsi qu'en encourageant la progression de la technique. Avec un choix de sauvegarde de CD accompagnement ou en jouant avec guitare ou piano ' Prendre les devants ' offre une flexibilité ultime fois enseignant et les étudiants. Table des matières : Je suis comme un oiseau - il pleut hommes - Lady marmelade - hors de portée - il vous serez - Uptown Girl - la façon de votre amour - tout nouveau/ Recueil / Clarinette et Piano

Le compositeur et pianiste américain Edward MacDowell (1860-1908) est pratiquement inconnu chez nous, même si son art a pris racine ici : il reçut sa formation pianistique à Paris, Stuttgart, Wiesbaden et Francfort. Retourné dans son pays, il y travailla / Clarinette En Si Bémol Et Piano / 6 pages / niveau : Facile à Intermédiaire / Partition

From Easy Dances Clarinet and piano Arranger: Haan, Stefan de The Dance Suite for clarinet and piano is an arrangement of selected pieces from Mátyás Seiber's Easy Dances, originally composed as piano pieces on the popular dance-styles of the 1920s and 30s and focusing particularly on the rhythmic characteristics of each. Seiber's life and work linked and developed many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schönberg and serial music, to jazz, folksong, film and lighter music (rewarded by an Ivor Novello Prize for By The Fountains of Rome). A late collaboration with John Dankworth produced the Improvisations for Jazz Band and Orchestra. Contenu - Foxtrot - Mazurka - Gipsy Tango - Walzer - Novelty Foxtrot - Six-Eight

arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in A with Piano reduction by Ernest Roth and Clarinet arrangement by Frederick J. Thurston.

The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in B-Flat as arranged by Ernest Roth and revised by Frederick J. Thurston.

French composer conductor and teacher Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery's works have been successful with many of his concertos being included in the Conservatoire's list of compulsory works. Rêverie Et Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950 Semler-Collery's Rêverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic exploiting rhythm tonality andharmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists Semler-Collery's Rêverie Et Scherzo provides an exciting performance work for performers and audiences alike.

As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

The Concerto Classics series gives intermediate students the opportunity to explore some of the most important and influential concertos in their instrument's repertoire. This edition for Clarinet includes concertos by Mozart Weber and Finzi. Each piece has been carefully arranged as a valuable stepping-stone towards the original great works. Some more difficult parts have been transposed into easier keys. Also included are supplementary exercises designed to support students with the various technical aspects required in the solo parts.With pull-out Piano accompaniment.

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for woodwind are at the forefront of the musical family's repertoire, Fantasy for Clarinet being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Fantasy for Clarinet, which he wrote towards the beginning of his career. Addressing many technicalfeatures, including flourishing semiquaver passages, a wide range, lyrical melodies, intervals, chromaticism and complex rhythms, Fantasy is a challenging, yet riveting and stirring piece for aspiring advanced clarinetists./ Répertoire / Clarinette et Piano

Hywel Davies presents eight fresh interpretations of traditional British folk-tunes in this timeless new collection together with seven complementary folk-inspired original compositions for developing clarinettists to learn enjoy and perform.Folk Roots: For Clarinet With Piano Accompaniment is ideally suited for students of grade 1-3 standard this progressive album also contains helpful notes describing the lyrical character content and inspiration behind each piece equipping players to give informed authentic and stylish performances.A superb CD of performances backing tracks and slowed-down backing tracks for practice isincluded.Hywel Davies is an award-winning composer arranger and creative artist. His works have been performed on five continents and broadcast on three.

New Edition 2012-22 pieces for Clarinet and piano selected and edited by Peter Wastall now refreshed and repackaged to fulfil the needs of the next generation of musicians.Providing the perfect 'next step' for students reaching the end of Peter Wastall's award-winning Learn As You Play method books these collections of repertoire are ideally suited for students of Grade 3-5 standard.Each piece is now complemented by useful practice and performance tips. A newly-recorded CD of backing tracks is also included alongside the piano accompaniment.

Thea King and Alan Frank have selected and arranged beautiful themes derived from the vocal choral piano and orchestral works by Mendelssohn. This collection presents rewarding repertoire for players from grade 3 to 5 standard.

An album of solos with Piano accompaniment in a variety of twentieth century classical and jazzy styles by Adam Gorb Stephen Dodgson Edward Gregson and Gordon Lewin. Each piece has been especially composed to be appropriate to the grade of the instrumentalist.