SKU: HL.4005899
UPC: 888680942106. 9.0x12.0x0.074 inches.
Exploring some of the most well-known traditional folk tunes from Korea, here is an appealing and well-paced suite for young players. Let's Sing and Dance starts slowly then gradually speeds up similar to how it is usually sung. The Gate is a song and game played by Korean children, and this is followed by the beautiful ballad Bellflowers. Finally The Palace completes the set in a bold and optimistic style. Dur: 3:55.
SKU: HL.4006267
UPC: 888680975876. 9.0x12.0x0.062 inches. Elliot Del Borgo/adapt. Robert Longfield.
Published in 1993, Elliot Del Borgo's classic work for young bands has remained a staple in the repertoire, performed regularly and appearing on numerous state required lists. Faithfully adapted by Robert Longfield, this appealing setting is perfect for festival or concert use.
SKU: HL.26523047
UPC: 073999254723. 9.0x12.0x0.033 inches.
Written in a slow-fast form, this repertoire favorite from 1993 opens with a lyric section featuring the flutes and alternating with full ensemble chorale-like passages. All sections of the band get a chance to be featured in the fast section which includes a delightful mix of interesting melodies and rhythmic excitement. (Grade 2) Dur: 2:50.
SKU: HL.4002924
UPC: 884088457105. 9.0x12.0x0.064 inches.
This arrangement for flexible instrumentation is a setting of three traditional Czech melodies displaying a wide range of moods and styles. Includes: Walking at Night; Meadows Green and Spring, The Madcap.
SKU: HL.48024515
UPC: 888680900366. 9.0x12.0x0.145 inches.
The classic early American folk songs ′Cluck Old Hen′, ′Poor Wayfarin' Stranger′ and ′Sourwood Mountain′ are beautifully set for band and chorus in this appealing concert suite. Arranged with various performance options available, these songs may be performed individually as well as together in a suite format. In addition, these can be performed with band alone, chorus and piano alone, or with combined groups. Recorded by the Virginia Tech Choirs and Symphonic Wind Ensemble, conducted by Dwight Bigler – Moss Arts Center, Virginia Tech, March 26, 2017.
SKU: BT.AMP-454-140
English-German-French-Dutch.
Songs from Across the Water was commissioned by Pennsylvania Symphonic Winds - Phil Evans, Founder and Director. Phil Evans hails from the UK and served for 25 years in the Band of HM Royal Marines. Now resident in the USA he founded Pennsylvania Symphonic Winds in 2008, giving them the tag line ‘An American Band with a British Accent’, as he wanted to combine the best of both countries’ band traditions. With this in mind, composer Philip Sparke decided to create a suite of British folk songs, scored with an American influence to fulfil the philosophy of the band’s tag line. The three movements, which are played without a break, are based on the following folk songs,which come from all corners of the British Isles: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air and The Piper o’ Dundee & Men of Harlech. Songs from Across the Water werd geschreven in opdracht van de Pennsylvania Symphonic Winds, waarvan Phil Evans de oprichter en tevens de dirigent is. Phil Evans is geboren en getogen in het Verenigd Koninkrijk, hij was 25 jaar lang lid van de Band of HM Royal Marines. Tegenwoordig woont hij in de VS, waar hij in 2008 de Pennsylvania Symphonic Winds oprichtte, met als motto ‘An American band with a British Accent’ (Een Amerikaans blaasorkest met een Brits accent), aangezien hij de blaasmuziektradities uit beide landen wilde combineren. Met dit gegeven in zijn achterhoofd creëerde componist Philip Sparke een suite van Britse folksongs, georkestreerd met een Amerikaanse invloedom de filosofie achter het eerdergenoemde motto eer aan te doen. De drie delen, die zonder onderbreking worden gespeeld, zijn gebaseerd op de volgende folksongs, die afkomstig zijn uit alle hoeken van de Britse Eilanden: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air en The Piper o’ Dundee & Men of Harlech. Songs from Across the Water wurde von den Pennsylvania Symphonic Winds in Auftrag gegeben, deren Gründer und Leiter Phil Evans ist. Phil Evans stammt aus dem Vereinigten Königreich und spielte 25 Jahre lang im Blasorchester der HM Royal Marines. Inzwischen lebt er in den USA und gründete 2008 die Pennsylvania Symphonic Winds, denen er den Beinamen An American band with a British Accent“ (Ein amerikanisches Blasorchester mit einem britischen Akzent“) gab, da er das Beste aus der Blasorchester-Tradition beider Länder miteinander vereinen wollte. Aus diesem Grund hat der Komponist Philip Sparke eine Suite aus britischen Volksliedern komponiert, wobei dieInstrumentierung einen amerikanischen Einfluss hat, um so die Philosophie des Orchesterbeinamens zu verwirklichen. Die drei Sätze, die ohne Pause gespielt werden, basieren auf den folgenden Volksliedern, die aus allen Gegenden der britischen Inseln stammen: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air sowie The Piper o’ Dundee & Men of Harlech. Songs from Across the Water est une commande du Pennsylvania Symphonic Winds et de Phil Evans, fondateur et directeur. Phil Evans est originaire du Royaume-Uni où il a joué dans l’orchestre des HM Royal Marines pendant 25 ans. Vivant désormais aux Etats-Unis, il y a fondé le Pennsylvania Symphonic Winds en 2008 et lui a donné le slogan « un orchestre américain l’accent britannique », aspirant combiner les meilleures traditions d’harmonies des deux pays. Avec cette idée l’esprit, le compositeur Philip Sparke a décidé de créer une suite de chansons folkloriques britanniques, orchestrées l’influence américaine en rapport avec la philosophie du groupe. Les troismouvements qui s’enchaînent reposent sur les trois chansons folkloriques suivantes, qui viennent de tous les coins des Îles Britanniques : The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air et The Piper o’ Dundee & Men of Harlech.
SKU: HL.4005250
UPC: 888680702793. 9.0x12.0x0.047 inches.
Focusing on a variety of playing styles, here is a distinctive multicultural work scored for flexible instrumentation. First is a quasi march treatment of The Bamboo Flute, followed by a chorale setting of Sakura, and concluding with the familiar Korean Folk Song.
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