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HARPSICHORD
Medium voice, Piano
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2 Trompettes Sib 1 Cor en Fa 1… (44)
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Choeur SATB et Basse Continue (42)
Djembe (42)
Soprano (42)
Voice, String Quartet (41)
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Harpsichord and Strings (37)
Choeur SATTB (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Tuba Solo (36)
Flûte à Bec Alto ou Flûte T… (36)
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Petit Ensemble Contemporain (36)
Lute (36)
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Medium Voice (36)
Voix et Instruments Divers (35)
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Quatuor A Cordes Et Orchestre … (35)
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Guitare Flatpick et Plectre (34)
Viola da Gamba (34)
Partition D'Orchestre (34)
Guitar, Orchestra (34)
3 Trombones (trio) (34)
4 Voix Mixtes (34)
Solistes SATB, Choeur SATB, 2 … (33)
2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
Soli (STB), Choeur Mixte (SATB… (33)
8 Voix (SATB et SATB) et Basse… (33)
Ensemble Instrumental (33)
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Ensemble de Vents (33)
2 Flûtes Traversières, 2 Cor… (32)
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Piano Trio: Violin, Viola, Pia… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
Solistes ST, Choeur SATB, Flû… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
Hautbois et Quatuor à Cordes (32)
2 Cellos, Piano (32)
English horn, Piano (32)
Autoharp (32)
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DVD Opera and Ballets (32)
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Book (29)
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Trombone or Euphonium (28)
C Trumpetor et Trompette Sib/C… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Oboe, Organ (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte Traversière, Clarinett… (28)
Flûte Traversière, Hautbois,… (28)
Flûte Traversière Violoncell… (28)
2 Clarinettes en Sib et Clarin… (28)
3 Flûtes A Bec (SAT) Et Piano… (28)
Grande Formation (27)
2 Trombones, Piano (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
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SATB, (4 InstrumentS Basse et … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Orgue, 2 Hautbois, Basson Et C… (27)
Soprano Saxophone (27)
Hautbois, Clarinette et Basson… (27)
Choeur Mixte (SATB/SATB) (27)
Choral Soprano solo, SATB, Key… (27)
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Petit Choeur SATB, Contrebasse… (26)
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Trumpet, Trombone (duet) (26)
Clarinette, Viola and Piano (t… (26)
Trompette en Do ou et Trompett… (26)
3 Trumpets (trio) (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Clarinette, Violon, Violoncell… (25)
Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
Solistes ATB, Choeur SATB, Fl… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
2 Violons, 2 Altos, Violon ou … (24)
Viola, Guitar (duet) (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Violons, Alto et Basse Conti… (24)
Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
String Trio: 3 cellos (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Trumpet ensemble (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Quatuor à Cordes et Piano (23)
Choeur SATB/SATB, (8 Instrumen… (23)
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Saxophone en Mib et Piano (23)
Choral SSATBB (23)
Concert Band ou Harmonie et Cl… (23)
Clarinette et Orchestre (23)
2 Violons, Basse et Basse Cont… (23)
2 Violas, Piano (23)
Batterie-Fanfare (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
String Trio: 2 violins, viola (22)
Piano, Violin, Bandoneon, Guit… (22)
Trompette Solo (22)
4 Euphoniums (22)
Choeur SATB/SATB, ou Basse Con… (22)
Trombone ensemble (22)
Oboe, Basso continuo (22)
Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
String trio (22)
Saxophone Alto Solo (22)
Baritone Horn and Piano (22)
Flute and Strings Trio (22)
4 Voix Mixtes Sans Accompagnem… (22)
Violon, Alto et Basse Continue… (21)
Voice, Clarinet, Piano (21)
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Violon, Ensembles de Cordes et… (21)
Sextuor (21)
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Clavecin Et Instruments A Cord… (21)
Choeur SATB, (Basse Continue) (21)
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Drums-Marching band (21)
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Reportage (21)
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Mario Castelnuovo-Tedesco: Vocalise-Étude: Medium Voice: Vocal Work
Medium voice, Piano
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. In the mid-1920s the young composer found a collection of prayers set to music among his maternal grandfather’s papers. Something clicked and from then on Jewish tradition would become a source of inspiration for Castelnuovo-Tedesco. In 1928 two years after publishing theDances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that several instrumental adaptations were soon created published under the title Chant hébraïque (for violin and piano: AL17 713; for cello and piano: AL 17196). Divided into three sections this wordless melody opens with a “sad and impassioned” chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows in which a “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note. The composer himself would adopt this proactive stance refusing to yield to resignation when fleeing Mussolini’s anti-Semitic laws he decided to emigrate in 1939 to the United States a land of refuge to which he would remain faithful until his death some thirty years later.
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The Boosey Voice Coach
Medium voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.German can seem like an awkward language to sing in - there are just too many consonants! How do you get your tongue around them? And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? These issues and more are covered in this book, which contains settings from some of the masters of song-writing in the German language. / Voix Moyenne Et Piano
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
Medium voice, Piano
[Partitur]
Barenreiter
Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of th...
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Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104
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Finzi Gerald - Collected Songs - Medium/low Voice And Piano
Medium voice, Piano
Schott
54 Lieder Content : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Be...
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54 Lieder Content : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Before and after Summer - The Self-unseeing - Overlooking the River - Channel Firing - In the Mind's Eye - The Too Short Time - Epeisodia - Amabel - He Abjures Love EARTH AND AIR AND RAIN: Summer Schemes - When I set out for Lyonnesse - Waiting for Both - The Phantom - So I have fared - Rollicum-Rorum - To Lizbie - The Clock of the Years - In a Churchyard - Proud Songsters I SAID TO LOVE: I need not go - At Middle-Field Gate in February - Two Lips - In five-score - Summers - For Life I had never cared greatly - I said to Love LET US GARLANDS BRING: Come away, come away, death - Who is Sylvia? - Fear no more the heat o' the sun - O Mistress Mine - It was a lover and his lass LOVE'S LABOUR'S LOST: Songs for Heims and Ver (Song for Moth) - Riddle Song - False Colcolinel OH FAIR TO SEE: I say I'll seek her - Oh fair to see - As I lay in the early sun - Only the wanderer - To Joy - Harvest - Since we loved TILL EARTH OUTWEARS: Let me enjoy the earth - In years defaced - The Market-Girl - I look into my glass - It never looks like summer - At a lunar Eclipse - Life Laughs Onward TO A POET: To a Poet a Thousand Years Hence - On Parent Knees - Intrada - The Birthnight - June on Castle Hill - Ode on the rejection of St. Cecelia
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Nicola Vaccai: Metodo Pratico - Medium Voice: Medium Voice: Vocal Tutor
Medium voice, Piano
[Sheet music]
-
Easy
Peters
This excellent singing tutor presents 15 lessons all designed to teach the sing...
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This excellent singing tutor presents 15 lessons all designed to teach the singer both vocal exercises and the use of the Italian language. It has long been thought that the Italian language is best suited to the art of singing and in this edition rather than use meaningless monosyllables Vaccai has set Metastasio's beautiful poetry to each exercise.The lyrics to this 'practical voice method' are in Italian with German singing translation by John Bernhoff.
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Cyril Scott: Water-lilies-medium Voice/Piano (Key-d Flat): Medium Voice: Vocal
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
Water-lilies-medium Voice/Piano (Key-d Flat)
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Ricky Ian Gordon: A Horse with Wings: Vocal Solo: Vocal Album
Medium voice, Piano
Hal Leonard
Medium High Voice-Medium High Voice. Collection of 21 songs including interesti...
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Medium High Voice-Medium High Voice. Collection of 21 songs including interesting notes about each from the composer. Contents: Afternoon on a Hill · Air · An Old Fashioned Song · Coyotes · Fewer Words · A Horse With Wings · I Am Cherry Alive · Janet Underneath the Roses · The Lake Isle Of Innisfree · My Sister's New Red Hat · Once I Was · Poem (Lana Turner Has Collapsed!) · The Red Dress · Souvenir · Sweet Song · Sycamore Trees · The Special Picnic · The Spring and the Fall · What Shall We Remember? · White Haired Woman · Will There Really Be a Morning?
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Hector Berlioz: Les nuits d'été for solo voice and orchestra: Medium Voice:
Medium voice, Piano
[Sheet music]
Barenreiter
op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orch...
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op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orchestra Op.7 Hol.81B . Version for medium voice. BA 5786-90: Vocal score voice & piano Berlioz composed these songs in 1840–41 between the composition of Roméo et Juliette and La damnation de Faust. The poems were taken from a collection entitled La comédie de la mort by Théophlie Gautier published in 1838. The songs were for mezzo-soprano or tenor with piano accompaniment and were published as a cycle under the title Les nuits d’été in 1841. The second and fourth songs Le spectre de la rose and Absence were performed a few times at that period and Absence was sung twice in February 1843 by Marie Recio on Berlioz’s first tour of Germany. For Marie who later became his second wife Berlioz at once orchestrated the song for mezzo-soprano and small orchestra. A dozen years later Berlioz orchestrated the remaining five songs of the cycle which appeared in its orchestral form in 1856. Two of these songs Le spectre de la rose and Sur les lagunes were now transposed to a lower key so that the cycle was no longer within the compass of a single voice. 1: Villanelle F major 2: Le spectre de la rose B major 3: Sur les lagunes F minor 4: Absence E-flat major 5: Au cimetière B-flat major 6: L’îsle inconnue D major Urtext of the New Berlioz Edition Full scores and parts available for hire (BA5786-72) English & German translations of the song texts printed sepatarely
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Huit poèmes op. 10 (STRAUSS RICHARD)
Medium voice, Piano
G. Henle
Par STRAUSS RICHARD. Les huit lieder composés en 1885 sur des textes du poète ...
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Par STRAUSS RICHARD. Les huit lieder composés en 1885 sur des textes du poète Hermann von Gilm, aujourd?hui peu connu, occupent une place à part dans la production de lieder de Richard Strauss. Pour la première fois, il a mis ici en musique tout un groupe de lieder sur des textes d?un seul poète et les a ensuite réunis en un seul opus également destiné à l?impression. Certains numéros comme Zueignung, Die Nacht, et Allerseelen comptent parmi les lieder les plus populaires de Strauss, mais c?est aussi le cycle dans son intégralité qui est, de par son aménagement bien disposé, digne de considération: le compositeur encore en pleine évolution se situe ici très consciemment dans la tradition de Schubert à Wolf, et choisit, avec l?amour vain, un thème hautement romantique, qui se trouve mis en lumière sous les facettes les plus diverses. Parue en 1887 et d?abord écrite à l?intention d?une voix élevée, la première édition des Lieder op. 10 fut suivie, encore du vivant du compositeur, par des versions transposées pour voix moyenne et grave, ainsi que cela devint la règle pour tous les lieder de Strauss par la suite. L?édition Urtext de Henle se saisit de ces transpositions conservées jusqu?à aujourd?hui afin de pouvoir offrir ce merveilleux cycle de lieder à chaque tessiture vocale! / Date parution : 2022-06-14/ Répertoire / Voix Medium et Piano
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Lennox Berkeley: I Carry Your Heart With Me: Medium Voice: Vocal Score
Medium voice, Piano
[Partitions]
Chester
Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometim...
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Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since mysister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78.However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim.The manuscript leavesfew questions. Obviously the pedal sustains the sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like thiselsewhere. A few phrase-marks have been added on existing patterns.' - Peter Dickinson
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Another Sleep
English
Medium voice, Piano
[Vocal Score]
Boosey and Hawkes
Ce groupe de chansons définie sur 14 écrivains est un mémorial pour compagnon...
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Ce groupe de chansons définie sur 14 écrivains est un mémorial pour compagnon de longue date du compositeur. Dans les mots du compositeur: ' le thème général souligne la nostalgie et perte, mais aussi frustration et la colère et enfin renouvellement, quoique renouvellement par le biais de mépris de la mort. ' / Voix Moyenne(s) Et Piano
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Joaquín Rodrigo: Cuatro Madrigales Amatorios: Medium Voice: Score
Medium voice, Piano
[Sheet music]
Chester
A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet P...
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A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet Percussion and Strings. Rodrigo's Cuatro Madrigales Amatorios was written for the soprano Lola Rodriguez Aragon who gave the first performancein the version for Voice and Piano on 4th Feburary 1948 accompanied on Piano by Victoria Kamhi.
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Je te veux (Medium/Low Voice) (SATIE ERIK)
Français
Medium voice, Piano
[Sheet music]
Salabert
Par SATIE ERIK. La revue de café-concert (ou caf?conc?) était l?une des formes...
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Par SATIE ERIK. La revue de café-concert (ou caf?conc?) était l?une des formes de divertissement populaire à Paris depuis la moitié du XIXe siècle et au début du XXe. Les programmes étaient composés de piécettes en un acte, d?airs d?opéra, de tours de chant, de danse, de numéros de cirque, etc. Dans le répertoire d?une soirée de café-concert, il y avait la valse chantée, sentimentale et très mélodique, sur des paroles racées ; Je te veux en constitue un exemple. Dans cette édition, la version transposée pour voix moyenne-grave de cette célèbre valse. / Date parution : 2022-07-20/ Répertoire / Voix Medium ou Grave et Piano
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David Matthews: From Coastal Stations: Voice
Medium voice, Piano
Faber Music Limited
From Coastal Stations
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Posthumous Songs Band 2 (KORNGOLD ERICH WOLFGANG)
Medium voice, Piano
Schott
First Edition. Par KORNGOLD ERICH WOLFGANG. Following the success of the first v...
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First Edition. Par KORNGOLD ERICH WOLFGANG. Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood./ Répertoire / Voix Moyenne et Piano
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Les Plaisirs Du Chant Vol.3A (BONNARDOT JACQUELINE)
Français
Medium voice, Piano
[Sheet music + CD]
Lemoine, Henry
Par BONNARDOT JACQUELINE. Ce volume 3A des Plaisirs du chant est, comme les pré...
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Par BONNARDOT JACQUELINE. Ce volume 3A des Plaisirs du chant est, comme les précédents, destiné aux jeunes chanteurs, ainsi qu'aux cours de formation musicale. Les morceaux sont présentés dans une tessiture 'moyenne'. Pour plus de facilité, des traductions françaises sont aussi proposées pour trois lieder (un peu remaniées, elles datent du 19e siècle). Mais, sous cette apparente facilité, les morceaux choisis sont, pour la plupart, d'un mouvement assez lent, et donc, plus difficiles à lier et à animer. Ils aideront le jeune chanteur à extérioriser sa sensibilité musicale et poétique. On ne saurait trop recommander aux professeurs de commencer la formation vocale des élèves par des morceaux de tessiture moyenne, comme ceux des Plaisirs du chant avant d'aborder les recueils spécifiques pour soprano, mezzo, ténor ou baryton, dans un deuxième temps. La première pièce L'Amour de moy qui date du 15e siècle est donnée ici avec un accompagnement au piano, composé spécialement pour ce recueil, mais il est tout à fait possible de la chanter à 'voix seule', comme elle est notée dans le 'manuscrit de Bayeux'. C'est même un excellent exercice. Jusqu'à la fin du 18e siècle, les ornements et variations n'étaient pas écrits dans les partitions, mais laissés à l'imagination des chanteurs (ces 'embellissements' pouvaient changer d'un concert à l'autre). Nous avons un peu perdu ce sens de l'improvisation, mais l'élève pourra s'inspirer des ornements et variations très simples proposés dans le CD par les deux chanteurs. Toutes les pièces de ce recueil peuvent être interprétées par des voix féminines ou masculines, sans distinction. Pour le CD, j'ai demandé la collaboration d'une soprano et d'un ténor dans le seul but de varier la couleur à l'écoute du disque. Ces deux artistes ont chanté avec une grande économie de moyens pour que l'exemple ne soit pas trop lyrique et n'incite pas les jeunes chanteurs à dépenser une énergie inutile et néfaste. L'accompagnement, enregistré au piano seul, aidera à la mise en place du morceau avant le travail avec l'accompagnateur. Pour les exercices préliminaires à l'étude d'un morceau, on peut s'inspirer des 'exercices pour les débuts' qui figurent dans mon ouvrage Le Professeur de chant: un luthier qui construit une voix (référence: VV375) paru aux éditions Van de Velde. L'expérience prouve que toutes les pièces du recueil sont adoptées avec plaisir par les étudiants et suscitent des progrès sur le plan vocal et musical. Jacqueline Bonnardot / classique / Répertoire / Voix Moyenne et Piano
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Edward Elgar: Edward Haste Ye Feathered Songsters: Medium Voice: Vocal Work
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
Edward Haste Ye Feathered Songsters
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Cyril Scott: For A Dream's Sake-medium Voice/Piano (Key-b Flat): Medium Voice:
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
For A Dream's Sake-medium Voice/Piano (Key-b Flat)
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Cyril Scott: Afterday Op50 No.1-medium Voice/Piano (Key-b Flat): Medium Voice:
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
Afterday Op50 No.1-medium Voice/Piano (Key-b Flat)
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Cyril Scott: Looking Back-medium Voice/Piano (Key-e Flat): Medium Voice: Vocal
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
Looking Back-medium Voice/Piano (Key-e Flat)
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Schwanengesang D.957 / D.965a - Medium Voice: Vocal Album
Medium voice, Piano
Barenreiter
After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs b...
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After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs based on texts by Ludwig Rellstab and Heinrich Heine to the publisher Haslinger. Schubert had only composed them shortly before his death in August 1828. During his lifetime Schubert actually wanted to publish the two groups of Lieder separately. However the Heine and Rellstab songs are indeed closely related. Haslinger added a fourteenth Lied ?Die Taubenpost? based on a text by Johann Gabriel Seidl which Schubert had composed at the same time as ?Der Hirt auf dem Felsen? (D 965) one month before his death but which in no way bears any relation to the Rellstab and Heine Lieder. Thiscollection was published posthumously by Haslinger early in May 1829 and it was named Schwanengesang traditionally the term given to an artist?s last work before his death. This collection is here presented in an authoritative Barenreiter Urtext Edition for Medium Voice.Based on the Urtext of the ?New Schubert Edition?Foreword by Walther Dürr about the genesis and history of the works and the available sources for each individual Lied (Ger/Eng)English translations of the Lied texts by Richard Wigmore
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The Purcell Collection (PURCELL HENRY)
Medium voice, Piano
[Vocal Score]
Boosey and Hawkes
Realizations By Benjamin Britten. Par PURCELL HENRY. La comédie ' Le Beau mari...
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Realizations By Benjamin Britten. Par PURCELL HENRY. La comédie ' Le Beau marié ou l'Impertinent curieux ' par John Crowne est basé sur un épisode de la première partie du roman de Miguel Cervantes ' Don Quichotte '. Musique pour le théâtre de Purcell se compose de neuf mouvements. Trois mouvements, l'Air, l'Air de la trompette et mars, sont basés sur les arpèges de la triade (fanfares suite à la musique pour cuivres). Purcell montre les multiples possibilités offertes par ce matériel simple. Doit porter une attention spéciale à la ' Hornpipe sur un motif ' montrant une fois de plus l'habileté de Purcell pour combiner diverses formes avec l'autre./ Répertoire / Voix Moyenne ou Voix Basse et Piano
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Madeleine Dring: Dedications: Voice: Vocal Album
Medium voice, Piano
Thames Publishing
Dedications-This set includes To Daffodils To the Virgins (‘Gather ye ros...
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Dedications-This set includes To Daffodils To the Virgins (‘Gather ye rosebuds while ye may’) To The Willow Tree To Music and To Phillis in a changing palette of musical colours.Twentieth century English composer singer and actress Madeleine Dring wrote songs that frequently employed jazz chords in their accompaniment which has been compared in the US to Gershwin though these warmly lighthearted songs recall English baroque style in some of their Vocal lines and rhythms. The accompaniment is melodic and tonal with many subtle freedoms in the harmonies.
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Cyril Scott: The Watchman-medium Voice/Piano (Key-c): Medium Voice: Vocal Work
Medium voice, Piano
[Sheet music]
Novello & Co Ltd.
The Watchman-medium Voice/Piano (Key-c)
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Italian Art Songs of the Romantic Era: Vocal: Vocal Album
Medium voice, Piano
[Sheet music + CD]
Alfred Publishing
This volume offers a sampling of fourteen great vocal works from the Romantic er...
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This volume offers a sampling of fourteen great vocal works from the Romantic era for Medium and Low voice that have long been out of the common consciousness but not been entirely forgotten! Rossini and Donizetti among others wrote songs for everybody from prima donnas to amateurs each with an impressive sensitivity and depth. Editor and mezzo-soprano Patricia Atkins Chiti has drawn from her personal collection of songs many of which have been out of print for more than a century. Italian Art Songs of the Romantic Era contains fourteen fabulous songs a detailed foreword that introduces the Romantic era and the Romanze providing an excellentway for young singers to learn the style of major composers. There is carefully edited text and music an extensive background to each composer and each song translations and even phonetic pronunciation guides for Italian.
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May H. Brahe: Bless this House in B Flat: Medium Voice
Medium voice, Piano
Boosey and Hawkes
BLESS THIS HOUSELow Voice in B-FlatPublisher: Boosey
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Paton John Glenn - Mozart 12 Songs - Solo Voice (par 10 Minimum)
Medium voice, Piano
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Easy
Alfred Publishing
12 Songs by Wolfgang Amadeus Mozart with texts in Italian, French and German. ...
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12 Songs by Wolfgang Amadeus Mozart with texts in Italian, French and German. Mozart's brilliant piano technique and his intimate knowledge of beautiful singing is combined to create cameos of human psychology such as reverence, infatuation, humor, jealously, and playfulness, all in masterful songs. Includes word-by-word translations of the Italian, French, and German text as well as a translation into the International Phonetic Alphabet.
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Madeleine Dring: Seven Songs For Medium Voice: Medium Voice: Vocal Album
Medium voice, Piano
Thames Publishing
Seven Songs For Medium Voice-Madeleine Dring (1923-1977) was an English composer...
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Seven Songs For Medium Voice-Madeleine Dring (1923-1977) was an English composer and actress. She studied Violin Voice and Composition at the Royal College of Music where her teachers included Ralph Vaughan Williams Herbert Howells and Gordon Jacob. Her Vocal works were collected and posthumously published by Thames in the 1990s. Seven Songs for Medium Voice was published in 1993 as Dring Volume 4. It is a wonderful collection of songs with various compositional dates all scored for Medium Voice and Piano accompaniment.
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