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HARPSICHORD
Medium voice, Piano
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voix soprano, voix alto (2)
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WIND 5TET::Quintette · Vent (2)
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Two English Folksongs: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
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Intermediate
Thames Publishing
Two wonderful English Folksongs; I Will Give My Love An Apple and The Brisk Youn...
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Two wonderful English Folksongs; I Will Give My Love An Apple and The Brisk Young Widow beautifully arranged for Medium Voice and Piano accompaniment by Herbert Howells.
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
Medium voice, Piano
[Partitur]
Barenreiter
Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of th...
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Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104
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Hector Berlioz: Les nuits d'été for solo voice and orchestra: Medium Voice:
Medium voice, Piano
[Sheet music]
Barenreiter
op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orch...
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op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orchestra Op.7 Hol.81B . Version for medium voice. BA 5786-90: Vocal score voice & piano Berlioz composed these songs in 1840–41 between the composition of Roméo et Juliette and La damnation de Faust. The poems were taken from a collection entitled La comédie de la mort by Théophlie Gautier published in 1838. The songs were for mezzo-soprano or tenor with piano accompaniment and were published as a cycle under the title Les nuits d’été in 1841. The second and fourth songs Le spectre de la rose and Absence were performed a few times at that period and Absence was sung twice in February 1843 by Marie Recio on Berlioz’s first tour of Germany. For Marie who later became his second wife Berlioz at once orchestrated the song for mezzo-soprano and small orchestra. A dozen years later Berlioz orchestrated the remaining five songs of the cycle which appeared in its orchestral form in 1856. Two of these songs Le spectre de la rose and Sur les lagunes were now transposed to a lower key so that the cycle was no longer within the compass of a single voice. 1: Villanelle F major 2: Le spectre de la rose B major 3: Sur les lagunes F minor 4: Absence E-flat major 5: Au cimetière B-flat major 6: L’îsle inconnue D major Urtext of the New Berlioz Edition Full scores and parts available for hire (BA5786-72) English & German translations of the song texts printed sepatarely
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Frank Bridge: 3 Songs: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
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Intermediate/advanced
Thames Publishing
Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the secon...
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Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the second volume in a 30-volume series by The Frank Bridge Trust in association with Thames Publishing celebrating the works of Frank Bridge. This publication features the songs Far far from each other Where is it that our soul doth go? and Music when soft voices die and includes the score for Viola separately making the collaboration of the three musicians easier. The songs can be and often are performed together as a cycle but also work as short individual pieces. The first performance of the three songs in December 1908 marked a rareoccurrence as Frank Bridge played the Piano part himself. Far far from each other is the most ambitious of the three pieces for all three musicians. The words are excerpts from Matthew Arnold’s ‘Empedocles on Etna and Other Poems Parting’.Where is it that our soul doth go? is the shortest of the three songs and the words are a translation of the last stanza of Heinrich Heine’s Clarisse translated by K. F. Kroeker.While the first two songs are original settings Bridge first wrote Music when soft voices die for High Voice Piano and Cello in 1903. The present version was transcribed in 1907. Music when soft voices die the short poem providing the words for this piece is one of the most influential and well-known of Shelley’s works.Watch Three Songs performed by Rebecca Ringle (Mezzo-Soprano) Luke Fleming (Viola) and Roger Steptoe (Piano):
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Mario Castelnuovo-Tedesco: Vocalise-Étude: Medium Voice: Vocal Work
Medium voice, Piano
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. In the mid-1920s the young composer found a collection of prayers set to music among his maternal grandfather’s papers. Something clicked and from then on Jewish tradition would become a source of inspiration for Castelnuovo-Tedesco. In 1928 two years after publishing theDances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that several instrumental adaptations were soon created published under the title Chant hébraïque (for violin and piano: AL17 713; for cello and piano: AL 17196). Divided into three sections this wordless melody opens with a “sad and impassioned” chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows in which a “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note. The composer himself would adopt this proactive stance refusing to yield to resignation when fleeing Mussolini’s anti-Semitic laws he decided to emigrate in 1939 to the United States a land of refuge to which he would remain faithful until his death some thirty years later.
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Alexander Zemlinsky: Lieder Op.5 Book 2: Medium Voice: Mixed Songbook
Medium voice, Piano
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
This is the second of two volumes of songs from Opus 5 by Alexander Zemlinsky. F...
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This is the second of two volumes of songs from Opus 5 by Alexander Zemlinsky. For Medium voice and Piano Accompaniment.
10.99 GBP - Sold by Musicroom UK
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Alexander Zemlinsky: Lieder Op.5 Book 1: Medium Voice: Mixed Songbook
Medium voice, Piano
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
This is the first of two volumes of songs from Opus 5 by Alexander Zemlinsky. Fo...
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This is the first of two volumes of songs from Opus 5 by Alexander Zemlinsky. For Medium voice and Piano Accompaniment.
10.99 GBP - Sold by Musicroom UK
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Vocalizzi Nello Stile Moderno
Medium voice, Piano
Ricordi
Gathered in a unique volume, all the vocalises previously published in two antho...
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Gathered in a unique volume, all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice, medium voice, high voice) have been composed by very important composers of the Nineteenth century, like Alfano, Malipiero, Respighi, Casella, Pizzetti. - With piano accompaniment for each vocalise. / Voix Moyenne(s) Et Piano
19.71 EUR - Sold by LMI-partitions
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Schwanengesang D.957 / D.965a - Medium Voice: Vocal Album
Medium voice, Piano
Barenreiter
After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs b...
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After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs based on texts by Ludwig Rellstab and Heinrich Heine to the publisher Haslinger. Schubert had only composed them shortly before his death in August 1828. During his lifetime Schubert actually wanted to publish the two groups of Lieder separately. However the Heine and Rellstab songs are indeed closely related. Haslinger added a fourteenth Lied ?Die Taubenpost? based on a text by Johann Gabriel Seidl which Schubert had composed at the same time as ?Der Hirt auf dem Felsen? (D 965) one month before his death but which in no way bears any relation to the Rellstab and Heine Lieder. Thiscollection was published posthumously by Haslinger early in May 1829 and it was named Schwanengesang traditionally the term given to an artist?s last work before his death. This collection is here presented in an authoritative Barenreiter Urtext Edition for Medium Voice.Based on the Urtext of the ?New Schubert Edition?Foreword by Walther Dürr about the genesis and history of the works and the available sources for each individual Lied (Ger/Eng)English translations of the Lied texts by Richard Wigmore
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Joaquín Rodrigo: Cuatro Madrigales Amatorios: Medium Voice: Score
Medium voice, Piano
[Sheet music]
Chester
A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet P...
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A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet Percussion and Strings. Rodrigo's Cuatro Madrigales Amatorios was written for the soprano Lola Rodriguez Aragon who gave the first performancein the version for Voice and Piano on 4th Feburary 1948 accompanied on Piano by Victoria Kamhi.
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Aaron Copland: Old American Songs Complete (Medium Voice): Medium Voice: Backing
Medium voice, Piano
[Sheet music + CD]
Boosey and Hawkes
The two sets of Old American Songs are beloved standard vocal literature. Thi...
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The two sets of Old American Songs are beloved standard vocal literature. This edition combines both sets in one publication available for the first time with a CD of Piano accompaniments.
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Henry Purcell: Four Songs: Vocal: Vocal Album
Medium voice, Piano
Faber Music Limited
Thomas Adès made these four Purcell realisations for medium voice and piano f...
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Thomas Adès made these four Purcell realisations for medium voice and piano for recitals with the countertenor Iestyn Davies in 2012 and 2017. Four Songs is comprised of two of Purcellâ??s Tempest songs â??Come Unto these Yellow Sandsâ?? and â??Full Fathom Fiveâ?? alongside the much-loved â??An Evening Hymnâ?? and â??By Beauteous Softnessâ??. The whole collection lasts around 12 minutes. Adès described Purcellâ??s manner of setting English text as â??magnificentâ?? remarking that â??the way that emotion the rhythm of the words is rendered into music is incomparably natural and powerful.â?? All of these qualities are brought to the fore in these realisations which should prove an invaluableaddition to the repertoire.
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Twenty-four Italian Songs And Arias Of The 17th And 18th Centuries M - Voice
Medium voice, Piano
[CD]
Schirmer
Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centurie...
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Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium Low Voice (CD) A standard in teaching literature, now available with both accompaniment cassette or CD. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]
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Alexander Porfiryevich Borodin: Recueil de Romances - Low/Middle Voice: Medium
Medium voice, Piano
Forberg
Collection of Romances-New edition of four songs by Russian composer Alexander B...
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Collection of Romances-New edition of four songs by Russian composer Alexander Borodin. The songs were first published by Rob. Forberg. Includes original Russian text French singing text from the period and translations to English and German. Available for high voice (three songs in original key) and low/middle voice (two songs in original key). New engraving.
9.99 GBP - Sold by Musicroom UK
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Pierne: 3 Chansons De Metiers: Medium Voice: Score
Medium voice, Piano
[Sheet music]
Heugel
Voix Moyennes Et Piano-Recueil-Gabriel Pierné (1863-1937) was a French composer...
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Voix Moyennes Et Piano-Recueil-Gabriel Pierné (1863-1937) was a French composer conductor and organist. Despite being predominantly remembered as a conductor his Trois Chansons De Métiers remains a recognised piece in the Vocal repertoire. Pierné studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series Concerts Colonne in 1910. He remained in the post until 1933 and during this time he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierné composed for a variety of instruments. Trois Chansons DeMétiers is arranged for two vocal groups and contains many characteristics typical of the French style such as lyrical melodies a significant amount performance directions flourishes of semiquavers chromaticism and many changes in dynamics. Trois Chansons De Métiers 1) The Tailor 2) The Shoemakers and 3) The Rope Maker is a varied piece essential to the repertoire of aspiring choristers.
17.99 GBP - Sold by Musicroom UK
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Finzi Gerald - Collected Songs - Medium/low Voice And Piano
Medium voice, Piano
Schott
54 Lieder Content : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Be...
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54 Lieder Content : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Before and after Summer - The Self-unseeing - Overlooking the River - Channel Firing - In the Mind's Eye - The Too Short Time - Epeisodia - Amabel - He Abjures Love EARTH AND AIR AND RAIN: Summer Schemes - When I set out for Lyonnesse - Waiting for Both - The Phantom - So I have fared - Rollicum-Rorum - To Lizbie - The Clock of the Years - In a Churchyard - Proud Songsters I SAID TO LOVE: I need not go - At Middle-Field Gate in February - Two Lips - In five-score - Summers - For Life I had never cared greatly - I said to Love LET US GARLANDS BRING: Come away, come away, death - Who is Sylvia? - Fear no more the heat o' the sun - O Mistress Mine - It was a lover and his lass LOVE'S LABOUR'S LOST: Songs for Heims and Ver (Song for Moth) - Riddle Song - False Colcolinel OH FAIR TO SEE: I say I'll seek her - Oh fair to see - As I lay in the early sun - Only the wanderer - To Joy - Harvest - Since we loved TILL EARTH OUTWEARS: Let me enjoy the earth - In years defaced - The Market-Girl - I look into my glass - It never looks like summer - At a lunar Eclipse - Life Laughs Onward TO A POET: To a Poet a Thousand Years Hence - On Parent Knees - Intrada - The Birthnight - June on Castle Hill - Ode on the rejection of St. Cecelia
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Herbert Howells: Garland For De La Mare: Voice: Vocal Album
Medium voice, Piano
Thames Publishing
The songs of A Garland for de la Mare are vintage Howells in their refinement ...
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The songs of A Garland for de la Mare are vintage Howells in their refinement harmonic subtleties and dreamlike quality. And although the cover says that there are ten songs in this set the songbook comprises thirteen songs including two versions of Before Dawn.Herbert Howells is a giant of 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. He was a sensitive composer for Voice and among the very best of his songs are these settings of verses by Walter de la Mare a personal friend. Howells had frequently discussed the publication of A Garden for de la Mare with Christopher Palmer (author of the major study ofthe composer’s life) but Palmer died prior to publication and Michael Pilkington saw the project through to completion.
13.99 GBP - Sold by Musicroom UK
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3 Chansons De Metiers (PIERNE)
Medium voice, Piano
Heugel
Voix Moyennes Et Piano-Recueil. Par PIERNE. Gabriel Pierne (1863-1937) was a Fre...
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Voix Moyennes Et Piano-Recueil. Par PIERNE. Gabriel Pierne (1863-1937) was a French composer, conductor and organist. Despite being predominantly remembered as a conductor, his Trois Chansons De Metiers remains a recognised piece in the Vocal repertoire. Pierne studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series, Concerts Colonne in 1910. He remained in the post until 1933, and during this time, he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierne composed for a variety of instruments. Trois Chansons DeMetiers is arranged for two vocal groups and contains many characteristics typical of the French style, such as lyrical melodies, a significant amount performance directions, flourishes of semiquavers, chromaticism and many changes in dynamics. Trois Chansons De Metiers, 1) The Tailor, 2) The Shoemakers, and 3) The Rope Maker, is a varied piece, essential to the repertoire of aspiring choristers./ Répertoire / Voix Moyennes et Piano
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Posthumous Songs Band 2 (KORNGOLD ERICH WOLFGANG)
Medium voice, Piano
Schott
First Edition. Par KORNGOLD ERICH WOLFGANG. Following the success of the first v...
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First Edition. Par KORNGOLD ERICH WOLFGANG. Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood./ Répertoire / Voix Moyenne et Piano
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Carl Nielsen: Two Songs From 'Ulvens Son': Medium Voice: Instrumental Work
Medium voice, Piano
[Sheet music]
Wilhelm Hansen
For Medium Voice and Piano.
6.99 GBP - Sold by Musicroom UK
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Roy Teed: Two Songs: Medium Voice: Instrumental Work
Medium voice, Piano
[Vocal Score]
Chester
For Medium Voice and Piano setting the words of Bill Adams and James Kirkup.
6.99 GBP - Sold by Musicroom UK
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Jean Sibelius: Six Songs Op.88 No.2- The Two Roses: Medium Voice: Single Sheet
Medium voice, Piano
[Sheet music]
Wilhelm Hansen
For Medium Voice and Piano. Text: Frans Michael Franzén
4.99 GBP - Sold by Musicroom UK
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Simple Melodies Op. 76 Heft 5 (Nr. 44-51) (REGER MAX)
Medium voice, Piano
[Sheet music]
Bote and Bock
Par REGER MAX. Aus Der Kinderwelt/ Répertoire / Voix Moyennes et Piano
11.10 EUR - Sold by LMI-partitions
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Art Of Song 2
Medium voice, Piano
[Sheet music]
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Easy
Peters
/ Mezzo-Soprano Et Piano
22.05 EUR - Sold by LMI-partitions
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Aprèslude Op. 57
Medium voice, Piano
Bote and Bock
/ Voix Moyenne(s) Et Piano
13.40 EUR - Sold by LMI-partitions
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