SKU: HL.51485163
ISBN 9790201851631. UPC: 884088181727. 6.75x9.5 inches.
SKU: HL.49010050
ISBN 9790200205091. 5.25x7.5x0.167 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.14011919
ISBN 9788759878644. English-Danish.
Orchestration: 3(pic)(afl).2+ca.1+2bcl.2+cbn/4.3.3.1/timp.2perc/hp/pf/strParts are for hire: hire@ewh.dkProgramnote Hush er et studie i morke og lys, kold og varm lyd. Jeg har ogsa i dette stykke forsogt at introducere staerke folelsesmaessige udtryk, ved brug af instrumentale farver og tonale virkemidler. Titlen Hush er forbundet med et slags indre digt jeg har haft i tankerne medens jeg komponerede. Da jeg jo ikke er digter i ord, er det ufuldstaendigt og utilstraekkeligt i sin form, men derfor alligevel meget godt beskrivende for stykkets vaesen. Det lyder nogenlunde sadan her i mit hoved:Hush little heart- hush.!!was time running too fast or did the hours sometimesseem long?,Were your beats too many or were they too few in the end?Hush little heart- hushdid you see too little or did you sometimes see too much?,was life too small or was it sometimes larger than life?was your thirst quenched or did you end up drained?hush, hush, little heart- hush!!,Don't be afraid, maybe you knew all the time:that one day you would have to be still-or maybe you didn't?Is that why you were beating so fast?hush, hush little heart-hush,- be comforted, 'cause even as you feel so small Your very existence is strange and beautiful - so, hush, hush, be comforted, be still my beating heart.
SKU: AP.41194S
UPC: 038081478739. English.
Celebrate 75 years of wizarding! We're Off to See the Wizard, If I Only Had a Brain (A Heart, the Nerve), Ding Dong! The Witch Is Dead, and Over the Rainbow will delight all generations. This title is available in MakeMusic Cloud.
SKU: BR.PB-5522-07
ISBN 9790004212530. 6.5 x 9 inches.
To all extents and purposes, Germany is the land of artists, wrote Felix Mendelssohn Bartholdy in 1831 while on his travels in Italy; but Italy, he added, is the land of art. Indeed, everywhere he went in Italy, the 22-year-old composer found impulses for his symphony: I have to save the work until I have seen Naples. But although the country fired his inspiration: It will be the merriest piece that I have ever written, he did not actually write the Italian Symphony there. This did not occur until early 1833, when Mendelssohn obtained a commission from London, where he then conducted the first performance in May 1833. Begun the following year, his revision of the piece remained fragmentary, and the composer no longer performed the work himself. The familiar London version thus represents the only closed form of the work which the composer presented to the public. This is the version of the Italian Symphony that is now appearing in the Breitkopf Urtext collection based on the Complete Edition.
SKU: SU.32040110
2,1 2,1 2,1 2; 4331; timp, 2perc, cel; stgs Duration: 8' Composed: 2012 Published by: Amy Mills Music, LLC Creative setting of 3 carols: O Come O Come Emanuel intertwined with Ma Navu Ding Dong Merrily on High with bells, glock, chimes Angels We Have Heard on High with charming mixed meter Majestic recap of Rejoice section of O Come O Come Emanuel Maestro Harvey Felder, after the premiere with the Tacoma Symphony: The thing that I really appreciated about your Christmas Angels and Bells was the skillful and artistic writing. As you know, holiday music typically offers little or no musical depth, which leads to a less than enthusiastic reaction from the orchestra. Your piece offered a level of musical sophistication worthy of a professional symphony while still creating a festive holiday spirit. The orchestra and I enjoyed having the opportunity to dig into something substantive yet fun on our holiday concert. See composer website for audio sample. Performance materials available on rental only:.
SKU: HL.49009584
ISBN 9790200211009. UPC: 073999596618. 5.25x7.5x0.36 inches.
SKU: BR.PB-5585
ISBN 9790004213957. 10 x 12.5 inches.
Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.On Lemminkainen's Return Sibelius commented: I would like to see more pride in us Finns. Why should we be ashamed? This is the underlying thought in Lemminkainen's Return. Lemminkainen is just as good as the noblest of earls. He is an aristocrat, without question an aristocrat!.
SKU: BR.PB-5583
ISBN 9790004213933. 10 x 12.5 inches.
Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as The Swan of Tuonela. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.
SKU: BR.PB-5584
ISBN 9790004213940. 10 x 12.5 inches.
Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.Sibelius said about Lemminkainen in Tuonela: The cradle song at the end of the work is maternal love, which rakes the pieces of Lemminkainen together from the River Tuonela..
SKU: BR.PB-5582
ISBN 9790004213926. 10 x 12.5 inches.
Little is known about the actual composition process of Lemminkainen, and the performance and publication history is rather complex, resulting in a first complete printing of all four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.A critic opined on Lemminkainen and the Maidens on the Island: We do not hesitate to award this tone painting of Lemminkainen's erotic emotional world the first prize among all the young composer's works..
SKU: PR.11641867S
UPC: 680160683208.
Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.
SKU: HL.48187751
UPC: 888680868031. 5.5x7.5x0.208 inches.
Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the <I>Symphony No.24 In B Flat K.182, and the second was the Symphony No.25 in G Minor K.183<BR><BR>This symphony was one of two which Mozart composed in a minor key ? the other being the Symphony No.40 in G Minor K.550</I>. The latter can be identified with some of Mozart?s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s ? among others were composed by Vanhal, Ordonez, and Joseph Haydn.Available here is the study score for one of Mozart?s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183</I>. This score is ideal for study and perusal usage..
SKU: HL.49015261
ISBN 9790001075091. 9.25x12.0x0.305 inches.
3 (3. auch Picc.) * 3 (2., 3. auch Ob. d'am.) * 3 (3. auch Bassklar.) * Altsax. (auch Sopransax.) * 3 (3. auch Kfg.) - 2 * 2 (auch Cornett in B) * 2 * 1 - P. (1 Spieler) S. (2 Beck. * 3 hg. Beck. * Tamb. * Trgl. * Hi-Hat * 3 Tomt. * Ruhrtr. * kl. Tr. * gr. Tr. * Holztr. * Ratsche * Peitsche * Schuttelrohr * Mar. * Kuhgl. * Gurke * Kast. * Clav. * Glsp. * Vibr.) (5 Spieler) - Git. (auch E-Git.) * Mand. * Hfe. * Klav. (auch Cemb.) * Glasharfe (Cel.) * Zimbal - Str. (7 * 7 * 6 * 5 * 4).
SKU: PR.41641203L
UPC: 680160639533. 11x14 inches.
El eanor’s Gift honors Eleanor Roosevelt’s tireless efforts in advancing recognition of individuals’rights and freedoms, commissioned for the 50th anniversary of the acceptance by the 48 nations of theUniversal Declaration of Human Rights. The composer was written: In the concerto, I express my deepsympathy for the people, especially for the women who have suffered or are suffering from violence and illtreatment, who don’t have the rights and.
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