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HARPSICHORD
Organ
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Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
Organ
[Sheet music]
Wilhelm Hansen
STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write f...
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STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ.Once I had finished STILL. LEBEN I didn't think I had achieved what I was looking for. True the two movements did not involve odd things but 'handy' isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more.And since I didn't think that was enough either I wrote the really simple pieces under the title IN TRIPLUM.Thethree series (eight pieces in all 2 + 3 + 3) sound very different but they all take their point of departure from the nature and tonal resources ofthe organ.Everywhere there is polyrhythm or hierarchical layering polychromaticism diatonics and melody (the last of these only sparingly and in some of the movements).Pelle Gudmundsen-Holmgreen
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Gliozzi M./ Simon D. - L'orgue Aux Milles Saveurs Vol.3
Français
Organ
Editions Buissonnieres
Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou ...
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Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires
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Broadway Classics: Organ: Instrumental Album
Organ
Hal Leonard
25 classics from the Great White Way made easy for organists to play! Includes:...
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25 classics from the Great White Way made easy for organists to play! Includes: Bali Ha'i - Bewitched - Cabaret - Climb Ev'ry Mountain - Day by Day - Do-Re-Mi - Edelweiss - Hello Young Lovers - How Are Things in Glocca Morra - I Whistle a Happy Tune - Just in Time - The Lady Is a Tramp - Mr. Wonderful - Oklahoma - On the Street Where You Live - People - Thank Heaven for Little Girls - Wunderbar - and more.
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L'Orgue Aux Mille Saveurs Vol.1
Français
Organ
Editions Buissonnieres
Né d'une passion commune pour la pédagogie et du constat que nos élèves sont...
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Né d'une passion commune pour la pédagogie et du constat que nos élèves sont de plus en plus jeunes, ce recueil écrit par Marta Gliozzi et damien Simon propose une découverte de l'orgue renouvelée. Différentes sections ont été conçues pour que chacun puisse aborder la musique et l'orgue sous divers angles, sans ordre de priorité : écriture classique, musique graphique, improvisation, jeux rythmiques et aussi quelques amusements et éléments historiques.Marta Gliozzi et Damien Simon ont composé cette méthode basée sur leur expérience de professeur de conservatoire, proposant ainsi aux débutants un apprentissage progessif, varié et ludique basé sur une grande variété de partitions simples ou adaptées aux débutants. / Orgue
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Great Fugues For Organ
Organ
Hal Leonard
Un style qui repose sur le contrepoint, ou l'interaction de deux ou plusieurs mo...
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Un style qui repose sur le contrepoint, ou l'interaction de deux ou plusieurs motifs, la fugue a captivé les auditeurs pendant des siècles.Cette collection originale propose une grande variété de pièces de grande époque de la fugue à l'époque baroque ainsi que d'autres époques, chacune créé par un maître du genre. Avec des oeuvres de Bach, Buxtehude, Brahms, Schumann et d'autres, tous ensemble ici pour orgue solo. / Orgue
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Symphonie N06 Op. 42 (WIDOR CHARLES-MARIE)
Organ
[Sheet music]
Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No....
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Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saë ns at the Organ of La Madeleine, and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupre. Followingthe death of Cesar Franck in 1890, it was Widor who was requested to direct Organ studies at the Paris Conservatoire, and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works, but it is above all his Organ music that is most performed today./ Répertoire / Orgue
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Charles-Marie Widor: Symphonie For Organ No.6 Op.42 No.2: Organ: Instrumental
Organ
Hamelle
Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Wido...
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Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Widor (b. Lyons 1844 d. Paris 1937) first began his studies in his hometown but later pursued them in Brussels taking lessons with Nicolas-Jacques Lemmens on the Organ and composition lessons with François-Joseph Fétis. In 1868 he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saëns at the Organ of La Madeleine and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupré. Followingthe death of César Franck in 1890 it was Widor who was requested to direct Organ studies at the Paris Conservatoire and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works but it is above all his Organ music that is most performed today.
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Ralph Vaughan Williams: A Vaughan Williams Organ Album: Organ: Instrumental
Organ
Oxford Univertsity Press
This album contains the best of Vaughan Williams' short pieces for Organ.
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Organ and Keyboard Music of the Imperial Court Chapel Vienna, 1500 - 1700
Organ
[Sheet music]
-
Easy
Barenreiter
Austria ?s imperial court chapel was active far beyond the confines of Vienna . ...
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Austria ?s imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .
This volume consists entirely of première publications from the ?uvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.
Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.
- Easy to moderately difficult organ music for church or concert use
- Previously unpublished music from the heyday of Austria ?s imperial court chapel
- Contains the première publication of a piece by Froberger / Classique / Partition /
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Jesper Madsen: Prætorius-Variationer: Organ: Instrumental Work
Organ
Wilhelm Hansen
Organ-The Prætorius-variationer dedicated to the organist Helge Gramstrup was...
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Organ-The Prætorius-variationer dedicated to the organist Helge Gramstrup was composed by the Danish organist and composer Jesper Madsen (1957-1999). The work subtitled ‘Variations on a Motet by Michael Prætorius Højlovet være Kongen skøn 1609’ is his largest for Organ. The theme is presented in Prætorius’ own arrangement. Variation 1 has a rhapsodic improvisatory feel; Variation 2 that of a fast movement from a Bach Trio Sonata. Variation 3 is a slow siciliano and Variation 4’s wispy scherzando complements the meditative Variation 5. Variation 6 marked Finale starts majestically butsoon evolves into a French-style toccata with the melody on the pedal reeds. The work culminates in a triumphant arrangement of the original theme. A review in the July/August issue of Choir and Organ magazine calls this work 'very approachable' and a 'very useful recital piece although it's trickier than it looks.'
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Fanfare For Nottingham
Organ
Schott
Né à Beyrouth et formé au Conservatoire de Paris, l'organiste et compositeur ...
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Né à Beyrouth et formé au Conservatoire de Paris, l'organiste et compositeur Naji Hakim (né en 1955) a remporté de nombreux prix à la fois comme créateur et comme un artiste. Après avoir travaillé comme organiste à Paris depuis de nombreuses années, par exemple en tant que successeur d'Olivier Messiaen à La Trinité, il a été compositeur en résidence à la Royal Academy of Music de Londres depuis 2004. Pour le 100e anniversaire de l'organe Binns à l'Albert Hall à Nottingham, il a été chargé d'écrire 'Fanfare pour Nottingham. Le compositeur a conçu une oeuvre comme 'une série de variations libres et énergique sur la mélodie de l'hymne ' Nottingham 'qui accompagne une procession joyeuse' - il est devenu une oeuvre hymnique et efficace, un atout précieux pour le répertoire d'orgue. / Orgue
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Johann Sebastian Bach: Complete Organ Works - Volume 4: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - ...
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Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - Toccatas (And Fugues) contains the famous D-minor Toccata BWV 565. The editor of this volume the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707 this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments fingerings and a closing cadenza; this version is printed in the Appendix.The enclosed CD-ROM* contains early versions further ornamented versions and pieces that can clearly no longer be attributed to Bach.*Important Note for MAC usersThe version of the Edirom program delivered on CD can only run on Apple computers under the current operating system Mac OS X 10.6 (Snow Leopard).The installation of the Bach volume on Intel-based 64-bit-capable processors with Mac OS X 10.5 (Leopard) systems is only possible with an update which you can download here (c. 150 KB).Due to outdated Java versions older operating systems (Mac OS X 10.4 Tiger) unfortunately cannot be supported.
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Handel - The King Shall Rejoice Saatbb - Satb
Organ
[Vocal Score]
-
Intermediate
Schirmer
Description For the occasion of the coronation of King George II and Queen Ca...
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Description For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem No. 2 ('The King Shall Rejoice'), although less well-known than Anthem No. 1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous; a grandiose setting of 'Glory and great worship hast thou laid upon him'; and a lively fugal Alleluia as a conclusion. For six-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by William Herrman. Songlist The King Shall Rejoice
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Selected Organ Works, Vol.1-10
Organ
Barenreiter
Les éditions Bärenreiter sont les détentrices des droits de la partition Sele...
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Les éditions Bärenreiter sont les détentrices des droits de la partition Selected Organ Works, Volume 1-10 de Pachelbel Johann qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Kaller Ernst - Organ Method Band 1 - Organ
Organ
Schott
Instrument : organ Nombre de Pages : 62 This School of Organ Playing presuppose...
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Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal
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Gospel Treasures: Organ: Instrumental Album
Organ
Hal Leonard
35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Gro...
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35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Ground' 'I Love to Tell the Story' 'In the Garden' 'Just a Closer Walk with Thee' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Precious Memories' 'Rock of Ages' 'Shall We Gather at the River?' 'Sweet By and By' 'What a Friend We Have in Jesus' 'Whispering Hope' 'Wonderful Peace ' and many more.
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A Bouquet of Service Pieces for Organ: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
A collection of useful service music that is rewarding to the pianist-turned org...
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A collection of useful service music that is rewarding to the pianist-turned organist as well as the more technically proficient and of course to those who worship. Written on the two-stave format.Contents:1. Morning Song2. In Heavenly Love Abiding3. Jesus Thou Joy Of Loving Hearts ('Rockingham')4. I Will Sing Unto The Lord5. Berceuse6. Cortege Nuptial7. Arietta8. Fanfare9. Meditation10. The Lord My Pasture Will Prepare ('St. Petersburg')11. The Faithful Shepherd12. Elegy13. Upon The Cross Of Calvary ('Marian')14. Alleluia15. What A Friend We Have In Jesus ('Friend')16. Rise Up O Men Of God ('Festal Song')17. On Wings Of Hope18. Postlude For A Festive Occasion19. Great God To Thee My Evening Song ('Hazel')20. Eventide
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COMPLETE ORGAN WORKS - VOLUME 9 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a s...
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Par BACH JOHANN SEBASTIAN. The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach?s authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes? text sections. The situation of the chorale partitas is not quite so dramatic, whereby these holdings also had to be subdivided for reasons of transmission into mainsection, appendix, and online presentation. The so called ?Neumeister-Choräle? are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ?Neumeister-Sammlung? should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. / Date parution : 2021-11-25/ Recueil / Orgue
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Lee Hastings Bristol Jr.: The Bristol Collection - Volume 2: Organ: Instrumental
Organ
[Sheet music]
-
Intermediate
Shawnee Press
The Bristol Collection - Volume 2 presents a second smashing collection of conte...
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The Bristol Collection - Volume 2 presents a second smashing collection of contemporary Hymn Tune Preludes for Organ. Edited by Lee Hastings Bristol Junior this volume includes nine preludes by composers from both sides of the Atlantic. These are perennial favourites with the average organist that reflect many moods and lend themselves to wide variety of styles.
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Wedding Music for Organ
Organ
[Sheet music]
Kevin Mayhew
20 Perfect Pieces for Perfect Days. Par . Wedding Music for Organ is a stunning ...
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20 Perfect Pieces for Perfect Days. Par . Wedding Music for Organ is a stunning collection of 20 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for intermediate-level organists, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Organ is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue
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Wedding Music for Manuals
Organ
[Sheet music]
Kevin Mayhew
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunnin...
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25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunning and player-friendly collection of 25 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for manuals, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Manuals is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue
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John Marson: The Book of the Harp: Organ: Instrumental Reference
Organ
Kevin Mayhew
With more enthusiasts than ever since its heyday the Harp is an instrument whic...
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With more enthusiasts than ever since its heyday the Harp is an instrument which has successfully demonstrated its staying power and its important role both in music and beyond! John Marson’s Book of the Harp is a uniqueand definitive work distilled from a wealth of experience: a lifetime's study and research and an outstanding professional career. He traces the development of the harp from its earliest origins thousands of years B.C. to theinvention of the pedal harp in the eighteenth century and the harps of the twenty first century. He examines the writings of many forgotten exponents of the harp including inventors players and composers and provides a fullycomprehensive view of every model make and modification to the present day!The Book of the Harp is a rich source of information entertainment and anecdote on everything from strings tuning principles offingering and tone production historical influences designs techniques and methods to the harp's literary associations and those with the theatre and cinema its Celtic and religious symbolism virtuoso players and itsappearance in the poetry of Milton and novels of Jane Austen. Both historical and practical The Book of the Harp is an authoritative source of entertainment and a fascinating study for student professionalmusician and interested reader alike. John Marson has enjoyed a glittering career during which he has been principal harpist of the London Symphony Orchestra the BBC Symphony Orchestra Professor of Harp at the Royal College ofMusic and soloist and freelance.
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Blues And Rock Techniques For Hammond Organ: Organ: Instrumental Tutor
Organ
[DVD]
-
Intermediate
Hal Leonard
Celebrated Rock organ player David Bennett Cohen along with his band give you ...
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Celebrated Rock organ player David Bennett Cohen along with his band give you the secrets to making your Hammond wail and rock! Working with the Hammond B-3 Cohen shows you how to adapt the Organ's controls and really get the instrument grooving. You will discover the hottest riffs licks bass lines and turnarounds to illuminate everything from shuffles to Funk grooves and Blues ballads. Cohen also gives you a detailed guide to the presets draw bars percussion tablets vibrato switches and other devices that will help you boogies come alive with colour and tone.
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Anthology Ez Play Today Orgue (PRESLEY ELVIS)
Organ
[Sheet music]
Hal Leonard
Par PRESLEY ELVIS. A Comprehensive Collection Of 59 Songs / Rép International ...
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Par PRESLEY ELVIS. A Comprehensive Collection Of 59 Songs / Rép International / Recueil / Orgue
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Johann Crueger: Now Thank We All Our God - Instrumentation: Organ: Parts
Organ
Hinshaw Music Inc.
Brass and Percussion Parts-Contents: 1. All People That On Earth Do Dwell-Inst ...
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Brass and Percussion Parts-Contents: 1. All People That On Earth Do Dwell-Inst (Hmb140p): 4tpt 3tbn Btbn Timp And Cymbal.2. Praise The Lord! Ye Heavens Adore Him-Inst (Hmb140l): 4tpt 3tbn And Btbn.3. Now Thank We All Our God (Hmc1227)-Inst (Hmb140t): 3tpt 2tbn Btbn And Timp.4. The Lord Will Come-Inst (Hmb140c): 4tpt 3tbn Btbn And Timp.5. A Mighty Fortress Is Our God-Inst (Hmb140f): 4tpt 2tbn Btbn Timp And Cymbal.6. Ye Holy Angels Bright-Inst (Hmb140a): 4tpt 3tbn Btbn And Timp.7. O Sacred Head Now Wounded-Inst (Hmb140h): 4tpt 3tbn BtbnAnd Timp.8. O God Our Help In Ages Past-Inst (Hmb140g): 4tpt 2tbn BtbnTimp And Cymbal.
40.50 GBP - Sold by Musicroom UK
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