Following on from the bestselling ‘50 Baroque Fillers’ here is another collection of easy baroque favourites designed to fill the gaps which occur in liturgical worship. All have optional cuts and many have been shortened toreduce them to the appropriate length.

30 pieces for small Organ Op.18 No.1 and Organ Sonata Op.18 No.2. Hugo Distler studied Organ with Günther Ramin and composition with Hermann Grabner in Leipzig. He then worked as cantor and organist at St. Jacobi in Lübeck and taught composition and organ at the Stuttgart Musikhochschule from 1937 onwards. In 1940 he took up the same position at the Berlin Musikhochschule and also became director of the Berlin Cathedral Choir in 1941. Considerably influenced by the Lübeck Stellwagen Organ at St. Jacobi he championed the characteristic pre-Baroque and Baroque sound of the Organ and the forms which best suited it. His stylisticpreference was for a specifically neo-Baroque functional-objective type of sound. This 3-volume critical edition with previously unpublished works includes the forewords of the first editions facsimiles a critical commentary for each volume as well as a list of sources. - First Urtext edition of Hugo Distler’s Organ works. - Includes previously unpublished works. - Reflects the latest state of research. - Detailed foreword critical commentary (Ger/Eng) facsimiles and tips on performance practice.

Baroque And Classical Period. Par LAUKVIK. Volume 1 is organized into two main sections: Part A treats general technical and musical principles, while Part B explores the stylistic differences of interpretation between music of the early and high Baroque eras, the organ music of J. S. Bach and the late Baroque, as well as the organ music of the Classic era. The enclosed volume of music contains a selection of the works referred to in the book. Jon Laukvik’s Historical Performance Practice in Organ Playing has become a standard work. It is addressed to organists who wish to integrate the latest knowledge of historical performance practice into their playing today. The insights of this three-volume series are the resultof practical and scholarly research which present to the performer in a detailed, easily understandable form a precise view of the customs and goals of performance in previous eras. These volumes are directed not only to organists, but also to organ teachers who are looking for a guide for use in their instruction./ Répertoire / Orgue

10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles which adds new sounds to the purely Baroque repertoire.With works by José Blasco de Nebra Francisco Correa de Arauxo Antonio de Cabezón Pedro de Araujo and new compositions by Guy Bovet Michael Kapsner Pavel Klimashevsky Zsigmond Szathmáry and Alfred Müller-Kranich.The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrumentfrom the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.Certain specifications had to be taken into account: e. g. a limited pitch range half stops for treble and bass registers the short octave as well as a mean-tone temperament. In addition each composition is based on a work of the Iberian organ literature; sometimes the work found its way into the new composition sometimes it only served as an inspiration.The pieces can also be played on a modern organ although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles the resulting collection adds new sounds to the purely Baroque repertoire.

This collection of baroque organ pieces is an excellent source of repertoire for any organist. Mr. Purvis has brought together works by Bach Arne d'Andrieu and Rameau. Each piece has its own characteristic but all have that same baroque style and flair.

Par ROBERDAY FRANCOIS / FERRARD. French Baroque organist and composer, François Roberday (1624-1680) is best known today for his Fugues And Caprices collected and published in a superb volume by Le Pupitre. Roberday 's Fugues And Caprices are four-part contrapuntal Organ pieces. Each Fugue is paired with a Caprice on the same subject, and with an exciting 12 Fugues and Caprices included in the collection, Roberday 's compositions cannot be missed. Moreover, with a preface in English, French and German, Fugues And Caprices are essential to the repertoire of all Baroque organists./ Répertoire / Orgue

This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.

für die Silbermann-Orgel in der St. Georgenkirche Rötha-The composition ?Silberklänge? was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig. The composer noted: ?During my first visit to the Georgenkirche in Rötha I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721) the endless variety of possible timbre combinations the stellar acoustics of the church and the historic atmosphere which shaped and tamed my musical thoughts transporting me into my very own ?baroque? world.? This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with differentregistration possibilities will open up a new spectrum of possible timbres.

Here is the keenly-awaited sequel to David Sanger's Beginner's Tutor Play The Organ. Volume two continues the course of study commenced and can be used to equal advantage by those who began with the first volume and those who already have a basic keyboard facility and music reading ability. Manual-playing pedalling co-ordination national styles of Baroque organ playing and hymn playing techniques are all subjects dealt with in depth. Advice on registration improvisation plus exercises and studies and over sixty pieces.

From 1772 onward Mozart wrote 17 short single movement works called Epistle Sonatas designed to be played in the Eucharist service between the Epistle and the Gospel. The Epistle Sonata in C (K.336) was the last of these written in 1780. Shortly afterwards the Archbishop decreed that a motet or hymn should be sung instead and they fell into disuse. The Epistle Sonata in C was originally scored for two Violins Basso Continuo and Baroque Organ. It has been arranged for solo Organ (with pedals) by Nigel Davison.

The 32 pieces in this anthology have all been specially chosen by Robert Gower because they have a touch of grandeur and are guaranteed to make a striking impression on any audience or congregation! Given such an inclusive interpretation of ceremonial the contents cover a range of moods and periods from baroque to contemporary from stately to extrovert from major-key exuberance to minor-key gravitas. All the pieces are immediately attractive and accessible both to the player and to the listener and virtually all the works here will be popular at weddings as voluntaries or for recitals. With a few exceptions most of the music is not difficult and hasbeen wonderfully set here for Organ Manuals and Pedals. Alongside established favourites by Handel Elgar Boellmann Mendelssohn and Purcell there are contemporary pieces by Francis Jackson Herbert Sumsion Grayston Ives Bob Chilcott and John Madden. You will soon find this volume proving to be an essential addition to the organist’s library.

This volume contains all 71 of the German composer's works for organ including 25 toccatas 8 fantasias 6 canzonas 18 capriccios and 14 ricercares. The music recalls Froberger's teacher the Italian composer Girolamo Frescobaldi offering grand visions of the late Baroque. Since the scores do not include pedal indications they are also appropriate for the piano or harpsichord.Reprint of works from Denkmäler der Tonkunst in Österreich Artaria Vienna.

Selecting music from the baroque classical and romantic periods Diane Bish has arranged this collection of 20 classical favorites for the organ. Some titles include ?Alleluia? from ?Christmas Oratorio?by Camille Saint-Saens ?Echo Noel? by Louis Claude D'Aquin ?Glory to God in the Highest? by Giovanni Battista Pergolesi and Handel's ?Hallelujah Chorus.? Spiral bound.

Par RINCK JOHANN CHRISTIAN HEINRICH. Rinck’s organ works were oriented toward the needs of the church music of this time, when short and relatively simple pieces were required. This genre of music is exemplified by the Chorale Preludes op. 105, most of which occupy only one printed page, and which are reminiscent of Bach’s Orgelbüchlein. With his imaginative pieces Rinck successfully created a transitional style between baroque linear organ artistry and the sensibility of classicism and early romanticism./ Répertoire / Orgue