Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

From best-selling author, John O'Neill, The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation techniques of breathing, embouchure, tone production, and tonguing required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks, available as free downloads, feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy, and perfectly complements the Jazz Method for Saxophone. By the end of the method you will be able to:- understand the fundamentals of good playing technique- have explored the full range of the instrument- be familiar with the most common rhythms- have a solid grounding in music theory- have the confidence to play with a real band in many different styles / Alto Saxophone

Par MARIENTHAL ERIC. Jam with Eric Marienthal These books are written to help improve improvising skills. They offer the opportunity to practice soloing with a band at your convenience witha collection of solos written over a series of different chord changes and styles such as straight-ahead jazz, funk, swing, R&B, Latin, blues and more. Giving more than just chord scales, each book gives an actual idea to base your solos around. Each track on the CD has a short version to match the length of the transcribed solo (as played by Eric) and a long version (without the solo) to improvise over. In this way you can study Eric's solos and pick and choose the licks you prefer to hep buildyour own solo. This approach takes the recorded play-along concept one step further. Available for C, Bb and Bass Clef. Eric Marienthal has played on literally hundreds of records, TV shows, and films. Eric attended the Berkelee College of Music and recently was given the 1995 Distinguished Alumnus Award. He has recorded six solo albums for Polygram Records. Eric has performed concerts and given master classes in over fifty countries throughout the world. In addition to the Chick Corea Elektric Band, Eric has recorded and performed with Lee Ritenour, Dave Grusin, Elton John, Barbra Streisand, Billy Joel, Johny Mathis, Liza Minelli, David Benoit, The Rippingtons, Patti Austin and many more. / Méthode en anglais / Méthode / Saxophone

Par DEVILLE PAUL. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille's guide covers everything students need to learn to develop mastery of the saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises provide reinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille' s guide covers everything students need to learn to develop mastery of the Saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises providereinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two Saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Reprint of the Carl Fisher, New York edition. / Méthode / Méthode / Saxophone

Plus de 100 partitions pour saxophone. De mémorables thèmes de jazz, des tubes pop, des comédies musicales... / Saxophone / Partition

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B? Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions. Special Features of Hip Licks for Saxophone by Greg Fishman: ? 168 Hip Licks ? Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc. ? Idiomatic Construction ? Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. ? Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ? 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. ? Hip Licks Nail the Most Popular Chord Progressions: - Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords - ii-7 / V7 / I Major (two and four-measure phrases) - ii-7b5 / V7b9 / i Minor (two and four-measure phrases) - Parallel Major to Minor Progressions - ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths) ? Modular Design ? The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. ? Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. ? Twelve Key Approach ? Every CD track takes you through all twelve keys. ? Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. ? Technique Builder ? Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

Par ARMACOST TIM. The ultimate guide to playing saxophone, by NY jazz artist Tim Armacost ? for anyone from beginners to professionals. Rooted in practical skills and going far beyond theory, The Jazz Saxophone Book will improve your ability to construct beautiful, flowing solo lines. The book includes access to over 30 videos of the author demonstrating ideas in the book and hundreds of examples of solo phrases by the masters of jazz saxophone. For the beginning improviser, we cover: ? Creative ways to work on sound, time and building a jazz vocabulary ? Connecting your soloing with your internal singing voice ? Foundational jazz harmony - what you need to know! For intermediate players, the book offers: ? In-depth treatment of jazz harmony, with copious examples from the masters of the tradition ? Ideas for becoming a musical storyteller ? Skills needed to show up at a jam session and confi dently perform a tune For more advanced players, the book discusses: ? Using advanced harmony to build and release tension ? Taking jazz vocabulary, harmony and form into the realm of freedom ? How to practice efficiently to become a well-rounded, continually improving soloist / Date parution : 2022-04-26/ Méthode / Saxophone

Forty-nine of the most popular tunes of all time for both alto and tenor saxophone. Featuring easy keys and ranges, these arrangements are ideal for beginners up to intermediate standard. Includes Jerusalem , The Power Of Love , Unchained Melody . / Saxophone

In these 7 pieces, Daniel Hellbach uses various elements from pop and rock music. Catchy rhythms dominate the fast movements, while the slow parts are expressive and ballad-like.CD: o Complete version of the pieceso Piano accompaniment without the solo part - at three different tempos / Saxophone

From best-selling author, John O'Neill, The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation techniques of breathing, embouchure, tone production, and tonguing required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks, available as free downloads, feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy, and perfectly complements the Jazz Method for Saxophone. By the end of the method you will be able to:- understand the fundamentals of good playing technique- have explored the full range of the instrument- be familiar with the most common rhythms- have a solid grounding in music theory- have the confidence to play with a real band in many different styles / Alto Saxophone

No.1 hits ranging from the Everly Brothers\' in 1958 to Bryan Adams\' record-breaking 16 weeks smash hit (Everything I Do) I Do It For You in 1991. / Saxophone