lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Soprano Accompaniment CDs-Soprano Volume 3. Two accompaniment Cd's in each package which match the books containing a collection of songs from the musical stage categorized by voice type. The selections are presented in their authentic settings excerpted from the original vocal scores.

Soprano Voice-The world's most trusted source for great theatre literature for singing actors. The online audio includes piano accompaniment. The book features authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.

Soprano Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: All for You (Saturday Night) · Autumn (Starting Here Starting Now) · Ballad of Dependency (The Threepenny Opera) · The Boy Friend (The Boy Friend) · Bring on Tomorrow (Fame - The Musical) · Goodbye Little Dream Goodbye (Anything Goes 1988 Revival) · I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) · I'm a Stranger Here Myself (One Touch of Venus) · Jilted (Of Thee I Sing) · Just Imagine (Good News) · A Little Bit in Love (Wonderful Town) · A Little Bit of Good (Chicago) · Long Ago (Half a Sixpense) · Love in a Home (Lil' Abner) · Love Is Sweeping the Country (Of Thee I Sing) · Mira (Carnival) · My Love Is on the Way (The Golden Apple) · My Man's Gone Now (Porgy and Bess) · Once Upon a Dream (Jekyll

The world's most trusted source for great theatre literature for singing actors. Features included online audio of Piano accompaniments. The book contains authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.

A great collection of the world's favorite songs. Includes titles by such masters as Brahms Dvorak and Reynaldo Hahn. Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece.

Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Soprano part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto, Tenor or Bass). The notes and words are displayed on the screen and change colour in time with the music - all you have to do is join in as if singing a duet to learn your part.Step 2 - Voice Part Rehearsal CDIn this second step a narrator guides you, telling you when to sing and calling out where you are so that you don't get lost. Rehearse using your vocal score (available separately) and you will soon know the words and be singing the right notes.Step 3 - Chorus Backing Track CDPut what you've learned into practice with the third step, the Chorus Backing Track CD. Listen out for your part and sing along with the choir and background music - it's like singing with a real choir. / Soprano

Arias for Soprano-This unique and exciting series gives you the chance to learn some of the greatest arias of the Opera tradition with full orchestral backing tracks! A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigours of the Opera.

Soprano and Piano-Soprano and Piano. G. Schirmer is proud to announce the publication of a set of five concert arias from Harbison's powerful new opera The Great Gatsby based on F. Scott Fitzgerald's famous novel about the dark side of theAmerican Dream. The Great Gatsby was commissioned and premiered by the Metropolitan Opera where these arias were performed by Dawn Upshaw Jerry Hadley and Lorraine Hunt Lieberson. Where is the Old Warm World is Daisy's aria.

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Soprano Ou Mezzo-Soprano vous pourrez découvrir une des oeuvres de Concone L. en l'occurence 15 VOCALISES (ETUDES DE PERFECTIONNEMENT) S-MEZZO-SOP OPUS 12 qui a été éditée par la maison d'édition Billaudot. / Soprano Ou Mezzo-Soprano / Partition

Piano Vocal Score and CD with instrumental and vocal versions-This unique and exciting series gives you the chance to learn some of the greatest arias of the Opera tradition with full orchestral backing tracks! A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigours of the Opera.Includes Operatic extracts from: Semiramide (Rossini) Die Zauberflote (Mozart Lu8cia Di Lammermor (Donizetti) Anna Bolena (Donizetti) and La Traviata (Verdi).

This unique and exciting series gives you the chance to learn some of the greatest arias of Giacomo Puccini with full orchestral backing tracks. 8 operatic showstoppers have been selected from works including Madama Butterfly La Boheme and Turandot presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full.An excellent rehearsal tool or the ideal wayto introduce your voice to the wonders and rigors of the Opera.

A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

for Soprano and Orchestra-Here???s a third volume of Mozart masterpieces for soprano with orchestra???essentials in the repertoire and wonderful fun to learn and sing!Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.