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Guitare ou Luth (26)
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Clavecin Et Instruments A Cord… (21)
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Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Oboe, Organ (20)
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Flûte Traversière, Clarinett… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Soli and Orchestra (20)
Double bass, Orchestra (20)
Violin, Guitar (duet) (20)
Accessoire (20)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
3 Clarinets (trio) (19)
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Cornet and Piano (19)
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Ensemble Mixte (19)
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Petit Choeur AT, 2 Flûtes Tra… (18)
Gemischter Chor (SATB) und Orc… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
String quintet (18)
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Quatuor (18)
Euphonium, Piano (duet) (18)
Cor en Fa (18)
2 Flutes, Piano (18)
Choral SSATTB (18)
Alto (Partie séparée) (18)
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Chamber Music (18)
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Quintette à vent (17)
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Choeur Mixte (SSATB) avec Soli… (16)
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Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
Percussions (16)
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Lap Steel Guitar (16)
3 Saxophones (trio) (16)
Trombone or Euphonium (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Trompette ou Bugle ou Cornet o… (15)
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Voice, Organ (15)
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Petit Ensemble Contemporain (15)
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Choeur Mixte, Soprano et Orche… (15)
Saxhorn and Piano (15)
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3 Violons, Instruments à Cord… (14)
Choeur D'Enfants (Ou De Jeunes… (14)
Flûte Traversière, Violon, I… (14)
Petit Choeur SATTB, 5 Instrume… (14)
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Solistes SSA (TTB), Choeur SAT… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
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Soli (SATB), Choeur Mixte (SAT… (14)
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Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
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2 Violins and Basso (14)
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Solistes SATB, Choeur SATB, 2 … (14)
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Xylophone (14)
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Solistes SATTBB, Choeur SATB/S… (13)
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Violoncelle (Partie Séparée)… (13)
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Choeur SATB/SATB, (8 Instrumen… (13)
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Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
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Cello, String Bass (duet) (13)
Cornet (13)
4 Cellos (13)
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Viola and orchestra (13)
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Catalogue des Oeuvres (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Choeur SATTB, (5 Instruments, … (12)
Madrigaux (12)
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Trompette ou Cornet, Trombone … (12)
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Scores (12)
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Organ, Piano (duet) (11)
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Medium Voice (11)
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Djembe (11)
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Stationery (11)
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Baritone Saxophone (11)
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Cello Ensemble (10)
Trompette en Sib (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
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Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Horn and Orchestra (10)
4 Instruments Cuivre (Trompett… (10)
Nursery rhyme (10)
String Trio: 2 violins, viola (10)
Organ, Voice (10)
Flûte Traversière, Clarinett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
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Lyrics only (10)
Viola da Gamba (10)
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Choeur Mixte (Unisson) Avec Or… (9)
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Ensemble de Cordes (9)
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2 Violons Solo, 2 Violons, Alt… (9)
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Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
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Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
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Solistes SATB, Choeur SATB, Ba… (9)
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Quintette à Cordes (9)
Vocal duet (9)
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Choeur SATB, (4 Instruments, C… (9)
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Quintette (9)
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Saxhorn en Sib Basse Continue (9)
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Violoncello, Basso continuo (9)
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Carte Postale (8)
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Solo Baryton, Choeur SATB, 2 H… (8)
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Octuor (8)
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Défilé et parade (8)
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Choeur SSTBBar/ST (A) TBBar, 2… (8)
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Flûte Traversière Hautbois, … (8)
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Weckmann, Matthias : Complete Free Organ and Keyboard Works
Organ
[Sheet music]
Barenreiter
[Sämtliche Freie Orgel- und Clavierwerke] / Classique / Editeur : Siegbert Ramp...
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[Sämtliche Freie Orgel- und Clavierwerke] / Classique / Editeur : Siegbert Rampe / Partition / Cartonné / Plats de carton / Edition Urtext
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Frescobaldi, Girolamo : Organ and Keyboard Works - Complete Edition - Volume 4
Organ
[Sheet music]
Barenreiter
[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten...
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[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /
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Konzerte Für Zwei Cembali (BACH JOHANN SEBASTIAN)
2 Clavecins
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire /...
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Par BACH JOHANN SEBASTIAN. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / 2 Clavecins
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Krieger, Johann Philipp - Krieger, Johann : ?uvres complètes pour clavecin et orgue - Volume 2 / Complete Organ and Keyboard Works - Volume 2
Organ
[Sheet music]
Barenreiter
[Sämtliche Orgel- und Clavierwerke - Band 2] / Classique / Editeurs : Siegbert ...
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[Sämtliche Orgel- und Clavierwerke - Band 2] / Classique / Editeurs : Siegbert Rampe
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Blow J. - Twenty-five Harpsichord Pieces
Harpsichord
Stainer and Bell
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur a...
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Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes, dances and grounds in this anthology, which is selected from Volume 73 of Musica Britannica, and also includes advice on ornamentation and a comprehensive editorial note. Along with its companion volume of 16 organ pieces, K43, this collection is an important addition to Stainer
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John Blow: Twenty-Five Harpsichord Pieces: Harpsichord: Instrumental Album
Clavecin
[Sheet music]
Stainer and Bell
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich.Amateur an...
(+)
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich.Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes dances and grounds in this anthology which is selected from Volume 73 of Musica Britannica and also includes advice on ornamentation and a comprehensive editorial note. Along with its companionvolume of 16 organ pieces K43 this collection is an important addition to Stainer & Bell's landmark Early English Keyboard series.
8.75 GBP - Sold by Musicroom UK
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Threne Clavecin (WERNER)
Harpsichord
[Sheet music]
Eschig
Par WERNER. / Répertoire / Clavecin ou 2 Clavecins
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Jean-Philippe Rameau: Sämtliche Clavierwerke Band I: Harpsichord: Instrumental
Harpsychord
[Sheet music]
Barenreiter
The Books of 1705-6 and 1724-This three volume edition is the first complete edi...
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The Books of 1705-6 and 1724-This three volume edition is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes (In book 3 - BA6583).It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expressionmarks are reproduced exactly as they appear in the sources. All of Rameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Chamber Ensemble:
Harpsichord and Strings
Barenreiter
D major BWV 1054-In early 1729 Bach became director of the so-called »Scottis...
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D major BWV 1054-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Zipoli, Domenico : Orgel- und Cembalowerke - Band 2 : Cembalowerke
Harpsichord
Süddeutscher Musikverlag
[Orgel- und Cembalowerke - Band 2 : Cembalowerke] / Classique / Editeur : Luigi ...
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[Orgel- und Cembalowerke - Band 2 : Cembalowerke] / Classique / Editeur : Luigi F. Tagliavini / Partition / Agrafé / Edition Urtext
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Suite In A (BUXTEHUDE DIETRICH)
Clavecin
[Sheet music]
Carus Verlag
a-Moll. Par BUXTEHUDE DIETRICH. Einzige Quelle für die Suite in a ist der 1704 ...
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a-Moll. Par BUXTEHUDE DIETRICH. Einzige Quelle für die Suite in a ist der 1704 in Breitenberg bei Itzehoe entstandene Teil einer Sammelhandschrift des Organisten Johann Kruse. Aufgrund der Autorenangabe 'D. B. H. ', die in entsprechender Weise auch bei Stücken anderer Komponisten vorgenommen worden ist und sich bestätigt hat, ist es naheliegend, das Werk Dieterich Buxtehude zuzuweisen, zumal Kruse in Hamburg aller Wahrscheinlichkeit nach auch Kontakt zu ihm hatte. Unter den Buxtehude zugeschriebenen Cembalosuiten steht die hier erstmals veröffentlichte wegen der Kürze ihrer vier Sätze den ihr zugrundeliegenden Tanz-Grundmustern am nächsten - ein klein dimensioniertes, aber kunstvolles Werk./ Répertoire / Clavecin
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Zweyter Versuch In Figurierter Chorälen Und Fugen
Harpsichord
Anne Fuzeau Productions
Berlin, Amsterdam, J.J. Hummel, s.d. = 1793Zweyter Versuch in figurirten Choräl...
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Berlin, Amsterdam, J.J. Hummel, s.d. = 1793Zweyter Versuch in figurirten Chorälen und Fugen sowohl für die Orgel, als für das Clavicord - 15 chorals variés et fugues pour orgue ou clavicorde. / Orgue Ou Clavicorde / 24 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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30 Ausgewahlte Stucke Fur Cembalo Oder Spinett (WENSIECKI)
Clavecin
[Sheet music]
Heinrichshofen Verlag
30 ausgewählte Stücke Für Cembalo oder Spinett. Par WENSIECKI. / Recueil / Cl...
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30 ausgewählte Stücke Für Cembalo oder Spinett. Par WENSIECKI. / Recueil / Clavecin
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Suite In C (KREBS JOHANN LUDWIG)
Clavecin ou Piano ou Orgue
[Sheet music]
Carus Verlag
Par KREBS JOHANN LUDWIG. Like his teacher, Johann Sebastian Bach, Johann Ludwig ...
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Par KREBS JOHANN LUDWIG. Like his teacher, Johann Sebastian Bach, Johann Ludwig Krebs also composed a four-part Clavier-Übung. The second part of his Clavier-Übung, the twelve-movement Suite in C, was published between 1744 and 1756. While stylistically Kreb’s organ music was still oriented towards the work of his teacher, his piano music was marked by the musical changes which were occurring around 1750./ Répertoire / Clavecin ou Piano ou Orgue
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Karen Tanaka: Lavender (1989 Version): Harpsichord: Instrumental Work
Harpsichord
[Score]
-
Intermediate/advanced
Chester
Written for solo harpsichord.The composer writes: In 1989 I composed Jardin des...
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Written for solo harpsichord.The composer writes: In 1989 I composed Jardin des herbes a set of three pieces for solo harpsichord. My intention was to evoke the colour and delicate aromatic qualities of three herbs rosemary sweet violet and lavender. Rosemary is a bush with pale blue flowers glowing in the moonlight Sweet Violet is described as early spring flowers with seductive scent and Lavender with tranquility andpurity. Lavender was revised in 1995. This score represents the original 1989 version. Jardin des herbes was written for Akiko Kuwagata who gave the first performance in Tokyo in March 1989.
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Henri Dutilleux: Les Citations: Ensemble: Score
Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statem...
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Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.
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Henri Dutilleux: Les Citations: Ensemble: Parts
Oboe
Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statem...
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Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.
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Domenico Scarlatti: Sonate per clavicembalo - Volume 10: Harpsichord:
Harpsichord
Ricordi
Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The...
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Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.
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Johann Sebastian Bach: Concerto For Harpsichord No.6 In F Major: Mixed Ensemble:
Barenreiter
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »...
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Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Fata morgana (PIETILA ESA)
Harpsichord
[Sheet music]
Fennica Gehrman
Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana ...
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Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. ?I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together?, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section. Duration: c. 6? / Date parution : 2022-05-31/ Répertoire / Clavecin
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Johann Sebastian Bach: Concerto For Harpsichord In G Minor: Harpsichord: Score
Harpsichord and Strings
Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...
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G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Oeuvres Completes De Clavecin Tome 2/Vol.2Lp58 (FROBERGER / SCHOTT)
Clavecin
[Sheet music]
Heugel
Par FROBERGER / SCHOTT. Second volume of the second tome and fourth book of the ...
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Par FROBERGER / SCHOTT. Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger, this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features eighteen suites numbered from Suite XIII to Suite XXX, as well as seven other works, including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among hispeers and influenced many of them./ Répertoire / Clavecin
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Johann Jakob Froberger: Oeuvres Complètes Pour Clavecin Book 2 Vol.2:
Français
Harpsichord
[Sheet music]
Heugel
Second volume of the second tome and fourth book of the Complete Harpsichord Wor...
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Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott the book has its preface and information in French English and German. It features eighteen suites numbered from Suite XIII to Suite XXX as well as seven other works including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among hispeers and influenced many of them.
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6 Suiten (KREBS JOHANN LUDWIG)
Clavecin ou Piano ou Orgue
[Sheet music]
Carus Verlag
Par KREBS JOHANN LUDWIG. In 1746, Johann Ludwig Krebs, who studied with Bach, wa...
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Par KREBS JOHANN LUDWIG. In 1746, Johann Ludwig Krebs, who studied with Bach, was the “Schloss” organist at Zeitz [the Dukedom of Saxony]. During that year his Six Suites were published by Haffner, the Nuremberg publisher, as the fourth part of his Clavier-Übung. The suites, which are already almost preclassical in style, consist of between 6–10 movements and include character pieces such as a “polonoise” and a “harlequinade. ”/ Répertoire / Clavecin ou Piano ou Orgue
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055:
Harpsichord and Strings
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055: Chamber
Harpsichord and Strings
Barenreiter
A major BWV 1055-In early 1729 Bach became director of the so-called »Scottis...
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A major BWV 1055-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
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Pieces De Clavecin D'Orgue Et De Forte Piano Lp52 (BALBASTRE CLAUDE / CURTIS)
Clavecin
[Sheet music]
Heugel
Par BALBASTRE CLAUDE / CURTIS. Pièces De Clavecin D'Orgue Et De Forte Piano - L...
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Par BALBASTRE CLAUDE / CURTIS. Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C. B Ballastre is a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Hericourt - La Segur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - LaGenty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prelude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d'Esclignac - Marche des Marseillois et l'Air C; a ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ./ Répertoire / Clavecin
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Balbastre C.b. - Pieces De Clavecin, D'orgue Et De Forte Piano
Harpsichord
Heugel
Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a sele...
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Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d?Héricourt - La Ségur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - La Genty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prélude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d?Esclignac - Marche des Marseillois et l?Air Ça ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ.
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Pieces De Clavecin Lp17 (FORQUERAY / TILNEY)
Clavecin
[Sheet music]
Heugel
Par FORQUERAY / TILNEY. This edition of Harpsichord Work by Antoine Forqueray ha...
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Par FORQUERAY / TILNEY. This edition of Harpsichord Work by Antoine Forqueray has been reviewed and edited by Colin Tilney. Dedicated to ; Madame la Dauphine (i. e. The King's daughter, here, the daughter of Louis XV), this volume includes six suites for a total of 32 pieces. Each of these pieces is actually named after the Courtesans of the Dauphine. With different degrees of complexity, these pieces would fit the skills of players with an upper intermediate level and above. The mark-ups in this edition are quite close to those used on Rameau, his pieces being popular and well commented. AntoineForqueray was a harpsichordist under the King Louis XV period. Professor of the Dauphine Henriette-Anne, he dedicated this piece to her./ Répertoire / Clavecin
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Antoine Forqueray: Antoine Forqueray: Pièces De Clavecin (Lp17): Harpsichord:
Français
Harpsichord
[Sheet music]
Heugel
This edition of Harpsichord Work by Antoine Forqueray has been reviewed and edit...
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This edition of Harpsichord Work by Antoine Forqueray has been reviewed and edited by Colin Tilney. Dedicated to “Madame la Dauphine” (i.e. The King’s daughter here the daughter of Louis XV) this volume includes six suites for a total of 32 pieces. Each of these pieces is actually named after the Courtesans of the Dauphine. With different degrees of complexity these pieces would fit the skills of players with an upper intermediate level and above. The mark-ups in this edition are quite close to those used on Rameau his pieces being popular and well commented. AntoineForqueray was a harpsichordist under the King Louis XV period. Professor of the Dauphine Henriette-Anne he dedicated this piece to her.
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