48 Präludien und Fugen in allen Dur- und Molltonarten. Band 1 : BWV 846-869 / 48 Préludes et Fugues dans tous les tons majeurs et mineurs. Volume 1 : BWV 846-869 / [Das Wohltemperierte Klavier I BWV 846-869] / Classique / Editeur : Alfred Dürr / Partition / Cartonné / Plats de carton /

Par FORQUERAY / TILNEY. This edition of Harpsichord Work by Antoine Forqueray has been reviewed and edited by Colin Tilney. Dedicated to ; Madame la Dauphine (i. e. The King's daughter, here, the daughter of Louis XV), this volume includes six suites for a total of 32 pieces. Each of these pieces is actually named after the Courtesans of the Dauphine. With different degrees of complexity, these pieces would fit the skills of players with an upper intermediate level and above. The mark-ups in this edition are quite close to those used on Rameau, his pieces being popular and well commented. AntoineForqueray was a harpsichordist under the King Louis XV period. Professor of the Dauphine Henriette-Anne, he dedicated this piece to her./ Répertoire / Clavecin

Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.

Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. ?I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together?, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section. Duration: c. 6? / Date parution : 2022-05-31/ Répertoire / Clavecin

[Orgel- und Klavierwerke - Gesamtausgabe - Band 5 : Fiori musicali (1635)] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /

The Books of 1705-6 and 1724-This three volume edition is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes (In book 3 - BA6583).It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expressionmarks are reproduced exactly as they appear in the sources. All of Rameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)

Divertimenti 1-3 (D-Dur Wv 21, Gdur Wv 1, F-Dur Wv 38). Par WAGENSEIL GEORG CHRISTOPH. Aber baß wär' es, unsere jungen Clavierspieler übten sich im Wagenseil, als daß sie die ärmlichen Clavierstücke eines Alberti, Hepp, der neuern Welschen und besonders der Franzosen herunterhaspeln”, schrieb Schubart 1775. Die Divertimenti sind echte ... / Niveau : Facile à Assez Facile / Répertoire / Clavecin

[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /

Avec la partition répertoriée sous l'ISMN M049501279 voilà tous les amateurs de Fac-Similé qui vont être comblés. Commandez cette partition musicale Krebs Johann Ludwig de style Classique composée par 50127 dès aujourd'hui et dans moins de 7 jours, elle sera entre vos mains. / Clavecin / 16 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7