Par HERPAY AGNES. Comprising four printed books and rich digital material, the Bassoon ABC is a modern and innovative instrumental method by Ágnes Herpay, a successful Hungarian bassoonist and teacher. The method itself comprises two volumes (Z. 20092, Z. 20093), while piano accompaniments have been published in two further volumes Z. 20092P, Z. 20093P). Sound recordings of all pieces in the Bassoon ABC are available online at Digikotta free of charge using the individual code in the printed book. In the case of pieces with piano accompaniment and those for two or three bassoons, the voices can also be played individually, which can be very helpful in music education if no chamber-music partner or accompanist is available. The Bassoon ABC is also suitable for students learning tenoroon (in F or G) or fagonello (bassoonello) because transposed versions of the recordings and the sheet music are also available at Digikotta. (Transposed sheet music of the piano accompaniments can be downloaded at Digikotta free of charge using the individual code in the printed piano accompaniment.) / Date parution : 2022-10-12/ Méthode / Basson et Piano

Bassoon and Piano-Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen) and like Hexen it isalso dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano.Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy sensuous obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the firstperformance during which the piece underwent revisions. The piece starts with an introduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost MiddleEastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone with a pitch written two octavesabove the official limit of the instrumentâ??s register. The title Sunset Song was inspired by Californiaâ??s sunsets and the sun setting on the Pacific Ocean.

Mr Sheen's Miscellany For Bassoon was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Mr Sheen's Miscellany For Bassoon - Grade 1 contains three pieces for bassoon and piano by Graham Sheen.Polka-dots.There are three contrasting types of expression for the bassoonist here. The opening phrase is staccato which is followed (at bar 11) by a sustained counter melody. Finally (at bar 19) both these effects are combined in a second melody which needs very clear dynamicplaying.Monkey Puzzle.Sustaining the sound while re-articulating the notes is important in this piece. In other words the opening should be played almost slurred. Be aware of the changing harmonies underneath the held notes in the bassoon part.Serious Song.Long but separate notes contrast with real legato. The main theme is marked tenuto so full value for each note especially ending notes. Even the quavers aren't very short at this speed. Try to make the richest sound you can like for example a fine Russian baritone.

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Par HERPAY AGNES. Comprising four printed books and rich digital material, the Bassoon ABC is a modern and innovative instrumental method by Ágnes Herpay, a successful Hungarian bassoonist and teacher. The method itself comprises two volumes (Z. 20092, Z. 20093), while piano accompaniments have been published in two further volumes (Z. 20092P, Z. 20093P). In this book all pieces with piano accompaniment in Bassoon ABC vol. 2 are included. Transposed versions for tenoroon in F and G can be downloaded at Digikotta free of charge using the individual code in the printed book. / Date parution : 2022-10-12/ Méthode / Basson et Piano

French composer and conductor Henri Tomasi (1901-1971) published Concerto for Bassoon in 1957. As with his other wind compositions Concerto for Bassoon was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profile composerand conductor. Tomasi did not forget his Corsican routes often incorporating into his compositions themes of the songs he had learnt during the summers with his Grandmother. The Concerto for Bassoon is in three movements; 1) Andante and Allegro 2) Serenade Nocturne and 3) Final-Saltarelle. This Tomasi piece is suitable to advanced bassoonists providing an exciting alternative addition to the instrument's repertoire.

Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.For Bassoon with Piano accompaniment this book contains some delightful repertoire pieces for the elementary bassoonist. The solo bassoon part is also included on a separate insert.

As the title suggests this Sonatine by Alexandre Tchérepnin attempts to adapt the music to the surprise elements of sports. The Pianist in the first movement is portrayed as being 'defensive' while the Bassoon soloist is considered to be attacking the Piano much like Boxing. Movement two named Half-Time represents the rest that two players would be taking in the midst of a competition. Finally movement three - Race is in the form of a canon. The Bassoonist leads the race while the Pianist gradually closes the gap.

Young bassoonists can also enjoy the sort of fresh and energetic pieces until now reserved for flutes oboes and clarinets. The solo part is written in the bass clef throughout and strays no higher than 'Middle C'. The piano part has also been kept fairly simple while allowing gifted pianists potential for improvisation. Suitable for Grades 2 - 5.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habañera transcribed for Bassoon and Piano by Fernand Oubradous contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habañera clearly exemplifies these qualities through flourishing Bassoon lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitment. All of these musical elementscombined create a highly enjoyable piece for the Bassoon and Piano repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habañera add to an irresistible purchase for aspiring Bassoon players.

Carl Maria Von Weber's Andante E Rondo Ongarese or Andante and Hungarian Rondo Op35 for Bassoon and Piano. Edited by Simon Kovar.

Part of the collection 'Nine pieces' for Bassoon and Piano regrouped and transcribed by Fernand Oubradous  Pièce is a work initially composed by Gabriel Fauré. Quite difficult it would match the skills and abilities of advanced players. This sensitive piece for Bassoon in E flat is quite melodious: the main theme introduced by the Piano is repeated by the Bassoon who will lead the music from that moment. Written 'Adagio molto tranquillo' it is quite slow and nice to listen to. It would be perfect to execute in a recital. Gabriel Fauré was a French Composer Organist Pianist and teacher. He is one of the most important composers of his generation with pieces such as 'Pavane' or 'Requiem'.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Fantaisie for Bassoon and Piano is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1945 Bozza's Fantaisie for Bassoon and Piano is a virtuosicwork addressing advanced features including complex rhythms chromaticism a wide range and articulation. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Composed by Eugène Bourdeau  Premier Solo (1894) is a fabulous piece for Bassoon and Piano written for the Paris Conservatoire contest. This edition was edited by G. Dhérin a professor at the Paris Conservatoire. Really rich but also challenging this piece is a standard of the Bassoon repertoire and would fit the skills of upper-intermediate players. It lasts for around 5 minutes. Eugène Bourdeau (1850-1925) was a professor at the Paris Conservatoire. He composed other pieces for Bassoon such as the 'Second solo' or the '30 Exercises'.