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Requiem
OCARINA
Cello
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Peter Sculthorpe: Requiem for cello alone: Cello: Instrumental Work
Cello
Faber Music Limited
Sculthorpe uses the Plainsong Requiem Mass as the source material for this work ...
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Sculthorpe uses the Plainsong Requiem Mass as the source material for this work for Solo Cello using the music to reflect the words of the Latin text. This is a most interesting concept particularly so as the timbral and expressive qualities of the cello seem appropriate for this type of work (or influenced-type of work at least). The cello has a very rich and warm tonal quality to it which Sculthopre exploits in this adventurous composition. This piece will present an enjoyable and most interesting challenge to both advancing and accomplished cellists alike.'. . .draws its inspiration from plainsong and maintains a wonderful sense of space andstillness.'Helen Wallace BBC Music Magazine October 1995
8.50 GBP - Sold by Musicroom UK
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Schütz: Musikalische Exequien I-III (SCHUTZ HEINRICH)
Cello
[Sheet music]
Carus Verlag
Par SCHUTZ HEINRICH. Gattungen: Requiem - Reihen bei Carus: Stuttgarter Ausgaben...
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Par SCHUTZ HEINRICH. Gattungen: Requiem - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Trauer, Tod - Verwendung / Kirchenjahr: Fastenzeit und Passion - / Musique religieuse / Répertoire / Violoncelle
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Cheryl Frances-Hoad: Excelsus: Cello: Instrumental Work
Cello
Cadenza Music
Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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Orchester Probespiel Violoncello: Cello: Instrumental Album
Cello
Schott
Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts f...
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Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts from the operatic and concert repertoire Tuttistellen: L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67 2. SatzL.v. Beethoven: Sinfonie Nr. 8 F-Dur op. 93 3. Satz (Trio)L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125 4. SatzL.v. Beethoven: Coriolan op. 62 OuvertüreL.v. Beethoven: Egmont op. 84 OuvertüreG. Bizet: Carmen 1. Akt FinaleJ. Brahms: Sinfonie Nr. 2 D-Dur op. 73 1. SatzA. Bruckner: Sinfonie Nr. 7 E-Dur 1. SatzP. Hindemith: Sinfonie 'Mathis der Maler' 3. Satz: Versuchung des heiligen AntoniusP. Hindemith: Sinfonische Metamorphosen nach Weber 2. Satz: Turandot ScherzoG. Mahler:Sinfonie Nr. 4 G-Dur 1. SatzW.A. Mozart: Die Hochzeit des Figaro OuvertüreB. Smetana: Die verkaufte Braut OuvertüreR. Strauss: Don Juan op. 20I. Strawinsky: Symphonie en Ut 1. SatzP.I. Tschaikowsky: Eugen Onegin 1. Akt Nr. 8P.I. Tschaikowsky: Sinfonie Nr. 4 f-Moll op. 36 1. und 2. SatzP.I. Tschaikowsky: Sinfonie Nr. 6 h-Moll op. 74 2. und 3. SatzG. Verdi: Rigoletto 1. Akt Nr. 2G. Verdi: La Traviata 1. Akt Nr. 2 (Chor) und 2. Akt Nr. 4G. Verdi: Die Macht des Schicksals OuvertüreG. Verdi: Aida 3. und 4. Akt (Nr. 7)G. Verdi: Missa da Requiem Nr. 3 (Offertorium)R. Wagner: Tannhäuser Ouvertüre; 2. Akt 4. Szene; 3. Akt Einleitung und 1. Szene (Gebet der Elisabeth)R. Wagner: Lohengrin 3. Akt 3. SzeneR. Wagner: Das Rheingold 1. und 2. SzeneR. Wagner: Die Walküre 2. Akt 4. SzeneR. Wagner: Tristan und Isolde 1. Akt Einleitung und 2. Akt 2. SzeneSOLOSTELLEN: L.v. Beethoven: Die Geschöpfe des Prometheus op. 43 Nr. 5 Adagio Andante quasi AllegrettoJ. Brahms: Konzert Nr. 2 für Klavier und Orchester B-Dur op. 83 3. SatzE. Humperdinck: Hänsel und Gretel 3. Bild 3. SzeneA. Lortzing: Zar und Zimmermann 3. AktW.A. Mozart: Die Entführung aus dem Serail
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Maurice Duruflé: Requiem Opus 9 - Violoncello: Cello: Instrumental Work
Français
Cello
Durand
pour chant orgue & quintette à cordes
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Requiem K626 (Beyer)
Cello
Peters
- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (...
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- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (2005)- Full Score and Instrumental Parts are also available for purchase / Violoncelle
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Just Beautiful
Cello
Kevin Mayhew
/ Violoncelle
20.70 EUR - Sold by LMI-partitions
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