Medley-You'll groove out to the sounds of this 5-minute medley of hits by Stevie Wonder one of the most creative and beloved artists of our time!An outstanding showstopper for choirs of all ages and levels it includes: For Once in My Life I Was Made To Love Her My Cherie Amour Uptight (Everything's Alright).

Discovery Level 3-This Discovery series edition of Stevie Wonder's 1973 song packs all the joyful Latin energy you would want into an accessible arrangement that is super cool and fun to sing. Great for building skills and style the voice-leading is well-crafted for your beginning and developing jazz/pop groups.

Stevie Wonder's career as a songwriter and recording artist are virtually unequalled in the industry. This 1973 pop hit draws on his gospel roots with a healthy dose of funk to create a powerful showcase that your singers willlove to perform! Available separately: SATB SAB SSA ShowTrax CD. Combo parts available digitally (tpt 1-2 tsx tbn gtr b dm). Duration: ca. 3:00.

Heartfelt lyrics and a memorable melody are hallmarks of this Stevie Wonder Motown classic. It delivers a powerful message that resonates today.Available separately: SATB SAB SSA and ShowTrax CD. Performance Time: Approx. 3:15.

A funky groove and hot horns set the stage for this sizzler! The 1973 #1 hit by Stevie Wonder is a powerhouse for show choir! Available for SATB SAB SSA Instrumental Pak (includes parts for Trumpet I and II Tenor Saxophone Trombone Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 4:30.

Pop and jazz choirs will love this fresh contemporary treatment of the Stevie Wonder song from 1983. Well-crafted vocal parts and a straight-ahead rhythmic groove make this chart accessible without sacrificing any of the sophistication.

Novello New Choral Series-A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school junior and community choirs and a tuneful introduction to singing simple contrapuntal lines.The second soprano part repeats the tune at bar 33 and should dominate here; the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to moreexpansive yet accessible repertoire in an exciting variety of styles.Craig McLeish began his musical life as a chorister at St Paul’s Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul’s as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon and played bass guitar for various groups. This led to a spell in the cult pop band ‘Fat & Frantic’ who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus).In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children’s collections (Big Blue Planet Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA

Celebrate the big day with this short medley that includes the famous traditional melody along with songs by the Beatles and Stevie Wonder. It's perfect for serenading a special person at a concert or in the classroom. Includes: Birthday Happy Birthday Good Morning to You.Available separately: SATB 3-Part Mixed 2-Part and ShowTrax CD. Performance Time: Approx. 2:15.

From Sing-Stevie Wonder and Ariana Grande combine vocal forces on this joyful celebration of soul from the 2016 animated film Sing. With the bluesy bassline and irresistible drum track you will join in the refrain ?I got faith in you baby!?

Originally written by Stevie Wonder in the 1970s for Sergio Mendes this tune was recently covered by Vanessa Williams and its cool Latin groove gives it lots of appeal. A fantastic concert change of pace! Available separately:SATB SSA ShowTrax CD. Rhythm parts available digitally (pno gtr b dm). Duration: ca. 4:45.

ou're going to love this fresh Latin-flavored treatment of this classic Stevie Wonder pop hit of 1968. Starting with simple unison lines it develops texturally to a roaring finish!

British producer Mark Ronson and Bruno Mars scored big with this #1 hit that echoes James Brown Stevie Wonder Earth Wind & Fire and more. It features an absolutely irresistible groove that pop and show choirs will love to perform!

Stevie Nicks released this single in 1982 from her debut solo album Bella Donna. This arrangement captures the distinctive chugging 16th-note pattern and simple chord structures with moody vocals full of wonderful harmonies and rhythm that reflect the original recording. Stevie Nicks released this single in 1982 from her debut solo album Bella Donna. This arrangement captures the distinctive chugging 16th-note pattern and simple chord structures with moody vocals full of wonderful harmonies and rhythm that reflect the original recording.