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DOUBLE BASS
OCARINA
Double bass, Piano (duet)
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Double Bass Tales
Double bass, Piano (duet)
Schott
Les enseignants encore et encore demander faciles à jouer de la contrebasse mus...
(+)
Les enseignants encore et encore demander faciles à jouer de la contrebasse musique appropriée pour des cours ou de la compétition Jugend Musiziert. Le compositeur Peter Wittrich de Munich a entrepris cette tâche et composé un cycle varié de sept pièces faciles pour contrebasse et piano. Toutes les pièces ont été essayées et testées en double-bass leçons et sont bien placées sur l'instrument. Certains peuvent même être joué dans la première position. La collection couvre différents styles, notamment les styles de musique populaire comme le blues ou de tango, tout en prenant thèmes bien connus de la musique classique, par exemple, de Bach ou de Beethoven, d'une manière humoristique. La partie de piano est plus exigeant afin que les réclamations faites sur le jeu d'ensemble sont un peu plus élevés. Un ajout intéressant au répertoire des cours et des concerts. / Contrebasse Et Piano
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F. Keyper: Romance Et Rondo: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
-
Intermediate/advanced
Yorke Edition
An easy virtuoso work published here for the first time and now much performed. ...
(+)
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
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Grade by Grade - Double Bass Grade 3
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Easy
Boosey and Hawkes
The complete resource for the Grade 3 double bassist. Par . La série Grade By G...
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The complete resource for the Grade 3 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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Grade by Grade - Double Bass Grade 1
Double bass, Piano (duet)
[Sheet music + Audio access]
-
Beginner
Boosey and Hawkes
The complete resource for the Grade 1 double bassist. Par . La série Grade By G...
(+)
The complete resource for the Grade 1 double bassist. Par . La série Grade By Grade (De degré par degré) tire sa substance du catalogue classique, contemporain et pédagogique riche et varié de Boosey
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Carl Ditters von Dittersdorf: Concert E-Dur (Krebs 172): Double Bass:
Double bass, Piano (duet)
[Reduction]
G. Henle
With this cornerstone of the Double Bass repertoire we continue a still young bu...
(+)
With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work full of technical trickery is with justification demanded time and again as atest piece or set piece for competitions. In order to accommodate the ?Viennese tuning? used at the time we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the DoubleBass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Gioachino Rossini: Une Larme: Double Bass: Instrumental Work
Double bass, Piano (duet)
Recital Music
A Tear-A beautiful and poignant lament which is ideally suited to the double bas...
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A Tear-A beautiful and poignant lament which is ideally suited to the double bass. Originally for cello this new edition returns to the cello version [Theme & Variations] adding an extended (but optional) piano introduction and demonstrates the dark and soulful colours of the solo double bass. Long flowing phrases allow the intermediate bassist to demonstrate both musical and technical accomplishment in an accessible range of the instrument. The soulful and wistful melody transcribes beautifully for double bass allowing the instrument to display its bel canto and lyrical capabilities. A three bar section towards the end of the piece is playable as written or anocatve higher giving bassists the opportunity to play high harmonics within a beautiful and evocative melody. This is an ideal study or recital work with its supportive and pulsing accompaniment and has been one of Recital Music's bestsellers since it was published. Une Larme is also available for solo double bass and string orchestra accompaniment - please contact the publishers for further details. Grade 7 - Trinity-Guildhall / ABRSM / LCM / MTB Exams (www.mtbexams.com)
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Four Pieces for Double Bass and Piano (HERTL FRANTISEK)
Double bass, Piano (duet)
[Sheet music]
Barenreiter
Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor ...
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Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor and teacher František Hertl (1906–1973) wrote many concert and teaching pieces for his instrument. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. These four pieces for double bass comprising a Prelude, Burlesque, Nocturne and Tarantella were composed in 1968. They have remained very popular among double bass players to the present day while being extremely challenging to play. Our edition adopts the musical text from the Supraphon edition of 1969. The double bass part and the Foreword have been revised by Stefan Schäfer, the solo double bassist of the Hamburg Philharmonic State Orchestra./ Répertoire / Contrebasse et Piano
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Monti V. - Czardas - Double Bass And Piano
Double bass, Piano (duet)
Recital Music
Arranger : David Heyes The Transcriptions Series series Recital Music publish ...
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Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and piano is Monti's only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble. The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion. This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation. Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini's most famous pupil. For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.
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Two Eighteenth-Century Pieces: Double Bass: Instrumental Album
Double bass, Piano (duet)
Stainer and Bell
The lively Tambourin by Rameau is among the most popular of baroque instrumental...
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The lively Tambourin by Rameau is among the most popular of baroque instrumental pieces and in H. Samuel Sterling's idiomatic arrangement for double bass and piano it forms a welcome addition to the bassist's repertoire. Giordani's stately Larghetto is an ideal counterweight and an exercise in sustained expressive playing. CONTENTS: Giuseppe Giordani: Larghetto Jean-Philippe Rameau: Tambourin. DOUBLE BASS & PIANO Exam syllabus information: Double Bass AB : 6 [ends: 2019] TCL : 6 8 [ends: 2019]
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Christopher Norton: Microjazz For Double Bass: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Score and Parts]
Boosey and Hawkes
12 Stücke in populären Stilen-Twelve stimulating original pieces in popular s...
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12 Stücke in populären Stilen-Twelve stimulating original pieces in popular styles for Double Bass and Piano or Keyboard accompaniment. Graded in order of difficulty these compositions are designed to improve solo technique and character whilst developing articulation and rythmic nuances. Part of the successful Microjazz series this book by Christopher Norton is not only fun but a valuable resource for any developing Double Bassist. ABRSM Double Bass Syllabus.
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David Walter: The Elephant's Gavotte: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Score and Parts]
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Advanced
Yorke Edition
This delightful encore for Double Bass and Piano accompaniment is a spoof of S...
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This delightful encore for Double Bass and Piano accompaniment is a spoof of Saint-Saens' well known tune from Carnival of the Animals. Talented American Bassist David Walter composed and dedicated this piece to Fred Zimmerman. A challenging piece suitable for grade 7 Double Bassists. AMEB (Australian Syllabus) 2004
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Kelly Brain: Caliban and Ariel: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
Two short and delightful movements in a lighter style composed for Double Bass ...
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Two short and delightful movements in a lighter style composed for Double Bass with Piano Accompaniment by Bryan Kelly. Based upon characters from Shakespeare's The Tempest this piece is ideal for concerts offering a wonderful enrichment to the advancing Double Bassist's repertoire.The solo Double Bass part is also included on a separate insert.
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Teppo Hauta-Aho: Miniature: Double Bass: Instrumental Work
Double bass, Piano (duet)
Recital Music
Miniature was composed in 1985 and is a rhapsodic work of great character and in...
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Miniature was composed in 1985 and is a rhapsodic work of great character and ingenuity. A supportive and effective piano accompaniment contrasts a lyrical and cantabile solo double bass albeit in a mildly modern idiom and there are opportunities to demonstrate both musical and technical skills within a short timespan. This should appeal to anyone who enjoys the music of Teppo Hauta-aho and his personal soundworld and effective techniques. It utilses a wide range of the double bass offering a range of musical and technical challenges for the adventurous and enquiring bassist. The edition includes piano accompaniments for both solo and orchestraltunings.
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Gioachino Rossini: Une Larme For Double Bass And Piano: Double Bass: Score
Double bass, Piano (duet)
G. Henle
In the late 1850s when Rossini was composing only for his own private pleasure ...
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In the late 1850s when Rossini was composing only for his own private pleasure he wrote a little elegy for Double Bass and Piano that he entitled “Une Larme” (“a tear”). Its theme also servedas the basis for a larger-scale set of variations for Cello and Piano. The importance that Rossini ascribed to this short piece for Double Bass is demonstrated not least by the fact that he made a richly ornamented dedication copyof it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument the Double Bassspecialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.
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Humphrey Clucas: Sonatina: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
Recital Music
A short three-movement 'characteristic' sonatina composed for Double Bass 2000 a...
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A short three-movement 'characteristic' sonatina composed for Double Bass 2000 and premiered at Wells Cathedral School. Aimed at the intermediate bassist this is a work full of lyrical episodes and utilises the medium-high range of the instrument. The composer writes: 'My Sonatina a brief frivolous piece was partly written to exploit the range of the double bass both its lower and upper reaches. The first movement is in strict sonata form - exposition repeat and all. The second movement is tongue-in-cheek 18th-century form; the sonatina is a very 19th-century form. Its main theme turns up again as the middle section of the final movement a tinywaltz. Other snatches of material are common to all three movements.'
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Sergei Koussevitzky: Ausgewählte Stücke: Double Bass: Instrumental Work
Double bass, Piano (duet)
Forberg
op. 1 2 4 für Kontrabass und Klavier-Andante Valse Miniature Chanson Triste...
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op. 1 2 4 für Kontrabass und Klavier-Andante Valse Miniature Chanson Triste and Humoresque for Double Bass and Piano by one of the most celebrated Russian concert double-bassists and conductors.
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Grade by Grade - Double Bass Grade 5
Double bass, Piano (duet)
[Sheet music + Audio access]
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Intermediate
Boosey and Hawkes
The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen ...
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The complete resource for the Grade 5 double bassist. Par . / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Contrebasse et Piano
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Johann Baptist Vanhal: Kontrabasskonzert Es-dur: Double Bass: Score
Double bass, Piano (duet)
[Reduction]
G. Henle
Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann ...
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Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann Baptist Vanhal and his sole Double-Bass concerto add a further highlight to the classical Bass literature in the Henle catalogue. The virtuosowork was transmitted only in a copy of a part owned by the famous Double-Bass player Johannes Sperger (1750 1812) and found in his estate which raises a few questions on account of the many later additions in the solo part(especially concerning the octave transpositions). In this Urtext edition Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. ThePiano reduction is printed in two keys (C and D major) which allows for performances in the solo and orchestral tuning or at will. Moreover an additional part written in fingering notation has been specially designed for usewith the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.
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Ida Carroll: Three Pieces for Double Bass: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Forsyths Publications
For the intermediate to advancing double bassist this collection includes 3 con...
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For the intermediate to advancing double bassist this collection includes 3 contrasting pieces composed by Ida Carroll.
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Wolfgang Amadeus Mozart: Bassoon Concerto K. 191 - Double Bass & Piano: Double
Double bass, Piano (duet)
[Sheet music]
IMC (International Music Co.)
Mozart Bassoon Concerto for double bass & piano.
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Gajdos M. - Concerto N°2 Haydn - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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John Harbison: Concerto: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
Associated
Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. In...
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Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. Includes two piano reductions: Concert Pitch and Solo Tuning in D. Co-commissioned by 15 orchestras and the International Society of Bassists.
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Double Bass Coll. Konzertst. f. Kontrabass/Klavier: Double Bass: Instrumental
Double bass, Piano (duet)
Barenreiter
Concert Pieces for Double Bass and Piano-This collection of pieces for the Doubl...
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Concert Pieces for Double Bass and Piano-This collection of pieces for the Double Bass and Piano has been created specifically for young Double Bass players who are wishing to start performing in public. The 19 concert pieces featured are easy to rehearse yet sound effective. With works from the Baroque Classical and Romantic periods as well as newly composed pieces by the Polish Bass player Boguslaw Furtok Concert Pieces For Double Bass And Piano offers great variety. Ideal for musicians following the Barenreiter Early Start On The Double Bass method the pieces featured in this book are all of a easy-medium level of difficulty.
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Gajdos M. - Zingaresca - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Zingaresca A czardas-influenced work which is full of the fire and passion of t...
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Zingaresca A czardas-influenced work which is full of the fire and passion of the typical Gipsy idiom. Zingaresca offers much for the advanced bassist and would be ideal for conservatoire or university students who are confident playing throughout the solo range of the instrument. A slow and lyrical introduction leads into a rhythmic and lively czardas these with opportunities to demonstrate both musical and technical prowess in equal measure. Ideal as the final work in a recital and performed many times by the composer. The edition includes piano accompaniments for both solo and orchestral tunings. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.intermediate bassist which will be published by Recital Music.
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