Potes Suite is a set of four contemporary pieces for flute and guitar composed by the flute and guitar duo ?Nuclear Okra.? The pieces are inspired by the rich tapestry of diverse cultures living in the medieval mountain village of Potes, Spain. The suite incorporates a wide variety of musical styles, rhythms, and techniques drawn from folk, flamenco, Balkan, jazz, blues, country, classical, West African, and Latin American genres. Each piece is approximately four minutes in length. Includes access to online audio.

A Tambourin is a lively dance with two beats. Originally from Provence is was often accompanied by a pipe and a tambourine. Melodic simplicity and poignant rhythm were characteristic features often imitating the hand striking the percussion instrument. They were most popular widespread across France and Europe in the 18th Century this dance often inspired the more sophisticated court composers especially in France. This volume consists of 14 Tambourines by some of the great composers including Philibert de Lavigne Christoph Willibald Gluck Georg Friedrich Handel and Jean-Marie Leclair all arranged for Guitar and Flute by Bent Larsen and Jan Sommer.

Par . The delightful sound of flute and guitar finds Paul Coles inspired both as arranger and composer. In ?Gaelic and British Melodies?, he has explored some of the most popular pieces from these traditions as well as providing ten of his own compositions in the same styles. These will be ideal for school or folk club performances or simply for the sheer pleasure of playing together with a friend. They are suitable for intermediate players. / Date parution : 2022-11-03/ Recueil / Flûte et Guitare

Par SCOTT ANDY. A new arrangement of Andy Scott's popular piece, And Everything is Still... is now available. Arranged by virtuoso guitarist James Girling, in conjunction with the composer. Inspired by a poem written by Lemn Sissay (taken from his children?s book The Emperor?s Watchmaker), And Everything Is Still? was commissioned by the Royal Northern College of Music

Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.

Johann Adolph Hasse (1699-1783) est progressivement redécouvert en tant que maître de l'ère baroque tardif. Parmi ses oeuvres sont nombreuses sonates et concertos pour flûte qui, sans doute inspiré par son amitié avec Quantz et sa relation avec Frédéric le Grand, jouer un rôle particulier. Ceux-ci comprennent également présent Sonate pour Flauto traverse et basso continuo dans un arrangement pour flûte et guitare. Dans la partie de guitare, l'adaptation de la sonate pour cette instrumentation se concentre sur la ligne de basse entièrement notée. Autres - guitare spécifique - des embellissements tels que la vigne de corde, imitations, etc reculent en faveur de la ligne de basse de premier plan. / Flûte Et Guitare