Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par VIGNOLA FRANK. Dans ce livre et CD, guitariste de jazz maître Frank Vignola a pris huit des progressions de différents accords standard jazz et pièces de guitare rythmique enregistré vous pouvez jouer le jeu et apprendre les plus couramment utilisés des progressions de corde. Il a également écrit un solo de jazz pour chacun des airs huit. Celles-ci sont comptabilisées à tempos lents et plus rapides pour la pratique. Le premier refrain de chaque piste a le solo et la guitare rythmique, et le reste des choeurs ont juste la guitare pour que vous puissiez jam avec. La notation pour chaque morceau comprend un solo de jazz écrit en notation et tablature et aussi un graphique de la corde. / Niveau : Intermédiaire / Jazz - Accompaniment / Tablatures / Guitare Tablatures

Frank Gambale's new improvisation book is a twelve-chapter course, with seven lessons per chapter, that covers the twelve most important scales and modes. Each lesson explores the chords, voicings and licks that are derived from each scale. The two enclosed CDs contain 119 recorded music examples (over 50 CD tracks), and the clearly presented text is written in standard notation and tablature.

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par BAY WILLIAM. Ce livre de point de repère de la musique pour la guitare jazz de style plectre a des années pour compiler, écrire et éditer. Il contient certains des plus grands solos et des duos jamais écrite et interprétée sur la guitare plectre ou flatpicked, incluant les oeuvres de Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson et Cal Collins. Tous les solos sont en notation et tablature tandis que les duos sont indiquées dans la notation standard uniquement. / Niveau : Intermédiaire à Avancé / All Styles - Solos and Duets / Tablatures / Guitare Tablatures Flatpick et Plectre

In this book and the accompanying online audio, master jazz guitarist Frank Vignola has taken eight different jazz standard chord progressions and recorded rhythm Guitar parts so you can play along and learn these most commonly used chord progressions. He has also written out a jazz solo for each of the eight tunes. These are recorded at slow and faster tempos for practice. The first chorus of every track has both the solo and the rhythm Guitar, and the rest of the choruses have just the rhythm Guitar for you to jam along with. The notation for each tune includes a jazz solo written out in notation and tablature and also a chord chart. Includes access to online audio.

This book is a condensed, made-for-guitar version of Nicolas Slonimsky's publication Thesaurus of Scales and Melodic Patterns - the book that musicians as diverse as John Coltrane and Frank Zappa used for ideas and inspiration. Musicians familiar with the original Thesaurus know that it contains a daunting amount of information crammed in it's over 230 pages. But there is a definite symmetry and logic in these Slonimsky examples. What appear to be random patterns are actually mathematical combinations of some or all of the twelve notes in music. As the musician/student plays through the examples, the patterns will unfold and become more obvious. / Guitare

Par ZAPPA FRANCK. Notre folio correspondant à l'influence de Frank Zappa, premier solo transcriptions de la note-pour-note de fonctionnalités album avec onglet pour toutes les six chansons, beaucoup de photos et une intro par et la couverture de l'album avec la permission de Matt Groening / Rép International / Tablatures / Guitare Tablatures

Music historian Dave Rubin surveys the gear, tones, licks and lives of 100 top guitarists in this exclusive book/audio pack. Includes rare photos, bios, tablature and audio demonstrations of every lick in the book! Learn the magic behind the masters, including: Duane Allman - Jeff Beck - Chuck Berry - Eric Clapton - Bo Diddley - Tommy Emmanuel - Robben Ford - Buddy Guy - Jimi Hendrix - James Hetfield - Robert Johnson - Mark Knopfler - Yngwie Malmsteen - Pat Metheny - Django Reinhardt - Randy Rhoads - Carlos Santana - Joe Satriani - Slash - Steve Vai - Stevie Ray Vaughan - Angus Young - Frank Zappa - and more. / Guitare

Après le succès mondial de la collection Ultra Smooth Jazz Grooves que j\'ai co-écrite avec le saxophoniste Frank Villafranca, basée sur des compositions que nous avons écrites pour notre groupe The Super Groovers, je suis maintenant l\'auteur de la collection Smooth Jazz pour les instruments suivants : Piano/Clavier, Guitare/Basse, Flûte, Clarinette, Violon, Saxophones Alto et Ténor, Trompette et Trombone.
Le Smooth Jazz couvre une grande variété de styles différents et j\'ai combiné des éléments de Jazz, Rock, Pop, Blues, Latin, Gospel, Funk et R

Sans doute le plus accompli techniquement joueur qu'au monde de la guitare rock ait jamais connu. Après avoir coupé ses dents avec la formidable Frank Zappa, Steve Vai ont relevé le défi de remplacement d'Eddie Van Halen sideman de la scandaleuse David Lee Roth. L'AET em et sourire album établi Vai comme un talent comique, imprévisible et parfois choquant de guitare. Ce DVD présente quatre chansons du dossier très en détail, beaucoup de secrets techniques du Vai, du chaos à grande vitesse de Going Crazy sleazy blues de Ladies Nite In Buffalo de déverrouillage. Plus de deux heures de didacticiel. / Guitare

The Total Acoustic Guitarist is an exciting journey through the diverse world of acoustic guitar playing. You start by strumming some basic tunes and end up slapping, tapping, and sliding your way through some cool and funky arrangements. This wide-ranging study of the acoustic guitar is for players of all levels. The book touches on contemporary stylings and also tips its hat to the greats of the past. A CD with backing tracks in different styles to jam over is included. / Guitare