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Orchestra
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Percussion (42)
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Saxophone and Piano (40)
Children choir, Piano (39)
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Descant (Soprano) Recorder (35)
2 Guitars (duet) (35)
Cello, Orchestra (35)
2 Trumpets (duet) (34)
Bassoon, Piano (duet) (34)
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Conducteur (33)
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Saxophone Ténor et Piano (30)
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Tenor voice (26)
Pocket, Study conductor (26)
Trio avec Piano (26)
Livret (25)
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Quartette Pour Flûtes à Bec … (24)
Clavecin ou Harpe), 2 Violons … (24)
High voice (24)
Violin, Basso continuo (23)
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Quatuor (21)
Baritone voice (21)
Recorder Quartet (21)
Travaux Pour Choeurs (20)
Mandoline, Cordes et Basse Con… (20)
2 Trombones (duet) (20)
Diverses Formations (20)
Flute, Cello, Piano (trio) (20)
Tuba (19)
2, 3 ou 4 Violons (19)
String quintet (18)
Euphonium en Clé de Fa Do ou … (18)
Recorder Ensemble (18)
Pennywhistle (18)
String Trio: 2 violins, cello (18)
Solistes SATB, Choeur SATB, 2 … (18)
Guitar Tab, Voice, Bass, Drum (18)
Ensemble (18)
Violoncello, Basso continuo (18)
Violin, Viola (duet) (17)
Symphonic Band (17)
Recorder, Piano (17)
Chanson (17)
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Trompette ou Cornet, Trombone … (16)
Hautbois, Basson et Piano ou O… (16)
Flute ensemble (16)
Clarinet Quartet: 4 clarinets (16)
Flûte Traversière, Clarinett… (16)
Ensemble Mixte (16)
Petit Choeur SATB/SATB, Contre… (16)
Chorale (16)
Quintette à vent (16)
Violon I (16)
Double bass, Piano (duet) (16)
4 Voix (SATB) (15)
Tuba en Do et Piano (15)
Solistes STB, Choeur SATB, 3 C… (15)
Treble (Alto) Recorder, Basso … (15)
Musical Awakening (15)
Treble (Alto) Recorder (15)
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Biography (15)
Marimba (15)
Trompette en Do ou et Trompett… (14)
2 Hautbois Et Orchestre (14)
Orchester (14)
Soli and Orchestra (14)
DVD concert (14)
Big band (14)
Tuba and Piano (14)
Flute, Basso continuo (14)
Flexible Instrumentation (14)
String Quintet: 2 violins, vio… (14)
Piano, Chant et Guitare Tablat… (14)
Guitare et Musique de Chambre (13)
Piano Quintet: piano, violin, … (13)
Percussion Ensemble (13)
Concert Band/Harmonie (13)
Solistes ATB, Choeur SATB, Tro… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Flute, Orchestra (13)
Dulcimer (13)
4 Euphoniums (12)
Soli (SATB), Choeur Mixte (SAT… (12)
:: (12)
Trombone or Euphonium (12)
Hautbois I/II, Cor Anglais I/I… (12)
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Solistes SATB, Choeur SATB, 2 … (12)
3 Euphoniums et Piano ou Clavi… (12)
4 Guitars (Quartet) (12)
2 Euphoniums et Piano ou Orgue… (12)
Violin, Guitar (duet) (12)
Choral CD (12)
Stationery (12)
Choral SSAATTBB (12)
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Clarinet Ensemble (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Ocarina (11)
Solo T et Orchestre (11)
Solistes SATB, Choeur SATB, Tr… (11)
Violon, Violoncelle, Hautbois,… (11)
Paroles et CD (11)
Piano, Bass, Drums (trio) (11)
K7 Vidéo (11)
S, A, A, T, B, Choeur Mixte A … (10)
Flûte Traversière ou Flûte … (10)
Voice and Orchestra (10)
Choeur SATB (TTBB), 2 Cors, 2 … (10)
Percussions (10)
Organ, Piano (duet) (10)
Tenor Saxophone and Piano (10)
Saxophone (band part) (10)
Guitare et Voix (10)
Partition de Poche (10)
Voix Mixtes (10)
Flute, Clarinet (duet) (10)
Lyrics only (10)
Descent (Soprano) Recorder, Pi… (10)
Solo Instrument (Violon I, Vio… (9)
Solistes SATB, Choeur SATB, Ha… (9)
Woodwind Quintet (9)
Violon I, Violon II, Alto et V… (9)
Baryton ou Tuba Basse Continue… (9)
Double bass, Orchestra (9)
Solo T, 2 Violons et Basse Con… (9)
Solistes SATB, SATB et Orchest… (9)
Solistes SB, Choeur SATB, Haut… (9)
Trio (9)
Saxhorn and Piano (9)
Xylophone or Marimba or Vibrap… (9)
5 A 9 Instruments A Vent (9)
Guitar and Bass Tablatures, Ch… (9)
Voix et Orchestre (9)
Vibraphone (9)
Scores (9)
Book (9)
Clavecin (9)
2 Violins, Piano (9)
Ensemble A 4 Parties (9)
5 Part Ensemble (9)
Trio à Cordes (8)
Conga (8)
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Euphonium (8)
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Violon Principal, 2 Violons, 2… (8)
Quartette Pour Flûtes Travers… (8)
Baritone Saxophone (8)
Flûte Traversière, Clarinett… (8)
Flûte à Bec et Piano (8)
2 Violins and Basso (8)
Flute Quartet: 4 flutes (8)
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2 Cornets, Cor en Mib et Tuba (8)
Oboe, Violin, Viola and Violon… (8)
3 Recorders (trio) (8)
Petit Orchestre: Récitant, So… (8)
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Violin, Horn and Piano (8)
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School Ensemble (8)
Lute (8)
Handbells (8)
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3 Parties Mixtes, Flûte A Bec… (7)
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Mandoline Et Orchestre (Mandol… (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
Voix, piano (7)
Ensembles de Cordes (7)
Choeur Mixte, Ensemble de Cham… (7)
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Balalaïka Et Piano (7)
Contrebasse, Alto et Piano (7)
Voix Seule (7)
2 Hautbois, 2 Cors Et 2 Basson… (7)
Ensemble Instrumental (7)
Choeur (Unisson), Voix Hautes … (7)
Voix et Instruments Divers (7)
Orgue (Ou Harpe), 2 Flûtes Tr… (7)
Violoncelle, Harpe et Timbales… (7)
DVD (7)
Parties (7)
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Flute Trio: 3 flutes (7)
Harpsychord (6)
Double Choeur Mixte, Soprano e… (6)
Flute, Viola and harp (6)
Euphonium ou Saxhorn Solo (6)
Choeur Mixte (SATB), Soli Et O… (6)
Flûte Traversière (Ou Hautbo… (6)
Batterie-Fanfare (6)
Euphonium ou Saxhorn en Clé d… (6)
Basse, Choeur Mixte (SATB) Et … (6)
Solistes ST, Violon, (Cornet … (6)
2 Bassons et Piano ou Orgue (6)
Parties Supplémentaires (6)
Horn and Orchestra (6)
Soprano, Piano (6)
2 Flutes, Piano (6)
2 Saxophones Alto et Piano ou … (6)
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Orchestre A Cordes Et Instrume… (6)
Solistes STB, Choeur SATB, (Ba… (6)
Edition Complète (6)
Solo Bar (Ms), Hautbois Da Cac… (6)
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2 Sopranos, Choeur Mixte (SATB… (6)
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Trombone (band part) (6)
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3 Clarinets (trio) (6)
Harp, Cello (duet) (6)
Saxophone Quintet: 5 Saxophone… (6)
Octuor A Vent (6)
Clarinette, Viola and Piano (t… (6)
Descant (Soprano) Recorder, Ba… (6)
2 Clarinets, Piano (6)
Saxhorn Basse en Sib et Piano (6)
Solo A, 2 Flûtes Traversière… (6)
Voix et Piano ou Guitare (6)
Organ, Voice (6)
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Snare drums (6)
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Mandoline et Orchestre (Mandol… (5)
Cello, Organ (5)
Exemplaire Complet (5)
Balalaika (5)
Choeur SATB, 2 Hautbois, 2 Cla… (5)
Cornet and Piano (5)
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2 Trumpets, Horn, Trombone an… (5)
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Soprano, Violon I, Violon II e… (5)
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Bagpipe (5)
Choeur SS (SA), 2 Violons et B… (5)
2 Cellos, Piano (5)
Cuivres (4) (5)
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Ligne Mélodique/Instruments D… (5)
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Petit Ensemble Contemporain (5)
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Soprano (5)
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Edition Critique des oeuvres d… (5)
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2 Trumpets, Keyboard (piano or… (5)
ENS::Ensemble (5)
Violon, 2 Violons 'Per Eco' et… (5)
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Choeur d'Enfants à 1 Partie, … (5)
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Melody line, Piano (5)
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Clarinette, Saxophone, Trompet… (4)
Trompette Sib 1 Cor en Fa 1 Tr… (4)
Trumpet, Horn and Piano (4)
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2 Cornets et Piano ou Orgue (4)
Pop music (4)
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Musical (4)
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Musique de chambre (4)
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Orchestre de Chambre Spatialis… (4)
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Clarinette et 4 Violoncelles (4)
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Soli (SAATTBB), Choeur Mixte (… (4)
2 Violons, Alto et Basse (4)
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Guitar, String Quartet (4)
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Flûte à Bec (Alto ou Soprano… (4)
Flûte Traversière, Alto et H… (4)
Contrebasse, Orchestre à Cord… (4)
3 Saxophones (Alto, Ténor) et… (4)
Violon, Clarinette (Alto) et O… (4)
Viola, Organ (4)
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Choeur Mixte et Orchestre (4)
Flûte à Bec Alto et Basse Co… (4)
Trombone, Organ (4)
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Saxophone Alto Solo (4)
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Nursery rhyme (4)
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More Than I Can Say/Tie A Yellow Ribbon (Ergänzerstimmen Salonorchester). Sheet Music for Orchestra
Orchestra
[Sheet music]
Peer Musik Verlag
Tie A Yellow Ribbon-Von Peermusic gibt es Arrangements berühmter Klassiker dive...
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Tie A Yellow Ribbon-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier die Ergänzerstimmen. Die Besetzung - Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello.Hier der Doppelband mit More Than I Can Say (Curtis/Allison) und Tie A Yellow Ribbon(Levine/Brown).
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More Than I Can Say/Tie A Yellow Ribbon (Salonorchester). Sheet Music for Orchestra
Orchestra
Peer Musik Verlag
Tie A Yellow Ribbon-Von Peermusic gibt es Arrangements berühmter Klassiker dive...
(+)
Tie A Yellow Ribbon-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier der Standardsatz. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass; Klavier(Akkordbezifferung und Text). Hier der Doppelband mit More Than I Can Say (Curtis/Allison) und Tie A Yellow Ribbon (Levine/Brown).
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Franz Joseph Haydn: London Symphony No.12 -D Major Hob.I:104: Orchestra
Orchestra
BARENREITER
About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Josep...
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About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Joseph Haydn. Edited by Hubert Unverricht. For Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum. Score; Urtext Edition (paperbound). Hob.I:104. Duration 40'. Published by Baerenreiter-Ausgaben (German import). (BA4668 01) ISBN M006498253.
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...
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Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Franz Joseph Haydn: Symphony No.46 In B Hob. I: Orchestra: Miniature Score
Orchestra
Eulenburg
Symphony No.46 In B Hob. I
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Georges Bizet: Carmen Suite I: Orchestra: Miniature Score
Orchestra
Eulenburg
Carmen Suite I
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Gordon Jacob Hubert Parry: I Was Glad When They Said Unto Me (Score): Orchestra:
Orchestra
[Sheet music]
Novello & Co Ltd.
I Was Glad When They Said Unto Me (Score)-Orchestrated by Gordon Jacob.Instrumen...
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I Was Glad When They Said Unto Me (Score)-Orchestrated by Gordon Jacob.Instrumentation.2 Flutes2 Oboes2 Clarinets in B flat2 Bassoons4 Horns in F8 Trumpets in B flat2 Tenor TrombonesTubaTimpaniPiccolo SnareHarpOrganChorusStrings
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Lucien Cailliet: I Am Music: Orchestra and Vocal: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
I Am Music
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Craig Curry: Do Not I Love Thee O My Lord?: Orchestra: Parts
Orchestra
Shawnee Press
Do Not I Love Thee O My Lord?
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Lucien Cailliet: I Am Music: Orchestra and Vocal: Score
Orchestra
Southern Music Ltd
I Am Music
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Joseph Haydn: Sinfonie B-Dur Hob. I:102: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Symphony in Bb major Hob. I:102-The twelve London Symphonies??? comprise the sub...
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Symphony in Bb major Hob. I:102-The twelve London Symphonies??? comprise the sublime final statement of Haydn???s symphonic ??uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual in that Haydn includes trumpets and timpani both muted. This study edition adopts the musical text of theHaydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Score
Orchestra
[Sheet music]
Barenreiter
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his tripty...
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With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Concerto For Orchestra
Orchestra
Schott Music Ltd., London
Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle...
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Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle les différentes sections de l'orchestre, ainsi que différents solos et duos du sein de l'orchestre, sont mis en évidence que la musique se déploie. Le travail continue mon intérêt pour les formes à deux mouvement qui a commencé avec mon Concerto pour violoncelle (1991), et plus tard a été développé dans Sortilège (1996) et la Symphonie (Broken Consort) (2004). Dans ces oeuvres, et dans le Concerto pour orchestre, chaque mouvement est le même poids et de l'importance avec le second développement de matériel plus tôt et prendre de nouvelles directions.La forme en deux mouvements du Concerto pour orchestre vient d'une structure symphonique sonate, remodeler la forme en quatre mouvements traditionnels et en combinant cela avec les aspects de la forme sonate, une tradition qui remonte à Liszt, Schoenberg et Sibelius:1er mouvement (i) l'exposition d'idées - dramatique et soudaine (ii) scherzo et développement 1 - résolue2ème mouvement (iii) adagio - calme et tranquille (iv) le développement 2 avec récapitulation - intense et énergiqueLe Concerto pour orchestre a été commandée par le Musikalische Akademie des Nationaltheatre-Orchesters Mannheim avec le soutien de Die Landesbank Baden-Württemberg pour ses deux premières représentations le 31 Mars et 1er Avril 2008 réalisée par Friedemann Layer. La partition est dédiée à l'amitié et l'admiration pour Ronald Zollman. / Orchestre
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Joseph Haydn: Symphony No.81 In G Major Hob.I: Orchestra: Parts
Orchestra
Barenreiter
Hob I:81
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Pierre Boulez: Notations I-IV: Orchestra: Study Score
Orchestra
Universal Edition
Notations I-IV
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Chris Lockwood Ryan King: I Will Rejoice: Orchestra: Parts
Orchestra
Integrity Music
I Will Rejoice
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Joseph Haydn: Symphony No.81 In G Major Hob.I: Orchestra: Parts
Orchestra
Barenreiter
Hob I:81
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...
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Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Roberto Gerhard: Albada Interludi i Danza: Orchestra: Score
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 957-Although this work was performed at the time of its...
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Hawkes Pocket Scores HPS 957-Although this work was performed at the time of its composition in 1937 it remained unpublished. This therefore is the first published edition of the full score. Albada Interludi i Dansa was written specially for the BBC's series of Spanish programmes old and new broadcast in October 1937.
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Selections from The King and I: Orchestra: Score
Orchestra
Hal Leonard
Selections from The King and I
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Joseph Haydn: Symphony No.81 In G Major Hob.I: Orchestra: Parts
Orchestra
Barenreiter
Hob I:81
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Michio Kitazume: Side By Side Version I: Orchestra: Score
Orchestra
[Score]
Zen-On
Side By Side Version I
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Part
Orchestra
Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...
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Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Joseph Haydn: Symphony in D major Hob. I:104 SE: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Symphony in D major Hob. I:104-The twelve London Symphoniesâ? comprise the su...
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Symphony in D major Hob. I:104-The twelve London Symphoniesâ? comprise the sublime final statement of Haydnâ??s symphonic Å?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The D-major Symphony no. 104 was composed as the last of the London Symphoniesâ? in early 1795 and is not only the concluding work but also the highlight of Haydnâ??s symphonic output overall. It firmly established the high standards of the genre for future generations of composers and probably Haydnâ??s most performed symphony to this day. This study edition adopts the musical text of the Haydn CompleteEdition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Symphony No.52 in C minor Hob.I:52 (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn...
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphonies 1780/81 (HAYDN FRANZ JOSEF)
Orchestra
G. Henle
Edition complète avec commentaire critique, reliure paperback, Reihe I, Band 10...
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Edition complète avec commentaire critique, reliure paperback, Reihe I, Band 10. Par HAYDN FRANZ JOSEF. / Répertoire / Orchestre
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Symphonies 1780/81 (HAYDN FRANZ JOSEF)
Orchestra
G. Henle
Edition complète avec commentaire critique, reliure lin, Reihe I, Band 10. Par ...
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Edition complète avec commentaire critique, reliure lin, Reihe I, Band 10. Par HAYDN FRANZ JOSEF. / Répertoire / Orchestre
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Georg Philipp Telemann: Tafelmusik I: Ensemble: Score
Orchestra
[Score]
Barenreiter
Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg...
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Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681–1767)Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.
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Franz Joseph Haydn: Symphony in C minor Hob I:78: Wind Ensemble: Score
Orchestra
Barenreiter
Symphony in C minor Hob I:78
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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