SKU: ST.H337
ISBN 9790220210198.
Revision of melodic and harmonic intervals, dotted notes, syncopation and more difficult rhythms, key signatures of up to three sharps or flats, 3-8 time, B sharp equals C natural, 12 pieces for grade three.
SKU: SU.95010680
Throughout our wonderful spectrum of sounds every instrument speaks in its own unique voice - in a special manner, with a special accent. Keyboard Cousins asks the developing pianist to adopt a few of these other voices using controlled varieties of touch. —Judith Lang Zaimont The Harpsichord A Harpsichord's sounds are short and a bit brittle. So use a detached touch, and no pedal. The Guitar A Guitar's tones linger, and the instrument responds to flexing tempos. Watch for the detached, moving inner line, shared from hand to hand, while the top and bottom anchor points sustain. And note the given direction for certain arpeggios, and where the tempo loosens (especially a long ending ritard). The Harp A Harp's exuberance flourishes across its wide range. Its arabesques build up resonance over time, so watch how the pedaling matches the phrasing. Though the meter twice switches from triple to duple, there are the same steady 2 beats in every bar.Keyboard Cousins is included in Piano Premieres, Volume 1 (Cat.# 96010590), New music for developing pianists. Piano Duration: ca. 5' Composed: 2020 Published by: Subito Music Publishing.
SKU: PO.PEL11
ISBN 9781776605514.
This volume comprises of Lilburn's four piano sonatas. The sonata in F sharp minor is a work of pure Romantic sensibility, while the sonata for piano in A minor reveals Lilburn's very sharply realised visual sense. There is a bracing, lyrical power to his 1949 sonata, the curve and grain of the music partaking of an impressive physical space. The second sonata, from 1956, provides an outstanding example of Lilburn's orchestration of piano colour and his sensitive balancing of tonal relationships.
SKU: AP.PA9514A
ISBN 9780757908651. UPC: 654979018766. English.
The title provides a perfect description of this gorgeous piano solo. The piece is gentle and peaceful, creating a sense of calm. Rocherolle creates an impressionistic wash of color with the flair of Liszt and the mood of Debussy. The left hand flows in harp-like sixteenths with the right hand singing beautifully above. This is Rocherolle in a melodic, reflective mood. It is fine music, a wonderful Debussy-eske experience.
About SMP Level 9 (Advanced)
All types of major, minor, diminished, and augmented chords spanning more than an octave. Extensive scale passages.
SKU: HL.14042523
ISBN 9788759826911.
To Mediterrane Meditiationer / Two Mediterranean Meditations for Piano solo was composed by Per Nørgård in 1980. Dedicated Ragnhild Toft.
1. Græsk motiv (Greek motif) 2. Medstrømme (Cocurrent) The piano pieces (Two Mediterranean meditations) was inspired by a little town, Isternia, in the Greek island Tinos. During a stay there I was captured by the timeless peace that emitted from the shimmering white sculptured steps, and by the sounds in the narrow streets, creating an atmosphere of balanced activity on the background of a meditative silence. The pianopieces are related to the work “Isternia” (1979, for cimbalon solo, later rewritten for other instruments); the music seems to possess a certain timeless or rather ´genre-less´ character; this is effected through the use of archetypal melodies and meters changed in a rather ´cubistic´ way. In this respect the work is related to my “Sonora” (for flute and harp) and the duet “Medstrøms og modstrøms” (“Cocurrent & countercurrent”) Per Nørgård
SKU: AP.36-M334791
UPC: 660355190605. English.
Originally written as the 2nd movement from SIX PIECES for solo harp, this light and challenging piece works exceedingly well on piano.
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