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Piano, Voice
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Book (68)
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Djembe (44)
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Violon 3 (Partie Séparée) (43)
String Quintet: 2 violins, vio… (42)
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Trio De Cuivres (38)
Quintette à Cordes (38)
Lute (38)
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Harpsichord and Strings (37)
Guitar, String Quartet (37)
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Clarinette et Quatuor à Corde… (36)
Piano, Bass, Drums (trio) (36)
2 Violons, Cordes Et Basse Con… (36)
Batterie Fanfare En Sib (36)
Solistes SATB, Choeur SATB, Fl… (35)
Chamber Music (35)
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Clarinet, Violin, Cello, Piano… (35)
String Trio: 3 violins (35)
Lap Steel Guitar (35)
2 French horns, Piano (35)
2 Cornets, Cor en Mib et Tuba (35)
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Viola da Gamba (34)
2 Saxophones, Piano (34)
Choral SSATTB (34)
Piccolo (34)
Oeuvres Théâtrales/Oratorios… (34)
2 Saxophones Alto et Piano ou … (33)
4 Clarinettes et Piano ou Orgu… (33)
Flute, Clarinet, Piano (trio) (33)
8 Voix (SATB et SATB) et Basse… (33)
6 Parties Mixtes (33)
Choeur de Femmes (33)
2 Flûtes Traversières, 2 Cor… (32)
4 Saxophones (Soprano, Alto, T… (32)
Orchestre D'Harmonie avec Soli… (32)
2 Saxophones Ténor et Piano o… (32)
Saxophone Alto, Saxophone Tén… (32)
Pop music (32)
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Cor en Fa (32)
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Guitare Tablatures Flatpick et… (32)
DVD Opera and Ballets (32)
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Soprano Saxophone and Piano (29)
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Flûte à Bec F1, Violon et Ba… (28)
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Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversière Violon et … (28)
2 Trompettes Sib 1 Cor en Fa 1… (28)
Flûte à Bec Alto et Basse Co… (28)
Alto, Cordes Et Basse Continue… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
4 Cellos (28)
Piano et Orchestre (28)
Flûte Traversière, Hautbois,… (28)
Saxophone Quintet: 5 Saxophone… (28)
Violoncelle ou Contrebasse (Pa… (28)
Instruments Acoustiques (28)
Solistes SATB, Choeur SATB, 2 … (27)
Snare drums, Piano (27)
Trumpet, Trombone (duet) (27)
Cello, Organ (27)
Viola and orchestra (27)
2 Flûtes Traversières Et Bas… (27)
Quatuor Avec Piano (26)
Violoncelle, Cordes et Basse C… (26)
2 Flûtes Traversières, Corde… (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
String Trio: 2 violins, viola (26)
Partition D'Orchestre In 16 Po… (26)
Autoharp (26)
2 Bassoons (duet) (26)
Oboe, Basso continuo (26)
Tambour (26)
Trombone ou Tuba (26)
2 Oboes, Piano (26)
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Choeur SATB, 2 Violons, Alto e… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
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Choeur SSATTB et Basse Continu… (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Sextuor (25)
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Harp, Orchestra (25)
Trombone en Sib Basse Continue… (25)
Trompette Et Orchestre (25)
Hautbois et Basse Continue (25)
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Trombone ensemble (25)
Medium Voice (25)
Flûte à Bec, 2 Violons, Alto… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Flûte Traversière 3 Clarinet… (24)
Trompette, Cor et Piano ou Org… (24)
Musique de chambre (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flûte à Bec F2, 2 Violons et… (24)
Quatuor à Cordes et Guitare (24)
Clarinette 2 Violons 1 Alto 1 … (24)
2 Cornets et Piano ou Orgue (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Tuba et Euphonium (24)
Ensemble de Cors (24)
Marches de concert (24)
Solistes SATB, Choeur SATB, 2 … (24)
Flûte à Bec Alto, 2 Violons … (24)
Flûte Traversière, Clarinett… (24)
Clavier Electronique et Ligne … (24)
Soprano ou Ténor et Piano (24)
String trio (24)
Saxhorn or Euphonium (24)
Choeur SA et Piano (23)
Orchestre Juniors (23)
2 Violons, Basse et Basse Cont… (23)
Solistes SSATTB, Choeur SATB, … (23)
Libretto (23)
Ochestre à Cordes (23)
Accordion - Piano, Voice, Guit… (23)
Choeur et Orchestre (23)
Edition Complète (23)
2 Violons, Alto, Violoncelle (23)
Organ, Piano (duet) (23)
3 Percussions (23)
2 Percussions (22)
Solistes SATB, Choeur SATB, Ha… (22)
2 Cornets et Piano (22)
Choeur SATB, 2 Hautbois, 2 Cla… (22)
Violon, Instruments A Cordes E… (22)
Choeur SATB/SATB, ou Basse Con… (22)
Guitare Tablatures Electrique (22)
Concert Band ou Harmonie et Ch… (22)
String quartet: 4 violins (22)
2 Hautbois, 2 Clarinettes, 2 C… (22)
Ondes Martenot (22)
2 Trombones, Piano (22)
4 Tubas (22)
3 Trumpets (trio) (22)
Instruments Cuivre (22)
Violon, Alto et Basse Continue… (21)
Ensemble divers instruments (21)
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2 Cornets et 2 Tubas (21)
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Violon, Ensembles de Cordes et… (21)
Baritone Saxophone (21)
Guitar Tab, Voice, Bass, Drum (21)
Solistes SS et Basse Continue (21)
Alto et Orchestre (21)
Saxhorn en Sib en Clé de Sol … (21)
English horn, Piano (21)
Parties Séparées (21)
5 Voix SATTB (21)
Flûte Et Instruments Divers (21)
Mandolin, Piano (duet) (21)
CD only (21)
2 Bassons et Piano (21)
5 Recorders (21)
Mezzo-Soprano ou Baryton et Pi… (21)
Clavecin Et Instruments A Cord… (21)
Trombone Alto et Piano (21)
Choeur SATB, (Basse Continue) (21)
2 Saxophones Ténor et Piano (21)
Mug (21)
2 Cors en Mib et Piano (21)
Ensemble A 4 Parties (Clavier,… (21)
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Choeur d'Enfants à 1 à 3 Par… (20)
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Viola da Gamba, Basso continuo… (20)
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Clarinette et Orchestre (20)
Choeur a Cappella (20)
2 Flûtes Traversières ou Vio… (20)
2 Oboes (duet) (20)
2 Violons, 2 Altos et 2 Violon… (20)
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Soprano Saxophone (20)
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Bagpipe (20)
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Saxophone and Orchestra (20)
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2 Trombones Basse et Piano (20)
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Alf Clausen Danny Elfman: The Simpsons Songbook - 2nd Edition: Piano Vocal and
Piano, Voice
Hal Leonard
The longest-running animated primetime series in history and the longest-running...
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The longest-running animated primetime series in history and the longest-running comedy on television ?The Simpsons? is a cultural institution. This book contains 26 songs from the award-winning show including theinstantly recognizable theme song by Danny Elfman and Emmy® Award-winning originals by Alf Clausen such as ?We Put the Spring in Springfield? and ?You're Checkin' In.? It also features four new songsin print for the first time (?He's the Man ? ?Ode to Branson ? ?Testify? and ?The Very Reason That I Live?) and eight pages of beautiful full-color artwork from the show!
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Andrea Bocelli: The Best of Andrea Bocelli: Vivere: Vocal and Piano: Artist
Piano, Voice
Hal Leonard
This folio features 14 vocal transcriptions with piano accompaniment from Bocell...
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This folio features 14 vocal transcriptions with piano accompaniment from Bocelli's greatest hits album including: A Te · Because We Believe · Bésame Mucho · Canto Della Terra · Il Mare Calmo Della Sera · Io Ci Saro' · La Voce Del Silenzio · Melodramma · The Prayer · Romanza · Sogno · Time to Say Goodbye (Con Te Partiró) · Vivere · Vivo Per Lei.
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Teens Musical Theatre Anth Bk&CD
Piano, Voice
[Sheet music + CD]
Hal Leonard
Broadway Presents! Teens' Musical Theatre Anthology: Female Edition is a delight...
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Broadway Presents! Teens' Musical Theatre Anthology: Female Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime). / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano
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Eine florentinische Tragödie (ZEMLINSKY ALEXANDER)
Piano, Voice
Universal Edition
Par ZEMLINSKY ALEXANDER. If, as the editor states, Zemlinsky's A Florentine Trag...
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Par ZEMLINSKY ALEXANDER. If, as the editor states, Zemlinsky's A Florentine Tragedy is one of the milestones of 20th century music theatre, its path to acceptance was rather arduous. Beginning with the troubled text by Oscar Wilde, Zemlinsky dove into the work as if in a fever. A problem arose in requesting the rights to Wilde's text, not helped by timing (and World War I), and this was but one impediment to its performance. The editor provides a complete history of the work, in historical context, along with critical commentary, which, itself is fascinating reading. There follows the complete piano-vocal score in the 1916 UE edition, with revisions in 2011./ Répertoire / Chant et Piano
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Adina: Vocal Score Based on the Critical Edition by Fabrizio Della Seta
Piano, Voice
[Vocal Score]
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Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 18...
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Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.
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Il Teuzzone RV 736 (VIVALDI ANTONIO)
Piano, Voice
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Songs Of Latin America (SILVERMAN JERRY)
Piano, Voice
Mel Bay
Par SILVERMAN JERRY. Une collection de chansons colorées contenant de la musiqu...
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Par SILVERMAN JERRY. Une collection de chansons colorées contenant de la musique de 19 pays d'Amérique latine, dont l'Equateur, Costa Rica, la République dominicaine, Pérou, Porto Rico, en Uruguay, Panama, Guatemala, Honduras et autres. Toutes les paroles sont en anglais espagnol et chantantes. Arrangé pour voix et piano et cordes de guitare. / Niveau : Débutant à Intermédiaire / Latin American - Songbooks / Recueil / Chant et Piano
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Canzoni Napoletane
Piano, Voice
Emb (editio Musica Budapest)
0'MARENARIELLO O'SOLE MIO MATTINATA A' VUCCHELLA / Voix Et Piano
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Liriche - Art Songs: Arie Antiche - Vol.2 (Parisotti) Per Canto E Pianoforte
Piano, Voice
[Sheet music + CD]
Ricordi
Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART ...
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Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART SONGS: ARIE ANTICHE - VOLUME 2 (PARISOTTI) PER CANTO E PIANOFORTE est appréciée par tous les amateurs de Chant/Vocal/chOeur. A découvrir sans plus attendre!!! / Chant Et Piano / 88 pages / Partition + Cd
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On A Tous Péché
Français
Piano, Voice
[Score and Parts]
Martin, Robert
Compositeur(s): K. Patient (K-Reen)/M. Georgiades/C. Moses/Y. Jaquemet / Piano E...
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Compositeur(s): K. Patient (K-Reen)/M. Georgiades/C. Moses/Y. Jaquemet / Piano Et Chant / Chanson En Séparée
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National Anthems
Piano, Voice
[Sheet music]
Schott
National anthems are an integral part of official receptions and play an importa...
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National anthems are an integral part of official receptions and play an important role at major events such as the Olympic Games or World Championships. Most anthems date from the 18-20th centuries and are often an essential part of the political and cultural development of a country, e.g. on its way to independence or democracy.
At the same time, the anthem conveys a sense of community and is a means to express identification with one's home country. / [Hymnes Nationaux] / Musiques du monde / Partition / Broché /
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Liriche - Art Songs: Arie Antiche - Vol.5 (Parisotti) Per Canto E Pianoforte
Piano, Voice
[Sheet music + CD]
Ricordi
Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART ...
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Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART SONGS: ARIE ANTICHE - VOLUME 5 (PARISOTTI) PER CANTO E PIANOFORTE est appréciée par tous les amateurs de Chant/Vocal/chOeur. A découvrir sans plus attendre!!! / Chant Et Piano / 116 pages / Partition + Cd
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Au Coin de la Rue Volume 2
Français
Piano, Voice
[Sheet music]
Fortin
Les plus grands succès de l'Edition rassemblés dans 3 recueils d'une cinquanta...
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Les plus grands succès de l'Edition rassemblés dans 3 recueils d'une cinquantaine de pages avec les paroles, la ligne de chant, l'accompagnement piano et les accords chiffrés. Très facilement exploitable pour accordéon. / Partitions /
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Psaume 136 (Chant Des Captifs) Op. 33 - Chant, Piano, Choeurs
Français
Piano, Voice
[Sheet music]
Billaudot
La partition PSAUME 136 (CHANT DES CAPTIFS) OPUS 33 - CHANT, PIANO, ChoeurS de M...
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La partition PSAUME 136 (CHANT DES CAPTIFS) OPUS 33 - CHANT, PIANO, ChoeurS de Martinon Jean a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Piano D'Oeuvres Lyriques. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Chant Et Piano D'Oeuvres Lyriques / Partition
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Jakob Lenz (RIHM WOLFGANG)
Piano, Voice
Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera...
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Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano
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Psaume 136 (Chant Des Captifs) Op. 33 - Choeurs
Français
Piano, Voice
[Sheet music]
Billaudot
La partition PSAUME 136 (CHANT DES CAPTIFS) OPUS 33 - ChoeurS de Martinon Jean a...
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La partition PSAUME 136 (CHANT DES CAPTIFS) OPUS 33 - ChoeurS de Martinon Jean a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Choeur A 4 Voix Mixtes Et/Ou Piano (Ou Orgue) Et Ensemble / Partition
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Atchafalaya, Opéra Pour Enfants (Réduction Piano/Chant)
Français
Piano, Voice
Delatour France
L'Atchafalaya est un fleuve qui s'étend en Louisiane, colonie française. Jusqu...
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L'Atchafalaya est un fleuve qui s'étend en Louisiane, colonie française. Jusqu'à la fin du dix septième siècle. Partis de Touraine, du Bercy ou du Poitou, des français, devenus des Acadiens, vinrent habiter ses berges et ses marais. Accompagnant avec talent et vivacité le livret de Rémi Laureillard - pédagogique, poétique et ludique -, la musique d'Isabelle Aboulker aborde des styles contrastés : polyphonies simples, chansons drôles et émouvantes, musiques populaires et jazzy. / Choeur D'Enfants
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San Antonio De La Luna
Piano, Voice
Martin, Robert
Compositeur(s): Etienne DAHO, Edith FAMBUENA and JL PIEROT / Piano Et Chant / Ch...
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Compositeur(s): Etienne DAHO, Edith FAMBUENA and JL PIEROT / Piano Et Chant / Chanson En Séparée
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OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voice
[Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
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Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Love Never Dies - Revised Version
Piano, Voice
Really Useful Group
Les personnages principaux du Fantôme de l'Opéra de continuer leur histoire d'...
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Les personnages principaux du Fantôme de l'Opéra de continuer leur histoire d'Andrew Lloyd Webber musical très attendu suite, Love Never Dies.Dix ans après la mystérieuse disparition du Fantôme de l'Opéra de Paris, Christine Daaé accepte une offre de venir en Amérique et d'effectuer à New York, nouveau terrain de jeu fabuleux du monde, Coney Island. Arrivé à New York avec son mari et leur fils Gustave Raoul, Christine découvre bientôt l'identité de l'impresario anonyme qui l'a fait venir de France pour chanter.Ce recueil de chansons contient toutes les musiques de la production australienne de la sensation spectacle du West End dans les arrangements pour piano et voix avec symboles d'accord, ainsi que d'une magnifique section 8 page photo en couleur. / Voix Et Piano
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TANGO CANCION (HIGH VOICE)
Piano, Voice
[Sheet music]
Peters
Par . This collection of Argentinean tangos for voice and piano offers a cross-s...
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Par . This collection of Argentinean tangos for voice and piano offers a cross-section of tango across the ages, from the beginnings, through the Gardel era, the golden age and Tango nuevo (of Piazzolla and others), right up to contemporary compositions ? creating a perfect tango concert program. Whether used within a song recital, as encores, or as music for dance events, the repertoire in Tango canción is completely versatile and suitable for singers from all backgrounds. Arranged by the Argentinean composer, pianist and tango expert Juan María Solare, these songs retain an authentic tango sound while making the vocal and piano writing approachable by all ? especially those who are not familiar with the repertoire. Additional information and performance tips help performers achieve the passion of tango. A cross-section of Argentinean tangos from the beginnings up to the present day Easier and intermediate-level pieces, with practical piano accompaniments Includes introductions to the songs, translations of the lyrics and a guide to pronunciation Ideal as a complete concert programme. / Date parution : 2022-11-12/ Recueil / Chant et Piano
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