The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

Chant et piano / As Time Goes By Bilitis Bleu de L'Ete (Le) C'est ma Chanson Chacun Sa Route Chanson D'Orphee (La) Chanson Des Jumelles (La) Chic A Chiquito Danse Avec Moi Demons et Merveilles Dernier Metro (Le) Don'T Cry For Me Argentina Enfants Qui S'Aiment (Les) Goldfinger Java Bleue (La) Laura Lawrence D'Arabie Melodie Du Bonheur (La) Ne Me Dis Plus : `Tu` Otto E Mezzo (Huit Et Demi) Paris En Colere Pour Moi La Vie Va Commencer Quand On S'Promene Au Bord De L'Eau Reality Tara Theme Tonight Tourbillon (Le) Trois Petites Notes De Musique Homme Et Une Femme (Un) Jour Mon Prince Viendra (Un) / Facile (debutant)

Par FAITH REBECCA. In this collection we have gathered fifty Christmas Carols from around the world carefully arranging them for Voice and Piano. Each piano accompaniment is playable by a competent pianist, and there are additional optional harmonies added to the vocal part for choral use if desired. Every country puts its own unique cultural stamp on celebrating the holiday season and this volume can be used to explore those celebrations as part of a wider exploration of the World of Christmas. To this end we have included interesting Christmas related facts, a translation of the text, and both versions where they exist, so each anthem can be easily sung and understood, or compared. Ideal for use in the classroom, or by choirs, and provides wonderful presentational opportunities for themed Christmas concerts. / Choral Music, Songbooks / Recueil / Voix et Piano

For Voice And Piano With Lyrics In Spanish And English. Par SILVERMAN JERRY. Ce songbook contient un total de 34 chansons - tout en format de piano/voix avec les accords de guitare suggérées. Paroles sont en espagnol avec chantantes translittérations anglaises. Les titres comprennent : Desde Mexique il venido - Cielito Lindo - Corrido de los oprimidos - La Zandunga - Hay unos ojos colores - La Adelita - La Malaguena - La llorona - Deportados - El Cascabel - De - et plus encore. / Niveau : Débutant à Intermédiaire / Mexican - Songbooks / Recueil / Chant et Piano

12 Songs Originally Sung by Teen Characters-This collection contains 12 classic songs from teen roles in Broadway shows. Access to online Piano accompaniment tracks is included along with Playback+ software for changing tempo and pitch.Contents include: Astonishing (Little Women) Good Morning Baltimore (Hairspray) Home (Beauty and the Beast) I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) The Lamest Place in the World (13) Mama Who Bore Me (Spring Awakening) One Perfect Moment (Bring It On) Part of Your World (The Little Mermaid) Pulled (The Addams Family) Some Things Are Meant to Be (Little Women) There Are Worse Things I Could Do (Grease) and What It Means to Be a Friend (13).

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Containing 38 Piano solos this bumper collection offers a fantastic selection of film themes all specially arranged for the Grade 1-3 pianist. Features a brand new easy-to-read notation style complete with fingerings chordsymbols and lyrics where appropriate.

48 Favourite Songs Instrument : voice and piano Type : song book Nombre de Pages : 110 Six outstanding collections of favourite songs. All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos. Ideal for playing at home, in the clasroom, or even as concert items! Songs of the Americas is a collection from north, central and south America and the West Indies including Li'l Liza Jane, Land of the Silver Birch, Banana Boat Song, Deep River and Yankee Doodle. The edition is part of the ABRSM syllabus (grades 1 and 3). Content : A Life on the Ocean Wave - Deep River - Dona Dona - Jamaica Farewell - La Cucaracha - Land of the Silver Birch - Mango Walk - My Old Kentucky Home - Old Folks at Home - One More River - The Erie Canal - The Gypsey Davey - The Wreck of Sloop John B - Water Come a Me Eye - Angelico - Banana Boat Song - Carmen Carmela - Clementine - Dixie - Donkey Riding - Drill ye tarriers - Farewell My Own True Love, - Jeannie with the Light Brown Hair - Jennie Jenkins - John Brown's Body - Li'l Liza Jane - Linstead Market - Marching through Georgia - My Grandfather's Clock - No Other Moon - Nobody Knows the Trouble I've Seen - Patrick on the Railroad - Pay Me My Money Down - Riddles - Sambalele - Santy Anno - Shenandoah - Simple Gifts - Steal Away - Swing Low sweet Chariot - The Greenland Whale Fishery - The Old Man Who Lived in the Wood - The Shanty-Boys in the Pine - The Streets of Laredo - The Yellow Rose of Texas - Tortilla Vendor - When Johnny Comes Marching Home - Yankee Doodle

Chansons de misérables, Miss Saigon, Martin Guerre, la Reine Pirate et Marguerite dans les éditions pour voix avec accompagnement au Piano et une liste de contenu complètement différent pour les femmes et les hommes / Piano/Vocal/Guitare (PVG)

Frühe Lieder II (1911-1915) - Erstausgabe. Par SIMON KLAUS. All songs and lieder composed in the years 1910-1937 by the composer Erwin Schulhoff from Prague, who was persecuted by the National Socialists, are now published in three volumes for the first time, documenting his very different creative phases and stages of life: Whereas Vol. I and II stand for the emancipation from being a successor to Wagner and Debussy, Vol. III contains not only the well-known atonal Fünf Gesänge from 1919 but also fresh jazzy popular songs and political songs for the masses written after 1933 when he turned to communism./ Recueil / Chant et Piano